Description

APL NWO-MS comprising Esoteric VRDS-NEO converted to a high-resolution digital transport and separate DAC-M. Wave Kinetics NVS Turntable and Talea II Tonearm, Audiopax Model 5 SE and Audiopax Maggiore M100 SET and Evolution Acoustic MMtwo speakers. Transparent and musical system.
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Components Toggle details

    • APL Hi-Fi NWO-MS Transport and DAC-M
    APL Hi-Fi Two Box Transport and DAC. Esoteric X-01 VRDS-NEO converted to a high-resolution digital transport. Separate DAC-M. Completely re-designed PCBs for the DAC-tower assembly. 32bit AK4399 DACs. Custom output transformers made by Lundahl Transformers, Sweden wound with special Oxygen Free Copper wire.
    • Evolution Acoustics MMTwo
    Full range speaker

    Each speaker has two 7” ceramic midrange drivers, one 5” ribbon tweeter and one 15” treated paper woofer. Constant voltage crossover. Frequency response of 10Hz–40kHz and 93dB efficient
    • Wave Kinetics NVS
    Direct drive turntable
    • Audiopax Maggiore M-100
    100W Class A1 Triode.

    Max. Power Output (at clipping):
    100 W RMS at 1kHz/8 ohms
    (with KT-88 tubes)
    130 W RMS at 1kHz/8 ohms
    (with KT-120 tubes)
    Frequency response:
    15Hz to 80kHz (-3dB)
    Signal to noise ratio:
    [greaterthansign] 100 dB (A-weighted) ref. 100 W
    Gain:
    23 dB
    Input impedance:
    100K ohms
    • Audiopax Model 5 SE
    Solid state special edition preamplifier
    • Durand Talea II
    Unipivot tonearm
    • Ortofon A-90
    MC Cartridge
    • Ortofon Black Credenza
    The Cadenza Black model is using a Nude Shibata stylus with a boron cantilever. The effective mass of the stylus/cantilever system is extremely low due to the use of a very thin boron rod. This material is extremely stiff and even more lightweight than aluminium.

    It also uses the WRD (Wide Range Damping-system applied for MC Windfeld, MC A90, MC Anna, Xpression), controlling the high and low frequency damping separately. The coil wire is the famous Ortofon Aucurum wire, which is a gold plated 6NX copper wire.
    • Evolution Acoustics DRSC
    Double Run Speaker Cable - 192 individually teflon coated solid core pure copper conductors.
    • Whest PS.30RDT SE
    Phono Amplifier
    • Ocellia Reference Interconnect
    Anti-MDI design, 99,99% pure silver wire with natural dielectric, Mineral dielectric outer jacket, mineral insulation, Pure Silver connectors, Optional copper braid shield
    • Tara Labs Air One Series Two
    Interconnect between Whest Audio Phono Amp and Bent Audio preamp
    • Purepower 2000
    AC Regeneration
    • Wave Kinetics A10-U8
    Component Control System (Isolation for CD/SACD Player)
    • Woo Audio GES
    Electrostatic Headphone Amplifier
    • Stax SR-009
    Electrostatic Headphones

Comments 83

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Owner
Thanks Mike. I am listening to the Riverside SACD of Waltz for Debby with the Bill Evans Trio and it has never sounded better. These cables are giving me a much fuller picture of what is going on in comparison to the Livelines. Early days still and EA advises several hundred hours of break in for these cables so who knows when they will be broken in. But even with less than 100 hours on them, they are sounding great. I guess it helps that there is synergy with the cabling used in the speakers.

vicks7

Owner
System edited: I have replaced the ASI Liveline speaker cable with the Evolution Acoustic DRSC Speaker Cable. Also updated some of the system photos.

vicks7

Owner
Hifimaniac - apologies. I was re-reading one of your threads - it would be a pleasure to have you over for a listening session but I live in Brazil so maybe not so convenient! But if you ever find yourself down here let me know.
James

vicks7

Owner
System edited: I had an enjoyable morning with the Audiopax team who visited my home to deliver the final versions of their new flagship tube monoblock amplifiers - the Maggiore M100. Updated photos now on the thread. Very imposing looking amplifiers. I have also taken the opportunity to update other parts of my system including my recent upgrade to Alex Peychev's (APL HiFi) two box transport and DAC which is sounding absolutely incredible. Audiopax demonstrated the obvious advantages of better power supply by running a high quality power cable directly from the central fuse box in my apartment to the amplifiers through a separate high quality Siemens fuse box. The difference was astounding. Massive improvement in dynamics and energy with no listening fatigue - something I should have done years ago. More to follow as the Maggiores settle down.

vicks7

Owner
Eddie and Hifimaniac - many thanks. I will make some adjustments over the weekend and report back. Eddie - what phono stage and cables are you using?

vicks7

Owner
Thanks Hifimaniac. Yes, Eduardo was a great guy and I always find the Audiopax rooms to sound very musical. I'd be interested for tips on the A90 set up. I have also found it very difficult. I used a Mint LP and a Fozgometer but I am still very unsure on the vertical tracking angle setting on my Talea

vicks7

Owner
Thanks HifiManiac for the kind words.
I think you are referring to Eduardo de Lima, the original designer behind Audiopax. Yes, a lovely man but sadly he passed away last year unexpectedly. He has produced a killer amp in the Maggiore - a Class A 100w SET amp and it does work very well with the MMtwos.
Congratulations also on your system. Your vinyl rig must sound great through these speakers. I see we are both using the Ortofon cartridge.
How are you finding your vinyl cleaner? I am interested as it seems such an easy system but heard some stories about reliability maybe with the earlier models.

vicks7

Owner
Thanks Egidius. Yes, it was very sad to hear the news. Eduardo had been at my home last year with Silvio when they brought the new Maggiore monoblock amplifiers - such a lovely guy. Silvio is now working with Eduardo's son and I understand they have more products in the pipeline many of which will be based on designs that Eduardo had been working on.
It must be an interesting combination using the M5 with the Berning ZH270.
I am delighted with my system - the combination of the Audiopax gear with the Evolution Acoustics speakers is working very well.
I also recent took delivery of Alex Peychev's new two box DAC and digital transport which is absolutely fantastic. I will be posting thoughts soon and updated photos.

vicks7

Owner
Thanks Eddie. System is sounding great thanks and took another leap forward with the arrival of the NVS Turntable.

The periphery ring is a TTSuper Ring 675 Gram/1.5 Lbs Alloy/Brass from TT Weights Audio Systems. In the photo it is shown with the plastic centring cover (which I use when not in use as a dust cover!). Ring is placed on to table with this cover and then removed leaving only the peripheral ring.I have not had the opportunity to experiment significantly with and without the ring but I sense an improvement particularly on thinner vinyy that is in less than perfect condition - it helps the arm and cartridge in terms of tracking.

I will be considering centre vinyl weights in the future. I liked the look of the Dalby but thought it was too expensive.

James

vicks7

Owner
System edited: Added a Woo Audio GES Electrostatic headphone amplifier and Stax SR-009 Electrostatic Headphones. With some Sylvania 12AX7s and RCA 6S4s, I fired up the GES. I have the GES connected to the record out on my Audiopax Model 5 SE preamp. Source is the APL NWO 4.0SE CD/SACD player. I played Ray Brown Soular Energy - a current favorite of mine followed by Keith Jarrett The Melody at Night with You. To give this some context my previous headphone rig was a Singlepower MPX Slam and Grado 325is. In short, this is a phenomenal set of headphones and the first headphones that I have listened to which creates a sense of spaciousness between the ears which I imagine is as close as it gets to listening to speakers. The clarity and transparency is superb - upper midrange and treble is to my ears perfect - full but not lush and the speed and attack is fantastic. The GES seems to be a good combination with these phones although still very early days and also unfortunately as I live in Brazil no chance to audition other amps - I would certainly love to compare a BHSE and see how much of an upgrade it represents. More to come as listen more over next few weeks.

vicks7

Owner
Thanks Mike. As we agreed before, it is very satisfying when your system takes another leap forward and it has without doubt with this combination of turntable and arm. As you say the energy and transparency is superb. Delighted with the purchase and more to follow as I spend more time with the table.
Looking forward to hearing from you when those MMSevens arrive!
James

vicks7

Owner
Goldeneraguy

I was reading about your turntable - the Kuzma Stabi Reference. There is a very nice review of the table from Enjoy The Music website of October 2001 - very interesting design. They consider it to be a classic and one of the greatest of all time - maybe you should hang on to it. A lot of thought seems to have gone into the vibration control for this table and I see that the subchassis is suspended on springs submerged in silicone oil. I'd be interested to hear your thoughts on this player compared to some of the more modern players. I am sure it holds its own.

vicks7

Owner
Thanks Charles1dad. I agree with you on the comparison between the ASI Livelines and the Ocellia Reference interconnects. The Ocellia are to my ears more organic and at least as resolved - very happy with the switch. The Livelines were a little edgy with the MMtwos. Still a great cable and as you say IMHO superior to many other more expensive cables.

vicks7

Owner
System edited: My Wave Kinetics NVS Turntable and Talea I tonearm arrived a couple of weeks ago and replaced my TW Acustic Raven AC and Raven 10.5 arm. The table is delivered in a huge wooden crate and packed tightly between very thick foam inserts inside the crate. It was an ordeal just removing the player as customs had nailed down the crate lids (and removed the crate clips). I had a very enjoyable afternoon setting up the table (very easy) and the Talea I and Ortofon A-90 cartridge. Joel's manual for setting up the Talea is superb and it made the set-up process very easy - removed any guesswork. I used a Mint LP to fine tune the set up as well as a Fozgometer to adjust the azimuth. The NVS Turntable is delivered with its own isolation platform and so has avoided the need for me to consider any further isolation platforms - which I had been doing with the TW Acustic Raven AC. It is of course very difficult to make any accurate comparisons as the table, the arm and the cartridge have all changed and also as it is still very early days. However, I am amazed at what I am hearing. The level of detail that is being retrieved is incredible and there is wonderful tone to the music being produced. I believe part of what I am hearing is the difference between a belt drive and direct drive table. The pace and attack of some of my LPs has changed for the better and more on this as I have more hours listening to the table. These are initial impressions and I will report back with more considered views later.

vicks7

Owner
Thanks very much Glenhifi. I am very pleased with the results. The Maggiores were a significant step-up in performance and these speakers have also made me a firm believer in speaker break in. Very noticeable improvements as I put more hours on the speakers and particularly as the ceramic midrange drivers soften.

I also recently replaced my interconnects with the Ocellia reference line which again, to my ears, produced noticeable improvements.

I am awaiting the arrival of the direct drive Wave Kinetics NVS turntable which will be used with a Talea arm and Ortofon A90 cartridge. I will report back on the differences between this and my current TW Acustic Raven AC which is coupled with the Raven 10.5 arm - a wonderful combination.

On the digital side I have made the decision to move to Alex Peychev's latest two box digital offering - which consists of the Esoteric X-01 which is modified to act purely as a transport and the separate APL DAC-M. This decision has been driven in part by my desire to move to a server to store all my CDs and sacds.

vicks7

Owner
Thanks for the kind words Vicente.

Today I installed my new Ocellia Reference interconnects that I received earlier in the week - they have replaced ASI Liveline and Tara Labs interconnects and on first impressions, I am very pleased with the decision. Even more organic sounding and to my ears even more detail than the ASI Livelines without sacrificing musicality. More to follow after cables have broken in.

vicks7

Owner
Thanks Mike. The amps are indeed stunning.

For anyone who is interested, I have included below more information on these amplifiers from Audiopax:

The Maggiore M100 monoblocks utilize a revolutionary topology to become the world's first Class A1 single-ended tube amplifier with over 100 Watts of power per channel. Audiopax has combined several Audiopax proprietary technologies such as ATMA and IDS to obtain the best of both worlds: single-ended magic with high power output and strong control of the loudspeakers.

ATMA: Asymmetrical Topology of Multiple Amplifiers enabled us to develop a high power amplifier, using six asymmetrical single-ended amplifiers, connected only at the loudspeaker output.

IDS: Through our development of an updated Ideal Device Simulation we have been able to model a very powerful, high-efficiency virtual triode made of six KT-88 or six KT-120 tubes, avoiding any sound quality issues associated with Parallel single-ended amplifiers (PSE).

The Maggiore M100 uses a further development of our Timbre Lock Technology that allows fine-tuning of sound quality. Timbre Lock also enables the user to monitor each tube's condition / strength, therefore extending useful tube life. The KT88 and KT120 tubes are current production, widely available and each power tube is individually protected.

Due to its unique combination of musicality and power, the Maggiore M100 is truly a "Gentle Giant".

Specification:

Max. Power Output (at clipping):
100 W RMS at 1kHz/8 ohms
(with KT-88 tubes)
130 W RMS at 1kHz/8 ohms
(with KT-120 tubes)
Frequency response:
15Hz to 80kHz (-3dB)
Signal to noise ratio:
> 100 dB (A-weighted) ref. 100 W
Gain:
23 dB
Input impedance:
100K ohms
Dimensions:
60 x 28 x 55 cm (H x W x D)
Weight:
45 Kg each

vicks7

Owner
System edited: Updated system photo with the arrival of the Audiopax Maggiore M100 amplifiers.

vicks7

Owner
Thanks Goldeneraguy. Your kind comments much appreciated.

At the moment my amplifiers are plugged into the Purepower but Audiopax have recommended I have two dedicated lines installed - one for each amp - as they draw a huge amount - and that these lines are run directly from the mains box in my apartment. I will give it some thought. I like the Purepower very much particularly as the power supply in Sao Paulo is not the best.

I need to update my system photo as my Audiopax Model 88 have been replaced with the new flagship Maggiore M100 monoblocks. These monoblocks now sit between the speakers and the two racks have been moved to the side of the room. The Maggiore I have is a demo and I await the final version which will also have balanced inputs. I will then covert my preamplifier to balanced outs as I now need an interconnect of about 9 metres and don't want to run the risk of impairing the sound by using a long single ended interconnect.

The Maggiores are incredible sounding amplifiers. 100W Class A. I have not heard anything that comes close in terms of soundstage and tonal accuracy - as close to the live event as I could hope for.

My final piece - a Wave Kinetics NVS turntable and Talea II arm are on their way and should be with me in a month or so - I will then move my system to "done for now"! Aka no money left!

vicks7

Owner
That's right - no armboard for the Talea I although I was in the process of acquiring one for the Raven until I decided on the direct drive turntable and swapping the Talea I for the II.
It would be an interesting comparison though.

vicks7

Owner
Hi Kdl,

I have not mounted the Talea I on the Raven AC - the Raven remains with the TW 10.5 arm and Ortofon Black Credenza which I am very happy with.

However, I will be acquiring a direct drive turntable shortly which I intend to use with a Talea II and an Ortofon A90.

vicks7

Owner
System edited: I received Audiopax's new flagship tube amplifier over the weekend to replace my existing Audiopax Model 88 monoblocks. 100W in Class A1 triode. Each monoblock amplifier runs 6 KT-88 tubes and three 12AT7 drivers. Pictures and review to follow. Stupendous sounding amplifiers.

vicks7

Owner
I compared very briefly the Bent and the Lightspeed when the Lightspeed arrived several months ago but because I was making a number of other changes to the system I did not follow through. To make it a fair contest I also need to better understand the conditions to optimise the Lightspeed (low capacitance cables for example). At the time I found there was simply "more" with the Bent - more presence, deeper soundstage - both equally uncoloured and transparent. When I have some time I will do a proper a/b test using the same cables and post my thoughts for what they are worth.

vicks7

Owner
Thanks Kevinzoe - I have the Lightspeed as well and agree that it is excellent. I intend to experiment with it further in the future.

I will let you know on Rives.

vicks7

Owner
Hi Elberoth2.

Good question. My Audiopax 5SE is still breaking in but initial impressions are that whilst both are very transparent the Bent has the edge on this front as one would probably expect. Audiopax overall has a better grip on the music and I think produces a wider dynamic range and deeper bass. But I remain in two minds as to what is the best approach. I will re-evaluate the direct approach (APL direct to amp) or with the Bent as opposed to the Model 5 once I have the more powerful and superior 100W Maggiores in my listening room. I think I could be very happy with either particularly with the Evolutions with the powered subwoofer units. However, the Tap-X, purely on a cost benefit view, remains one of the best components that I have ever purchased.

vicks7

Owner
Purchased some good vinyl recently including Traneing In - John Coltrane with the Red Garland Trio (Prestige LP - Analogue Productions 45 rpm), Like Minds - Burton, Corea, Metheny, Haynes Holland (Pure Audiophile Records 33rpm), Muddy Waters folk singer (Quality Record Pressings 45 rpm) and some good CDs - Keith Jarrett - Rio, Charles Lloyd Maria Farantouri - Athens Concert, Rodrigo y Gabriela - Live in Japan.

Remain delighted with the APL modded Esoteric player and continuing to enjoy the vinyl on the TW Acustic Raven AC. MMtwos continue to amaze me in the sound they deliver and still less than 100 hours. I have contacted Rives and will be exploring ways to improve the acoustics - cannot go all out as currently in rented accommodation which is a frustration.

Happy holidays to all.

vicks7

Owner
Thanks Kevinzoe for the advice and kind remarks.

On the advice of Jonathan at Chambers Audio, I have purchased a Phonic PAA3 acoustic measurement tool and intend to run an XLR cable from this to each channel of the preamp and generate pink noise and take measurements - however I am a complete novice so I will need help at some point to interpret the data. Do you have suggestions for any particular software and also for any guide in the internet so that a novice like me can interpret the data? The Phonic PAA3 has its own software and I expect that this will suffice.

Good advice on the room treatment. I have been in touch with GIK Acoustic who have been incredibly helpful - they also suggested a panel directly to the side of the left speaker and also tri traps for the left front corner and right front corner. I am awaiting to hear back from them with a final proposal but I may send them some readings to further help the analysis. If only I had a dedicated room as many members do on this forum but not a realistic possibility where I live. It remains however a frustration as I know this gear could be producing much better results in a more appropriate room.

I have also been suffering from hum and RFI in the vinyl rig and Whest Audio are being very helpful in trying to help resolve this for me but it is maddening.

vicks7

Owner
Thanks Kevinzoe. Room is an l-shape but speakers are on a long wall of about 25 feet and the length of the room is over 25 feet so there is even more space behind listening position then in front of it.

Unfortunately I am forced in to having speakers to left side of room so left speaker is close to the left wall whereas right speaker is not near a wall as room opens out for a further 12 feet to right of speaker. There is a lot of work to be done with acoustic treatment to deal with this speaker position - it will help that the mmtwos can also be dialled in and this is my next project after the speakers have a few hundred hours on them.

I am convinced that with more tweaking I can start to realise the full potential of the components I have amassed over the years. I expect that once the Maggiore 100s arrive this will also have a significant effect - increased power should lead to more grip although the mmtwos do not need huge power given the powered subwoofers. But the Maggiore are much more than just an increase over power when comparing to the model 88s. I was in awe when I demoed the mock- up version of the Maggiore - the size and depth of soundstage was huge.

I have just returned from the States and picked up a Talea 1st generation (from Mike Lavigne - a real gentleman to deal with) and also an Ortofon A90 from Jonathan at Chambers Audio - another gent. It will be interesting to add this as a second arm on the Raven AC and see how it compares to the Raven 10.5 arm with an Ortofon Black Credenza.

Bought a load of new CDs when in the States - listening to Jarrett Rio - and things are sounding good but there is a lot still to do - but it is what makes this hobby so much fun and a drain on the wallet!

vicks7

Owner
System edited: I have updated my system photo following the introduction of my new Evolution Acoustics MMtwo speakers. System Edit: I have replaced my Bent Audio Tap-X Passive Preamp with an Audiopax Model 5 Special Edition. Wonderful synergy with the Audiopax Model 88 Monoblocks. System is sounding fantastic.

vicks7

Owner
Thanks Charles. Just finished listening to Musica Nuda - Petra Magoni and Ferruccio Spinetti. Final track is a wonderful version of Imagine - speakers are sounding so crystal clear and natural - really pleased to have got to this point with my system.

vicks7

Owner
System edited: System edit: Replaced ASI Tango with Evolution Acoustics MMTwo

vicks7

Owner
Thanks Charles and Dev.

Very early days but the MMtwos do quite a few things better. IMHO resolution is far superior - I very much like the ribbon tweeter - phenomenal detail. The midrange is also fuller and more realistic particularly on piano and wood instruments. Played Brian Bromberg Wood and it sounded the best I have ever heard this CD. As many others have said the speakers disappear - imaging left to right front to back is wonderful. When we put the speakers together yesterday which effectively involves locking a module consisting of two ceramic mid range drivers and ribbon tweeter on top of a separate woofer module, I wondered it if really could sing as one speaker and it really does - the coherence of this speaker is phenomenal - the bass integrates with the rest of the speaker in a seamless way but at the same time does not overpower the presentation.

I will post more thoughts when I have been able to process what I am hearing but it truly is a remarkable speaker in my humble opinion. I have been listening non-stop all day today. Speakers also have endless adjustment through controls on the back of the speakers - bass filter, bass level, bass quality, bass extension, tweeter level and a rumble filter. I am still listening on factory default settings until they settle down. It was very obvious once I started listening today that my system is now in another league.

The speakers are bigger particularly front to back but they still fit well into the space. I currently have them about nine feet apart and nine feet from listening position. I will update the system photo in the next few days.

Thanks for the tip on the Minus k - very interested in improving the isolation on the table. I am still a little reluctant though given the price but still considering.

The new Maggiores are beasts - quite large amps when I demoed them in my home. I am waiting for the final version to arrive hopefully in next few weeks. A SET with 100w Class A. I hope word gets out as the guys at Audiopax deserve the recognition - Eduardo de Lima the creator is a true genius.

vicks7

Owner
Thanks Jfrech.

I am currently considering the many options available on isolation platforms.

I particularly like the idea of the Minus-k but it would be too expensive in my view to justify any potential gains so I am considering a Silent Running Audio or an AudiAV and will pull the trigger soon on one of these.

vicks7

Owner
Thanks very much Mjcmt for the kind words.

System is sounding great, both vinyl and digital, (I probably split my time equally between the two formats) although there are some issues given the non-symmetrical room set up, mainly in the depth of soundstage and imaging. My room opens out to the right of the right speaker whereas the left speaker is much closer to the left wall. My apartment is rented so I am trying to research the most cost effective way of remedying this non-symmetrical room set up with acoustic room treatment.

I have two more changes coming up in the next 3-4 months in terms of amplification (moving to the bigger brothers - the Audiopax Maggiore 100 which are superb based on my audition in Sao Paulo) and possibly new speakers (MMTwos) and then I am done (hopefully)!

vicks7

Owner
System Edit: Over the last several months, I have added a TW Acustic Raven AC turntable with Raven 10.5 arm and Ortofon Black Credenza cartridge and a Whest Audio Phono Reference Phonostage. Vinyl is sounding fantastic.

vicks7

Owner
System Edit: Updated System photo.

I would appreciate advice from you all on room treatment/set up.

My room is an L shape with the speakers on a long wall but with the left speaker close to a wall - actually ceiling to floor glass balcony doors. In the photo above you can see these covered by a thin white curtain.

Left speaker is about 15 inches from the left wall. Right speaker has no side wall close to it - it is open to the right side of the speaker for 11 feet.

Speakers are about 22 inches in front of the front wall. Speakers are about 8 feet apart, slightly towed in.

Distance from speakers to listening position is about 10 feet. Room continues for a further 17 feet behind the listening position.

Any thoughts on what I can do to improve the set up. I have a rug as you can see in the photo.

Thanks

James

vicks7

Owner
Thanks Charles1dad. I am very pleased. The speakers excel at many things, including acoustic guitar - I was listening to John Mclaughlin last night (Live at the Royal Albert Hall) and it sounded incredibly realistic and musical.

vicks7

Owner
System Edit: I updated my Audiopax Model 88 to the most recent model (the Model 88 A3) and it has provided a remarkable improvement over the original amplifiers.
System Edit: Purchased a Bent Audio Tap-X preamp and now alternate between using the APL NWO direct to the amps or through the Tap-X. Still deciding which I prefer!

vicks7

Owner
I am still very happy with the Tangos although I still listen to the Zus which I like very much. I don't understand why Zu has stopped producing these speakers. I have not gone as far as the resonators other than the ones in the base of the speakers but I am using Frank's liveline speaker cable which I also find to be excellent.

The specs on the Audiopax are as follows:

Max. Power Output: 30W RMS at 1kHz into 8 ohms
Frequency response: 14Hz to 90kHz (-3dB)
Signal to noise ratio: > 90 dB (A weighted) ref. 30W
Gain: 18dB
Input impedance: 215 Kohms
Output impedance: 3.7 ohms

vicks7

Owner
System Edit: Replaced the Modwright Sony CD/SACD Player with the APL modded Esoteric X-01 CD/SACD Player and I have also added the Acoustic System International Tango R Loudspeakers and cabling. I have also removed the Melody preamp with the APL direct to the Audiopax amplifiers. The system sounds fantastic. I love the Zu speakers but the Tango speakers are, IMHO, superior - harmonics, treble, bass. Very realistic and detailed speakers but also very musical. I could not be happier.

vicks7

Owner
Thanks everyone.

I am still waiting for the Definition 2.0 and APL NWO 3.0 to arrive. In the meantime I have moved house - when I get the new system together I will post a new picture. The wooden floor at my old house didn't for me cause any problems - had a very clean sound.

GSM18439 - would love to hear from you about the Def 2.0s. I have gone for the matte black with the anodised speaker rims.

I was very pleased with the Druids but they do not seem to be everyone´s cup of tea - I would have kept them if not upgrading to the bigger brother. I am an amateur jazz musician and listen to a lot of jazz and thought the Druids were excellent - most importantly in terms of tone. When I listened to some of the jazz guitar greats through these speakers, nothing else came close. I would however recommend that you audition them first in your system - with my Audiopax/Melody combination they work very well.

I am also looking forward to getting the APL - a big plunge I agree - but I have spoken to so many people about this player so decided to take a risk.

vicks7

Owner
System Edit: Replacing Zu Druid speakers with Zu Definition 2.0 Speakers. Replacing Modwright Sony 9100ES CD/SACD with APL NWO 3.0.

vicks7

Owner
System Edit: Replaced Eastsound E5 with Modwright Sony 9100ES. Large improvement although believe it can still be better. Currently auditioning Zu Druid speakers. Room is very large and open plan with speakers on long wall firing into large space with 8-10 feet behind the listening position which in turn is about 8 feet from the speakers.

vicks7