Description

This is my music system which has been evolving for over 35 years.

Have had many different components of many styles. Have learned that synergy is everything and you have to trust your ears.

Also I've had had these systems in over half a dozen listening rooms. I've spent many hours working on room treatments and setup and believe the room/speaker interaction is the most important aspect of great sound that many hobbyists fail to optimize.

Vinyl is spinning about 80% of the time (Used to be 90% vinyl, but digital changes both sonically and user experience w/Roon & Qobuz have been a big improvement). After relocating to Austin, TX and getting the room optimized, I changed the analog side of the system, having sold tt, arm, carts & phono stage prior to the move. 
Most recent projects have been upgrading from microRendu and Schiit Gungnir Multibit DAC to opticalRendu, SonicTransporter as Roon core, and Denafrips Pontus II. Later I added a number of NOS cables from Tel Wire, something I've wanted to do for more than a decade.

Previous pieces & systems included:

BAT VK150SEs & Silverline LaFolias, Nola Viper Reference III (with Lamm & BAT monoblocks), Acarian Alon V mkiii , Merlin VSM-MX, Atma-Sphere MA1mkII.2, Atma-Sphere MP3, Herron VTSP1a-166

Joule Electra LA150 and Berning ZH270, Pentagon PH3, CAT SL1MkIII, Merlin VSM-MX

Cary Rocket88 & Dehaviland 845 monos/Cary SLP2002/QuadsESL63USA

Avalon Radians/SpectralDMA180 & DMC20II/Meridian508

BAT vk5i & vk60/Von Schweikert vr4.5II

Chario Academy1/Air Tight ATM1

VTL ST80/ Acarian Alon II

Thiel 3.6 / Krell KSA 50

Vandersteen 2ci / Sunfire amp

Technics SP10mkII, EPA250 arm, SH-B3 obsidian base, custom 4kg ss mat, running with Signet 111E and Goldbug Clement II cartridges, Aqvox 2CI balanced phono stage
VPI TNT6HR w/12.7 arm, van den Hul Colibri XGP,   
Nottingham Spacedeck/Spacearm, Shelter 501
Sonore microRendu w/custom linear power supply feeding Schiit Gungnir Multibit DAC
MacMini running Audirvana+ , too many CDs players & DACs to remember or care about


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Room Details

Dimensions: 21’ × 15’  Medium
Ceiling: 10’


Components Toggle details

    • Vandersteen 5A
    Loudspeakers in Cherry/Black
    5-driver, 4- way, time- and phase-accurate speaker system that incorporates a unique aperiodic, push-pull, powered sub-bass system, a battery-biased passive high-pass filter and an 11-band equalizer—in a “boxless” minimum-baffle, non-resonant enclosure system.
    • Krell FPB-300
    Solid State Class A Stereo Amp
    • VAC Renaissance Mark V Preamp with Phono
    balanced dual mono linestage and phono stage with external power supply. Running Amperex orange globes on the linestage side and a pair of Amperex NOS 60s medical grade Bugle Boys and one stock Mullard reproduction on the phono side. Planning on experimenting with NOS Mullard, Amperex and perhaps Telefunken for the single tube on the phono side.
    • Sota Nova Vacuum Series VI with Eclipse(Phoenix Engr. designed) Motor Controller
    Awaiting delivery of the new Series VI Nova table spring suspension turntable with vacuum hold down system, mag lev platter/bearing, Eclipse motor controller(designed by Phoenix Engineering) and Reflex clamp!
    • Dynavector DV-XX2 mkII
    moving coil cartridge
    • Ayre Acoustics QB-9 DSD TWENTY
    DAC
    • Sonore opticalRendu & LPS
    Audio Streamer/Renderer (Ethernet > USB) , Running Roon 's latest version, 1.8(at this time)
    • Small Green Computer sonicTransporter i5
    Roon Core, and partial library on Samsung EVO870 4TB internal SSD. Remaining library on external Samsung T7 Shield 4TB USB SSD
    • Spin Planet Custom Amp Stands
    Maple amp stands with Eden Sound brass Bear Paw radiused footers
    • DIY Slipknot1 & Sbank Maple Madness Rack
    PerfectPlank Maple 1 7/8, McMaster-Carr Brass hardware, Star Sound Audiopoints footers
    • Custom Room Treatments
    Designed and framed by Sensible Sound Solutions. Assembled and upholstered by me using Guilford of Maine acoustical cloth.
    • SpinPlanet Custom Wood Diffusors
    BBC style QRD diffusors handmade of solid pine on 24" birch plywood base. Hand made in Delaware, USA.
    • AudioQuest Aspen Bi-wire Speaker Cables
    SOLID PERFECT-SURFACE COPPER+ (PSC+)/PERFECT-SURFACE COPPER (PSC) CONDUCTORS

    MULTI-LAYER CARBON-BASED NOISE- AND CROSSTALK-DISSIPATION SYSTEM: 
    DOUBLE COUNTER-SPIRAL GEOMETRY

    FOAMED-POLYETHYLENE INSULATION (FOR ALL POSITIVE CONDUCTORS)

    DIELECTRIC-BIAS SYSTEM WITH RADIO FREQUENCY TRAP
    • Tel Wire Power Cables HC Cord & Cord
    HC Cord - large 9 gauge OCC single crystal, ultra pure copper. Terminated with genuine Oyaide 004 series with Beryllium copper bases and platinum & palladium plating. HC with 20amp connector on Krell amp connected to 20amp dedicated circuit

    Cord - OCC single crystal, ultra pure copper. Terminated with genuine Oyaide 004 series with Beryllium copper bases and platinum & palladium plating
    • Tel Wire Connect XLR
    OCC (Ohno Continuous Cast) single crystal copper of the highest purity available. Terminations are Xhadow Silver RCA’s that are hand-picked by Chris Kline, Jacketed cotton

    (phono stage to preamp)
    • Mogami 2534 Interconnects
    Mogami Neglex 2534 quad cable w/ Neutrik XLRs 20' pair amps-to-preamp
    • Inakustic Reference USB Cable
    German USB cable used between opticalRendu and Denafrips Pontus II DAC
    • Audioquest Niagara 1200 & NRG-Y PC
    Power conditioner & cable for front end of the system.
    • Vinyl Stack Ultrasonic Record Cleaner
    Paired with a 10L 40hz Ultrasonic tank and following the formulas and process suggested in @rushton's thread and www.positive-feedback.com  article.
    • Eden Sound Terrastone Footers
    Terrastone Bearing Isolation Footers under preamp and DAC.
    • PS Audio Juice Bar
    6 outlet power strip for networking accessories
    • Walker Audio Valid Points
    resonance control devices
    • ERS Paper RFI/EMI Control
    ERS paper to fight airborne RFI/EMI
    • Hart Big Willy MK3 Record Cleaning Brush
    Described in detail in M.Fremer's Analog Planet Shootout video and review video. It's a brush that cleans dust off records. Way more effective than the Acoustech grounded large brush that it replaced

Comments 267

Showing all comments by watersidedave.

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Spencer,
Well that was quite the quick response. And all made plenty of sense of course.

Even with the large room size (20'x 40') it was nice to have the MA-1s on to take the edge off of a particularly hard winter. But I do remember when I had them in a 11'x 14.5' room in my other house. So I completely understand.

When we first found this house my first reaction was to search for a room for the system. Not exactly how the wife felt about it but fortunately it all worked out great.

I will contact Ralph again about this, but the last two times I corresponded with him about it, he had me in the 20 to 50-grand range so I politely backed up, took a breath and went on another direction, trying not to show my shock. I should make it a point to open the conversation with my budgetary boundaries and hopefully different results will occur next time.

Good Luck Spencer! And many thanks.
Dave

watersidedave

Hello Spencer,

Getting in on this very late in the game but could not help but notice the amps in the early pics - mainly because I as well have a set of the MA-1s. What made you finally decide to change them out? I was about to do the same early last year when I at the last minute decided to go ahead and send them back to Ralph for an upgrade instead. The change was absolutely stunning. Something magical indeed. You say the LaFolias present bass in a very different way but inner detail may have been slightly less. As someone who lived with the MA-1s for a while, how many different speaker pairs did you go through before you landed with the Merlins, and what was your main deciding factor in finally changing the Atma-Spheres for something else may I ask? My situation is still one of wonder and extreme resist when it comes to changing a set of amps that have for some odd reason become extremely attached to. There is something incredible going on with the Atma Spheres that I absolutely love, but I just, even after 7 different speaker pairs, cannot seem to find that perfect synergistic relationship. Still! Its a bass thing. I am always between 85 & 95% there - but looking for the other 5% keeps me looking and asking. I have to admit that my relationship is almost at the "college girlfriend" level, because they definitely have their quirks. But when it comes to.... well enough said. There is just something shockingly beautiful about the sound that I cannot get past. Since the upgraded units have come back, I am not yet willing to give up on them. So I am still searching for input from other owners. I cannot speak for everyone, but I sure wish to thank you for your continued willingness to keep us all so wonderfully informed through your journey down the audio trail!

Ciao Spencer!

watersidedave