Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405

Owner
Henry,

good to hear from you. regarding the real world, sales have leveled off at the new reality (we've gain market share in a declining marketplace), but we've all learned to live with it by now and resized our expectations so less stress.....and music/audio has reclaimed the 'proper' share of my time and energy. i'm a happier guy for it, i can tell you.

yes; i have had Kevin's and jtinn's new Evolution BNC interconnect in my system between the Playback Designs and the dart preamp for a few weeks now. i love it. as good as Herve's BNC was, this new one captures more air, you hear deeper into the music, better micro-dynamics, more emotion and pulse to the music. it is not a night and day difference; but it is more than a slight difference. in the context of the performance of my system it is significant.

i have only tried it on the source. i would expect it to make at least as big a difference between the dart pre and amp.

it is not cheap. i wanted to get both the one between my Playback and pre and the 7 meter between the pre and amp; but for now i can only afford the short one for the source for now. but i will get the longer one later when i can afford it.

Herve's BNC's sound great and this is not a 'good' and 'bad' thing. more like 'really, really good' and 'even significantly better'.

i hope that helps.

mikelavigne

Mike, its been a while...are sales picking up for you these days? Sure hope the worst is over...

I was wondering if you have tried Kevin's new interconnect and speaker cables yet. I haven't read all your posts for a while, so I may have missed your blog.

mtkhl567

Owner
Shane,

thanks for the feedback on the A90; i'm happy that you like it. as you point out, it seems to transend catagorizing and just get right to the music. it's neutral but has lots of substance and extension all at the same time.

i especially like the fact that it gives me most of the excitment of the Colibri's but it's always behaved. i've had it on three arms so far and it has thrived on each one.

mikelavigne

Owner
Mark,

the A90 does seem to be standing tall to further investigation.

i too am very curious how the TALEA might sound on my Dobbins SP-10 Mk3 or Garrard 301. i suspect it will knock it out of the park.

stay tuned....hopefully sometime soon we may have more answers.

mikelavigne

Mike - Got my Ortofon MC A90 up and running for 2 days. WOW!

You got it right man, this cartridge is unlike no other I have ever heard. I was expecting it to sound extremely detailed and analytical, but hopefully pure enough for me to like it. I was wrong, this just sounds like pure music.

If you like your system & LP's, you will luv this cartridge.

I am like you Mike, I don't find it stark whatsoever - in fact it is kind of laid back and a little full sounding, with plenty of transparency and dynamics - hold it, thats how I have voiced my system to sound.

This cartridge is so pure sounding, especially in the upper frequencies that you just listen to the music.

thanks for the tip Mike - great cartridge

downunder

As one of the lucky attendees at Sunday's analog fun-fest, I heartily agree with Mike's assessment of the A90 on the TALEA tonearm; it kicked ass! Possibly the best audio reproduction I've ever heard. We played a DG Sibelius conducted by HVK, literally goosebump time. Equally as magical with Neil Young and Duke Ellington.

Hmmm...wonder how the TALEA/A90 sounds on a Technics SP-10 MkIII or a Dobbin's Garrard? ;-)

jazdoc

Owner
hi Ed,

i'm feeling fine, thanks. the bug is gone i think. still trying to be a bit careful though with all the stuff going around.

the Benz Lp is a pretty darn good cartridge. in the December Stereophile Fremer writes about how the Benz LP S (is that different from a Benz Lp?) compares with the A90. he likes them both and says they 'produced profoundly different but equally credible reproductions of the music'. the Benz leans toward romance, the A90 leans toward stark analysis.

personally; i don't find the A90 'stark' in any non-musical way. i find the A90 reveals all the information and energy of the music, does not add anything, but puts all the musical parts together with a great amount of synergy. you hear into the music in a special way.

this last Sunday some friends were here. we had occasion to do some cartridge swapping and comparing of tt's, arms and such. my opinion of the A90's abilities relative to any others was only reinforced by what i heard on Sunday. it kicked ass. the words 'stark analysis' were not uttered nor even thought of.

mikelavigne

Hey Mike!

Got my A90 mounted... by Brooks and Brian Berdan. Did an excellent job. The cartridge sounds very different from my Benz LP. Gotta put some hours on it but out of the box it sounds pretty good!

How are you feeling? Got the bug out of your system yet?

Ed

theaudioassociation

Owner
Microstrip,

that had been suggested to me by Fred Thal (who did the refurb on my Studer) a year or so ago. it would be a wonderful thing if Herve would do it. twice at RMAF Ralph Karsten has mentioned to me that he could easily modify the phono circut in his Atmasphere preamp for tape.

there would be a few challenges.

not sure how long a cable the head amp in my tape decks can push. my Studer and Ampex are very large and right now they are on the other side of the room from my dart preamp.

then there is the EQ switching which repro amps typically have. i suppose it's easy enough to design in.

would there be enough demand to justify Herve's time to design? i don't know. there are a few darTZeel tape heads out there.

maybe i'll inquire about it. hard to imagine a potentially better tape repro unit than a battery powered dart.

mikelavigne

Hi Mike,
Have you considered having the second phono card of your Dartzeel modified to accept the direct output of the heads of your tape recorders (Bottlehead style)?
Then you could compare the A90 with your Tapeproject recordings ...

microstrip

Owner
hi Dave,

it's hard for me to be in a bad mood when i'm messing with audio gear, although i'd rather be listening. this weekend with the upgraded darTZeel amp i had been looking forward to lots of listening....which did not happen....which was the worst thing about the lost screw.

i do need to update my gear profile on A'gon, as well as audioasylum. the big problem is i'm not the sharpest guy with computers and such so it's a bit intimidating......and typically kinda a grind for me to get thru.

but you are right on about the Seahawks; they really suck this year so that does allow more audio/music time on Sundays.

mikelavigne

Sounds like great fun Mike.

Here's another task that I loath, updating my equipment profile on A'gon. I can see that you don't like it either, given how far out of date your pictures are. With the Seahawks having such a bad year, maybe you could dedicate a Sunday to that soon. ;-)

Kidding, of course.

Dave

dcstep

Owner
best laid plans.

so early Sunday morning (about 8am PST) i was switching the A90 from the Garrard/Triplaner to the Technics/Reed. the A90 comes with 4 different length screws since there is limited depth to the screw holes. on the Reed, due to the thickness of the headshell, the 2mm screws were appropriate. they are really tiny. i was trying to get them 'started' and i inadvertedly let go of the arm (still holding the A90) and the arm 'flipped' upward and launched the two tiny screws behind my gear into the semi-shag carpeting.

arghhhhhhhhhhhhhhhhhhhhhhh!!!#@&*$1!!!!

i spent 45 minutes trying to wiggle my big inflexible 58 year old body here and there behind all my gear, under my gear, under and around everything. i found one screw about 10 minutes in. but the other one was 'nowwhere' to be found.

so i proceeded to disassemble my whole system piece by piece. including the 90 pound Dobbins Garrard and the 120 pound Dobbins Technics. even after spending about an hour taking everything (except the 600 pound Rockport) away......i still could not find the screw. so i went away and watched the Seahawks get pounded by the Cowboys as long as i could stand it.....and then get fed by the wife.

i came back about 90 minutes later and searched for another hour; finally the screw decided it had taken enough of my time and it revealed itself. i immediately mounted the A90 onto the Technics/Reed while it was sitting on the floor so if i had a 'replay' i could find the screws easily.

ok; since everything was spread all over my room i carefully dusted all the racks and renewed all the sobothane compliance discs under my Grand Prix Audio Formula shelves. i then reassembled all the gear.

finally about 2pm i was done, and sore and exhausted. and my daughter, her husband and my son were due to arrive for a family day in the next half hour or so. so it was to the showers for me and setting up the A90 and Allnic Verity 'Z' on the Garrard would have to wait for another day.

about 9pm i was able to sneak out to the room and did set the VTF of the Technics/Reed/A90 to 2.20 grams and i did listen to about 45 minutes of music. this was without 'any' overhang adjustment whatsoever.

it sounded fabulous really; i listened to Ella on the 45rpm version of 'Songs for Distingue Lovers'.....wow!

anyway; that's my excuse for not having more A90 feedback......it was not for lack of effort.

mikelavigne

Owner
hi Eddie,

i'm not the most knowledgable guy either on cause and effect of cartridge loading......so don't take the following as gospel.

the A90 calls for '>10ohms' (greater than 10ohms) which likely means 100 ohms 'probably'. at the moment my dart pre phono (one of 2 phono cards in my dart pre) is set to 810 ohms and 54db of gain. i likely need 60db of gain to be ideal for the A90's .27db of output and when i get that changed i'll also drop my loading to 100 ohms. the A90 sounds quite good even at the 54db gain setting.

when i move the A90 to the Technics/Reed i will then use the Allnic H3000 phono stage which has easily adjusted gain and loading. i'll likely start out at 60db and 100 ohms. i'll report later on what i find.

mikelavigne

Ed, congrats to you on acquiring a new A90! I looked over MF's review and he made no mention of loading other than the manufacturer's spec which you referenced. In the HiFi News review test section they loaded it at 100 ohms, so that's where I'd suggest you start. As you increase the loading resistance you will notice a gain in the high frequency's level and extension. It's up to you to determine the setting that gives you the most desirable tonal balance in your system. If you still use the Steelhead you can change the loading on the fly, so it makes it pretty easy to hear the effect of the changes. Enjoy your new toy and please let us know your impressions as you progress with the break-in process.

bill_k

Mike, congrats on getting your Dart's back. Sounds like the upgrade was a huge success!

Just got the A90 mounted up today. So far it's very impressive! I know I've got a ways to go before I get to the real juicy tunes but I have to say I like what I'm hearing with only a few hours on it.

One question I have is what load setting on your phone stage you're using. I only have the following setting available:

MC: 100, 250, 470, 1K, 2.5K, 4.7K, 47K

I believe the specs say to use > 10 Ohm. I'm not the sharpest tool in the shed so I'm at a loss on what setting to choose.

Hope you're feeling better!

Ed

theaudioassociation

Owner
the 'new' dart amp continues to amaze me.

i have a CD given to me by Andrew and Jack from HK a few years ago. it is a 2002 Chinese CD 'Paramita' by He Xun-tian (Wind TCD-5258). track 7, 'earth drums' has been a reference track for dynamics since i first heard it. the only problem was that if i pushed the volume much past normal listening level into 'demo-track' levels the lights on the dart would start to flash with each drum wack signifying that i was approaching clipping. so it would tense me up playing the track because the dart was essentially out of it's comfort zone.

not only is this track waaaay more dynamic and vivid now; but the dart amp is not seeming to even break a sweat. everything has an ease and flow and my shoulders don't tense up. this track is on fire! the track now sounds holographic and real in my room.

i'm not one to play 'sounds' much; but they have their place in trying to get a grip on changes.

mikelavigne

Owner
Adam;

Silver soldering crimp connectors does sound like a common sense tweak. unfortunately with the cost of freight it will have to be something done 'next time', for me anyway. i'm assuming it was not done on my amp.

best regards,

mikelavigne

Mike,

Silver soldering crimp connectors was a service offered to me by Hevre at darTZeel factory. Hevre sweared by it. You need to ask Kevin about that upgrade, not sure if they offer it outside the factory, but it is simple tweak, so why not.

Best,
Adam

elberoth2

Owner
Elberoth; Kevin (in San Diego) just got the circuts this week, and he had the time to get right on it. i did pay for 'overnight' shipping so i would have it back for the weekend.

i have no idea about the AC socket and crimp connector issue.....i'll have to ask about it. whatever was done is quite amazing.

i listened till late last night, and then left it playing all night. there is a bit of a break-in process happening. it may be just a warm up issue after the shipping; but maybe a very slight improvement in the top end smoothness has occured since last night, improved refinement. hard to identify exact cause. might just be me.

to my first impressions from last night i would add; mid-range clarity and the sense of body and fullness is better; vocals are sifnificantly better, pianos are fantastic.....the added micro-dynamics bring them alive. on small combo jazz the standing bass lines are more significant.

i'm pulling out disc after disc where my musical memory is locked in; they have all taken that magical leap forward in involement. it's going to be a great music weekend.

mikelavigne

Owner
Jones4music; thanks. one can never have too much Valhalla.

mikelavigne

Mike,

How did you manage to get you amp before me, haveng sent it in for upgrade some 2 months later, and living some 10.000 miles further from Switzerland than I do, is beyond me :-)

Anyway, I should have mine on monday, hope the change is as big to my ears as it is to yours !

BTW - Did you ask Hevre to remove AC socket and speakers crimp connectors, and directly silver soldere wires to the corresponding leads ?

elberoth2

Owner
WOW! Holy Sh*t!

i just got my dart amp back from having some circut upgrades.

the darTZeel NHB-108 Stereo amplifier upgrade is a very big step up in performance. like supercharging the amplifier. i've been listening here for an hour or so and it's difficult to identify what part is not better.

the upgrade has to do with adding a circut which eliminates the need for DC compensation, and in some way stabilizes the amp. i'm really not the one to 'splain it.

in any case; the amp has much more grip, much more of a 'jump' factor and boogies better. micro and macro dynamics are a few orders of magnatude better. the noise floor is lower, backgrounds are blacker, ambient retreival is better......you hear farther into the music.....and the music is less forced, it flows easier. more detail and more transparency. the soundstage is larger, more stable, and has more layering. and all this while retaining the sweetness and absense of any solid state etch or flatness.

the 'old' dart amp could be pushed to the verge of hardness on peaks; so far i've not found that spot with this upgrade.

if you own the dart stereo amp you gotta do this right the hell now. there is nothing subtle about this upgrade.

mikelavigne

Well done! I use some Valhalla in my system as well.

jones4music

Oooohhh, new boards! Can't wait to see what your thoughts are when you get them back!

Take it very slow. Had pneumonia 2 years ago and now any time I've got an inkling that there's something funny going on in my lungs I have to go right in and get it checked out. I'll never go down that road again! You're doing it right. Rest, rest and more rest!

Ed

theaudioassociation

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