Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405

Owner
hi Ron,

gosh. Huummmmmm. 10 Cd's or Lps? my 10 favorite?

that's a tough question. here's 10 that pop in my head in no particular order that i like. there's probably a few hundred more i could name.

Bruno Walter conducting the Columbia Symphony Orchestra; 'Beethoven's 6th 'the Pastorale', Columbia Lp.

Johnny Hodges and his Orchestra, Blues A-Plenty, Verve Lp

United States Air Force Band, Colonel Lowell E. Graham, Commander/Conductor. 'Overtures' CD. 'not for sale'.

Led Zepplin, 'Houses of the Holy', 45 rpm Lp, from the Classic Records 45 rpm box set reissue.

Van Morrison, 'Moondance', WB german pressing, Lp.

quatuor mosaiques, 'Haydn--string quartets opus 76, CD, Astree.

Antonio Forcione & Sabina Sciubba, 'Meet Me In London', Lp, Naim.

Ruggiero Ricci, London Symphony Orchestra conducted by Pierino Gamba, 'Carmen Fantaisie, Etc.', Lp, Decca, Speakers Corner reissue.

Gerry Mulligan meets Ben Webster, Lp, Verve, MoFi reissue.

The Carpenters, 'The Singles', CD.

a few of my favorites that come to mind tonight. all these are frequent participants in my music experience.

enjoy.

mikelavigne

what is your top 10 cd or vinyl album,music.

simplicitymusic

Owner
Dgad,

a new baby....very cool. it was 32 years ago for me but i loved every minute of it. of course; then i had MacIntosh amp and preamp/tuner, Boze 901's hanging from the ceiling, and a Dual tt.....very 70's. with a new baby the server will come in handy for 'low-stress' listening. you can do your playlists and still be able to change those diapers. i have 3 or 4 of the HRX hirez files on my server and they do sound very very nice. it's a thing worth doing. so far i have no desire to digitize a perfectly good analog recording; but i can see the benefit of ease of listening to it.

the Schroeder fell victim to my budget; to have three tt's, arms, cartridges, and the Allnic H3000 i needed to get a less expensive arm for the Technics, and settled on the Reed.....which has been nothing short of amazing. overall i think i prefer it to what i heard from the Schroeder; although to be fair the Schroeder was never completely optimized in my system.....and the mid-range of the Schroeder was still more magical than the Reed. someday i want another Schroeder in my system.

the Allaerts is still on the short list of cartridges i'd life to try in my system. if they have some of the best parts of the Koetsu then i'm sure i would like them. i do miss my Koetsu RSP for it's butter smooth 'everything'.....although it was too much of a 'guilty pleasure' to live with.....

i'm quite smitten with the Lyra Olympus as an all-around winner of a cartridge......but this Ortofon MC A90 might be one to compete on that level too. i've not found fault in either cartridge yet. both seem to have it all; detail, dynamics, tonal shading and richness, subtlety and nuance, and complete lack of edge. the Olympus seems to have a touch of warmth, and the A90 has this image density and sparkle which is very special.

i'll come back to the Colibri someday when i get an arm with sufficient dampning to control that 'wild' side. i know you like the Phantom for that.

mikelavigne

Mike,

No RMAF this year. Got a baby on the way. Due any day. My big thing is PC audio on the horizon. Finishing it soon. Tried the HRX samplers from RR. Something special. I can record & playback at 24/192 and record vinyl bypassing a phono stage. Need to get it going but for that I will need to manufacture custom phono cables to go straight to the ADC.

Did you give up on the Schroder? The Allaerts is something special. Easiest description is all the good of a Koetsu with none of the drawbacks. As you get higher up the line you do lose some of the warmth so that is where I stopped. A touch of warmth with a slight loss in detail. And for that I have the Colibri. Overall my favorite cartridge.

dgad

Mike,

Thanks so much for your advice. I'll buzz VPI in the am to see if they'll give me the info I need.

I'll keep you posted!

Ed

theaudioassociation

Owner
Ed,

i bet if you e-mailed VPI they would supply you with the spindle to pivot point exact measurement for the 12.6 arm and how it compares to the 12.5 arm. that is all Yip would need.

the A90 does have a very robust stylus guard and the actual cartridge body is maybe the most solidly constructed (of solid stainless steel) that i have seen. it should be fine if you are reasonably careful.

Mike

mikelavigne

Mike....

Thanks very much for the Mint LP info. I guess I'm on the right track as I've already traded a few emails with Yip. The only thing Yip and I haven't verified is if my VPI 12.6 arm is the same as a 12.5 which he has a protractor for. He says that no real data has been published by VPI on my particular arm so it sounds like it might be a bit of a gamble. My only concern is that if it isn't correct I'd like to put the setup back to factory settings and I'm not too sure I've got the expertise to pull that off.

I may just bring my rig to my local dealer Brooks Berdan and have him mount it up. Sure would like to be able to develop my cartridge mounting skill though. Just don't know if I want to use the A90 as a practice piece.

BTW, you are more than welcome for the Scotch!

Ed

theaudioassociation

Owner
Dgad,

i too am curious about how the Ortofon will sound on the other tt's.

someday i'd like to try an Allaerts.

will you be at RMAF? if so i'll see you there.

mikelavigne

Owner
Ed,

sorry i forgot to answer your question about the alignment tools that i use.

since i only owned the Rockport (a linear tracker) for 7 years i had not set up a pivoted arm since my Basis 2500/Graham 2.2 in 2001. and i only owned a Graham arm on the Basis and my VPI TNT Mk2 (with Graham 1.5tc) i owned before that. as the Graham uses a cartridge mounting jig i basically had never really dealt with a pivoted arm set-up even though i'd mounted many cartridges over my 15 years of listening to vinyl.

so my initial feeble attempts to really set up a pivoted arm when i finally got the Garrard and Technics were considerably less than stellar. Steve Dobbins did visit and show me how a real expert can do it; but i needed to get something waaay easier to use than the paper protractors i got with the tt's. i did some research and purchased a Mint Lp set-up protractor from Yip in H.K.

Mint Lp

it's around $110 plus a bit more for the right magnifying glass.

anyway; it's custom made for a specific arm and tt. it comes with very detailed and easy to follow instructions and i highly recommend it. i've now used it three times; and my skills improved each time i did it. at this point i am confident i can do a very good set-up on a cartridge for the Garrard/Triplaner. i know that every time i do one i will get a little better. i need to buy a separate Mint Lp device for my Dobbins Technics with the Reed arm.

there certainly are a few excellent universal set-up protractors out there which i've read about. you could do a search. but i've not used any of those and so cannot really help much with those. i cannot say how the learning curve is with those either. i am confident that the Mint Lp is a fairly fool proof way to learn and do very accurate pivited arm cartridge set-ups.

i do use a Winds Arm Load Meter (accurate to .00 gram) guage (ALM-01) for measuring VTF. i've owned it since 1998. it works great. there are now many of these type of devices that are much cheaper than the Winds.

mikelavigne

Owner
hi Ed,

you have been busy! ;>)

btw, i never thanked you and Teresa for the Scotch....so THANKS.

you will love the A90 without question. i'm not yet sure just where it stands compared to the very best cartridges i've heard, but it's up there someplace.

the MM2's are also a no-brainer......congrats!

see ya in Denver later this week.

mikelavigne

Hearing good things about the Ortofon. Would love to hear how you like it on a different combination. Currently I am loving my Allaerts MC1B mk2.

dgad

Owner
i forgot to add that the Lp of 'Respect Yourself' is very good too and i highly recommend it. but as good as the Lp is; the tape is on another level entirely. the tape is how you'd like reproduced music to sound if it was up to you.

and now it can be (in this particular case).

mikelavigne

Owner
as long as i'm bringing things somewhat up to date, i have to mention a new Tape Project tape i recieved a week ago; TP-012, The Staple Singers; 'Bealtitude; Respect Yourself'. this is the first tape to ship in Series 2 of the Tape Project subscription.

The Tape Project Catalog

Respect Yourself is Soul and Gospel, with a touch of funk and reggae thrown in; and it's fantastic. 2 cuts, 'Respect Yourself' and 'I'll Take You There' are all-time pop/soul hits which you've heard thousands of times......BUT NEVER LIKE THIS! this tape is alive with dynamics, big bloomy bass, and great soulful vocals. the music is tight, tuneful, and room filling.

if you get a chance to hear this tape at RMAF, or a friend's home, or anywhere.....you gotta do it. and make sure it's played LOUD. it will make your day.

mikelavigne

Sorry, forgot to tell you that I've got a pair of MM2's on their ways as well!
Lots to look forward to!

Ed

theaudioassociation

Hey Mike!

Got an A90 coming my way as well. Will try and mount it myself on my HRx. I'm hoping I don't screw it up. What sort of gadgets do you have that help you get these cartridges right on all of your setups?

See you in a couple of days!

Ed

theaudioassociation

Owner
i forgot to add that since the three tt's are different; my listening to the Ortofon and darTZeel phono must be considered thru the prism of the different tt's when comparing. i have played maybe 7 or 8 cuts on all three tt's one after the other. i've not yet heard anything that does not sound wonderful on any of them.

i could live forever with any of these combos.

at some point i'll move the Ortofon around and see how it matches up with the other tt's.

now i need to add another arm and quality mono cartridge and i'll be where i wanted to be when i went down this path.

mikelavigne

Owner
Microstrip,

sorry for a 2 month delay in my response. i've been distracted from my audio stuff mostly this past summer but i'm getting my music lovin juices flowing the last few weeks again and it feels good.

this past week i did get a new cartridge and i've been listening to it thru the darTZeel phono stage. and it sounds heavenly. the cartridge is the Ortofon MC A90. it is at least very very good, and maybe super super (as in maybe as good as i've heard). i've got about 15-20 hours on it so far and it has not missed a step. i would say that the dart phono stage holds it's own with the Allnic H3000; on the same general level of performance but certainly different in character. i can say that the Ortofon loves the dart phono stage.....it's a match made in heaven.

right now i have a Lyra Olympus on the Rockport, an Allnic Verity 'Z' on the Reed/'Dobbins' Technics SP-10 Mk3.....both of those playing thru the Allnic H3000. then i have the Ortofon MC A90 mounted on my Triplaner Ultimate on the 'Dobbins' Garrard 301.....playing thru the dart phono.

the Garrard has a different sound than the Rockport or 'Dobbins' Technics. it does not separate the instruments as well, and has a rounder more bloomy sound. the bass is a bit more prominent on the Garrard, if not quite as explosive and articulate as the Technics. also it does not have the ultra-black backgrounds of the other 2 tt's. the Rockport is ultra-refined, the 'Dobbins' Technics with the Reed arm is super dynamic and explosive, yet still quite refined.

anyway; the Ortofon sounds absolutely superb thru the darTZeel; musically on par with the other 2 thru the Allnic H3000. if you get out your audiophile checklist; you can rank them in various areas but really they all are uber-musical.

finally; i have all three tt's sounding great and yet with three different sounds.

mikelavigne

Owner
Elberoth,

no; i've not done the SCNP upgrade, but i do plan to do it soon (when i can afford it). i did briefly have the dart 500 watt mono prototypes (not anywhere near the final version but mind-blowing none-the-less) in my room a few months back. i gotta have that new circut without question. my dart stereo has 'enough' juice for my room and system (although the big darts are now my 'dream' amps for sure) but that new circut is a clear upgrade to the performance.

mikelavigne

Mike,

Did you have your amp upgraded with darTZeel SCNP network ?

If so, what are your impressions ?

elberoth2

Thanks Mike for your update. You are dead on with the room comment. Interesting about your base issue. In my room, although 500 sqft the base does not go as low as my previous room which was 700 sqft with a back wall at about 30-35 from the woofers. I miss that clean sub <25Hz base ... am I bound by the laws of physics or can my room measure down to that level despite its size?

mtkhl567

Nice to see you have added an Allnic H3000 to your system. How does it compare with the Dartzeel phono?

microstrip

Mike,

Welcome to the Dark Side :-)

I've taken such a liking to it that I sold my AA Cap II SE 6 months ago and am server based for my digital music reproduction. Macbook with Wavelength Cosecant Async USB v3. It took several months to burn the disks to the server but I have no regrets. So easy to surf the library with the Apple Itouch remote. Almost too easy. you'll love it!

The room is coming slowly. I'll Email you some more pics.

Jim

joneill

my only fear is my fat butt will get fatter if i don't need to get up to change a disc
Don't worry- It will stay thin tweaking that computer!

srwooten

Mike,
As always, very intersting comments on your room setup and now the Music Server. Will be interested to hear your thoughts on how well the server performs.

I am hoping you are open to a visitor. I'll be in Bend, Oregon first week of August and would like to come by to finally hear & see your setup in person.

gshelley

Owner
hi Henry,

great to hear from you....and thanks for the thoughts on relative performance of our gear verses some other top level gear.

lately i've been mostly 'off the grid' as life has reared it's not always ugly head with work demands, family issues, vacation, and other stuff. not posted here for 2 months.

i agree that it does not really get much better than a Evolutions/darTZeel/Playback system. properly implemented it will take you where you want to go. i've come to realize that changing gear is much like chasing one's tail......optimizing what you have will mostly get the job done. at the level of gear we have, on the systems you listened to......it's the system synergy and attention to detail that counts most.

over the last year or so i've made lots of progress on speaker set-up; my next system performance move will likely be a room adjustment thing.

i'm going to change the 'Q' of my large side front bass traps. a few months ago a local friend did a waterfall plot on my system and confirmed a perception of a problem in my mid to low bass performance. i don't seem to get the 'decay' in the bass that i get at other frequencies. the low notes get 'chopped' off. the room is over damped. the solution will be to stretch swimming pool liner tightly over the bass trap openning; greatly reducing the level of bass dampning. this will be relatively cheap, relatively easy to do (the contractor who built the room will do it), and it's easily reversable or i can come back and only cover part of it. it will be a way to 'tune' the room.

on a completely different subject; this weekend i finally added a music server to my system. my (network engineer) son built a dedicated PC for my server. it has a low profile case, a 2 terrabyte HD, an Intel 8500 processor, and 8 megs of RAM. i am using the Lynx AES16-xlr sound card feeding into the AES-EBU XLR input on the Playback Design MPS-5. i will be adding another 2 terrabyte HD as i need it. i am using a 10m XLR digital cable between the MPS-5 and the PC. i will have the PC upstairs in my loft, with the cable running in the conduit for my air compressor for the Rockport tt.

i am using 'viewer' software on my laptop to run the server from my listening position; it's very easy even for me to do it.

last night i loaded 8 hirez files (176k and 192k files) and overnight i transferred approx 1500 of my redbook CD's my son had previously burned to a PC (about 350 gigs). today i have been playing around with the server and i am very impressed with the performance. i've not yet done any comparisons to any other format so i have nothing to say about on that subject.....yet. the server into the MPS-5 sounds really wonderful.

currently i'm using some very basic file management software, easy to use but not very flexible.

anyway.....i've decended into the dark side......and it's really quite nice. my only fear is my fat butt will get fatter if i don't need to get up to change a disc.

i'm not sure yet how close to optimal server performance i have; but i am looking forward to being able to compare the SOTA for a digital music server to SACD, vinyl and RTR.

mikelavigne

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