Description

APL NWO-MS comprising Esoteric VRDS-NEO converted to a high-resolution digital transport and separate DAC-M. Wave Kinetics NVS Turntable and Talea II Tonearm, Audiopax Model 5 SE and Audiopax Maggiore M100 SET and Evolution Acoustic MMtwo speakers. Transparent and musical system.
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Components Toggle details

    • APL Hi-Fi NWO-MS Transport and DAC-M
    APL Hi-Fi Two Box Transport and DAC. Esoteric X-01 VRDS-NEO converted to a high-resolution digital transport. Separate DAC-M. Completely re-designed PCBs for the DAC-tower assembly. 32bit AK4399 DACs. Custom output transformers made by Lundahl Transformers, Sweden wound with special Oxygen Free Copper wire.
    • Evolution Acoustics MMTwo
    Full range speaker

    Each speaker has two 7” ceramic midrange drivers, one 5” ribbon tweeter and one 15” treated paper woofer. Constant voltage crossover. Frequency response of 10Hz–40kHz and 93dB efficient
    • Wave Kinetics NVS
    Direct drive turntable
    • Audiopax Maggiore M-100
    100W Class A1 Triode.

    Max. Power Output (at clipping):
    100 W RMS at 1kHz/8 ohms
    (with KT-88 tubes)
    130 W RMS at 1kHz/8 ohms
    (with KT-120 tubes)
    Frequency response:
    15Hz to 80kHz (-3dB)
    Signal to noise ratio:
    [greaterthansign] 100 dB (A-weighted) ref. 100 W
    Gain:
    23 dB
    Input impedance:
    100K ohms
    • Audiopax Model 5 SE
    Solid state special edition preamplifier
    • Durand Talea II
    Unipivot tonearm
    • Ortofon A-90
    MC Cartridge
    • Ortofon Black Credenza
    The Cadenza Black model is using a Nude Shibata stylus with a boron cantilever. The effective mass of the stylus/cantilever system is extremely low due to the use of a very thin boron rod. This material is extremely stiff and even more lightweight than aluminium.

    It also uses the WRD (Wide Range Damping-system applied for MC Windfeld, MC A90, MC Anna, Xpression), controlling the high and low frequency damping separately. The coil wire is the famous Ortofon Aucurum wire, which is a gold plated 6NX copper wire.
    • Evolution Acoustics DRSC
    Double Run Speaker Cable - 192 individually teflon coated solid core pure copper conductors.
    • Whest PS.30RDT SE
    Phono Amplifier
    • Ocellia Reference Interconnect
    Anti-MDI design, 99,99% pure silver wire with natural dielectric, Mineral dielectric outer jacket, mineral insulation, Pure Silver connectors, Optional copper braid shield
    • Tara Labs Air One Series Two
    Interconnect between Whest Audio Phono Amp and Bent Audio preamp
    • Purepower 2000
    AC Regeneration
    • Wave Kinetics A10-U8
    Component Control System (Isolation for CD/SACD Player)
    • Woo Audio GES
    Electrostatic Headphone Amplifier
    • Stax SR-009
    Electrostatic Headphones

Comments 83

Showing all comments by kevinzoe.

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Vick,
If you think the Bent TAP~X represents great quality and value, have you heard of the other giant killer of a passive preamp, the Lightspeed? It's hand made in Australia, costs about $400 and I can vouch first hand for its quality. I used to have a First Sound preamp and the Audio Aero Capitole which I compared with and without the First Sound in the signal path. Like you said, the active preamp added dynamics and bass weight compared to the CD/Pre going straight to the amp. The Lightspeed is extremely transparent. There is a very long thread of it where some have compared it to the Bent products, FYI.

Please let us know what Rives recommends. I for one would be interested.

kevinzoe

Vick ~ one other thing, I'd recommend you read, well, study is more like it, Dr. Floyd Toole's book on room acoustics and the physics thereof. Highly recommended.

kevinzoe

Vick,
You raise a good point about trying to find resources to help you understand the acoustical measurements. Unfortunately they aren't too abundant, or at least what I could find. You might try Googling the following: Acoustic Measurement Standards for Stereo Listening Room
Written by Jeff Hedback and Nyal Mellor.

Regarding GIK, yes they can be helpful. I have several of their products that I'm weaning out of the acoustical goodie bag of tricks I own. While their Tri~Traps product is triangular shaped to fit snugly into a corner, you are better off pulling it away from the wall several inches (I use between 6 & 8 inch air gaps) to extend its absorption properties to lower frequencies. They are resistive~type absorbers that work best where sound particle velocity is at its maximum which is at the 25% point of a frequency's wavelength. So for a 500 Hz frequency, the air space should be just over 6 inches [ 1130 / 500 * 12 * 0.25 ]. Using your measuring tool, you should be able to measure before and after effects of varying the air space depth.

Having said all that, I might imagine that bass modal peaks aren't too bad given your large L~shaped room, windows, and openings to other parts of your home that allow bass to be "siphoned off." i would take acoustical measurments first before placing any order with GIK to see if and what the frequency problems are. If the problems lay in the low bass region ( less than 100 Hz) then bass traps from GIK won't cut it; you would need several of them to make for a very thick trap to do much good which quickly imposes itself on floor space and visually too. A better approach would be to use multiple subwoofers and parametric EQ. A broadband trap on the left wall first reflection point is still a good idea for the middle and higher frequencies to attenuate them akin to your right wall being farther away than the left wall.

Good luck and keep us posted.

kevinzoe

Vick,
Regarding your interest in room treatment as the next 'phase' in search of sonic euphoria, do you own an acoustical measurement tool? For Windows, tools such as Dayton Audio OmniMic or XTZ are great at measuring what your ears are hearing. I found the tool invaluable, especially when I evaluated 99 (yes, you read that right) candidate locations for my two subwoofers.

With your right speaker being so far away from a side wall, have you considered thick absorption on your left wall to emulate the same kind of effect for your right speaker? You don't want an early reflection off the left wall and no reflection or very later reflection from the right wall.

Again, fabulous gear! Keep your day job! ;)

kevinzoe

Vic - Fabulous gear! All top notch stuff. Just out of curiosity, what size room are the speakers in as I might imagine they'd likely benefit from having room around them to 'breath' so to speak. I've not heard the Evolution Acoustics speakers but they look impressive.

kevinzoe