My first system entry last fall was titled “Getting Started.” That was accurate at the time — a lot of moving parts, learning what worked together, and figuring out where I wanted to land.
Several months later, the system has settled in.
Not because there’s nothing left to change, but because it has reached a point of balance where the gear largely disappears and the music takes over. The foundation remains the Revel Ultima Salon2, which continue to earn their reputation as true reference loudspeakers: flat, revealing, dynamically uncompressed, and remarkably consistent in real rooms. They don’t impose a sound, which is exactly why they work so well here. The front end provides the flavor; the speakers tell the truth.
The vinyl front end has matured into something I trust completely. The VPI platform with multiple arms allows cartridges to show their character without fighting the table, and the Lyra Atlas Lambda has proven to be an exceptional match — resolving without edge, with superb low-level detail, tone density, and realism on piano and voice. The Sound Smith Hyperion mkii MR remains a stalwart for jazz and vocals. I love the Koetsu for classic rock and the Miyajima Zero is, of course, my mono workhorse. The Sound Smith Zephyr is suprisingly versatile and nicely fills a role with older, less pristine records.
Electronics and amplification have likewise settled into supporting roles focused on low noise, headroom, and neutrality, letting recordings speak for themselves rather than being filtered through a house sound. Tube rolling has helped the Manley Steelhead and the Woo WA33.
What matters most is how my listening habits have changed. I spend far less time tweaking or comparing and far more time pulling records off the shelf. Good recordings sound outstanding, mediocre ones sound honest, and the system never draws attention to itself.
That’s when I know it’s doing its job.
Is it final? Probably not — no system ever really is. But it’s settled enough that the emphasis has shifted from building to listening, and that’s exactly where I want it.
Experience has a sound.
If you want, I can:
Just say the word.
I’ve made progress on this new system since September. It’s now dialed in and integrated. I’m enjoying regular listening sessions and buying new vinyl. I am satisfiDimensions: 17’ × 20’ Large
Ceiling: 9’
Discrete R-2R ladder DAC ( NOS/OS capable “Resistor Ladder” DAC)
I’ve been away from the hobby for some time as my career didn’t leave me a lot of time. I’ve recently resumed and started putting this system together. It’s finally starting to settle into a place that feels really enjoyable. The McIntosh C2800 with the MC611s seems to work nicely with the Revel Salon2s, giving me a smooth, relaxed presentation that’s easy to listen to for long stretches. The SB-16 Ultras took a bit of work to integrate, but with some light help from the Trinnov they’ve ended up blending in well and I get a “ruler flat” frequency curve in my room.
Vinyl has been the part I’ve spent the most time learning about. The VPI Classic 4 (12”) with the Hyperion MR and Koetsu Rosewood gives me two different but complementary approaches, and I’m looking forward to hearing what the Manley Steelhead brings when it arrives since the Chinook has already been a very solid performer in my system.
I’ve also started exploring mono records, which has been a surprisingly eye-opening experience. The Miyajima Zero really showed me how different true mono playback is compared to summing a stereo cartridge—there’s a clarity and immediacy that makes certain jazz and vocal recordings feel more “alive.” It’s been fun collecting a few mono pressings and learning how they’re best set up.
Digital is handled by the Holo Spring 3 KTE, which does its job in a very natural, unobtrusive way.
The room is about 16’6” × 20’, and I’ve tried to keep things as symmetrical and straightforward as possible. The Trinnov is used only lightly for timing, which helped tighten the imaging without changing the overall character.
Still lots to learn and plenty of room to experiment, but it’s been a really enjoyable project. Always open to suggestions or feedback.