Description

Just sold my 2,60 sq. ft. home and now am temporarily in a 1,100 sq ft apartment. Looking for a large loft to finally have enough room for a true system.
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Components Toggle details

    • Scheu/Eurolab Premier
    Black acrylic
    • Cartridge Man Conductor
    Air bearing parallel tracking linear tonearm.
    • Scheu Tacco
    Scheu's statement arm, some German users have equated it with at least the lower Schroeder arms.
    • Grado The Statement
    The STATEMENT utilizes gold wire coils, a boron cantilever and a diamond cut specially for Grado. All this is hand-assembled within a machined Australian jara wood housing.
    • Cartridge Man Music Maker 3
    The 'MusicMaker' Phono Cartridge is a high-performance variable reluctance device, employing a proprietory extended contact diamond stylus.
    • Denon DL-103D
    Considered by many to be the ultimate of the 103 series. No longer produced.
    • Gram Slee Era Gold mkV
    phono preamp Gain - 41.5 db Input Sensitivity - 2mv to 9mv Input Impedance - 47k and 100pF
    • Gram Slee Elevator EXP
    "Transformerless" stepup MC amp Gain - 24 db Cartridge Loading - 23, 30, 100, 840, 1000, 5100, 47kHz
    • Museatex Bitstream Data II (2005)
    The Melior Bitstream™ Converter has two digital inputs, one fiber optic and one co-axial. Two independent digital sources can be connected to the unit. A front panel membrane switch allows you to choose between the two.
    • Meitner/Melior by Museatex CD-D
    Matching transport to the Museatex Bitstream Data II DAC I have
    • Stevens & Billington TX-102 mkIII
    Transformer Volume Control (TVC) w/ Seiden 20 step attenuator and selector switch.
    • Art Audio PX-25
    Transformer-coupled, zero-feedback, pure Class A triode stereo amplifier. Output Power 6 wpc. Frequency Response 9Hz to 60KHz full rated power. Tube Complement 2 x 6922/6DJ8, 2 x 12BH7, 2 x Mullard CV 378 rectifiers, 2 x KR PX-25 power triodes. This tube has a very similar midrange sound to the 2A3 but much more extended frequency extremes and a lot more power.
    • Welborne Labs DRD 300B
    300B Direct Reactance Drive (DRD)SET Monoblocks using TJ Mesh Plate 300B's and 6N1P driver stage. 7 watts per channel of glorious SET magic and drive.
    • Audion Sterling ETSE EL34 integrated (mkI)
    Class-A, 12 wpc EL34 SET amp. Frequency Response: 14Hz to 35kHz - 3dB. Tube Compliment: 2 x JJ/Tesla Teslovak EL34, cryo'd Russian 6H23n-EB/6922, cryo'd NOS 1950's Tung Sol 5687
    • Cain & Cain IM-Bens
    Fostex FE-168 Sigma 6
    • Cain & Cain Bailey(pair)
    10
    • Paradigm X-30 Subwoofer Crossover
    Built-in active low level high-pass filter Variable 35Hz – 150Hz, 3rd order 18 dB / octave Variable 0 – 180° Phase adjustment
    • Hafler DH-500
    255wpc classic monster amp from the days when Hafler actually owned and ran the company.
    • Cain & Cain Cryo'd Cardas Magnet Wire
    Nothing too special about the particular wire, but it is smooth and detailed sounding. Just plain natural without calling attention to itself.
    • Hammer Dynamics Super-12
    Heavily modified 12
    • DIY AC cord Bob Crump design
    Belden 19364 cable Schurter 4300.0603 IEC connector Pass & Seymour 5266-X thre prong plug
    • DIY Magnet Wire Litz (Super-12's)
    Hammer Dynamics recommended: Woofers(20ga.)- 10 strands of 30 gauge silver-plated copper solid-core wire with Tefzel insulation twisted into a Litz configuration. Tweeters: 4 strands of the same 30 ga. wire twisted in a Litz config.
    • Topaz 2.4kVA Ultra-Isolator Transformers
    I have six of these wired with balanced secondaries for greater noise rejection. One for both tube monoblocks. One for the subwoofer amp. And one for my dac(filtered) and turntable. Common Mode Noise Attenuation - 150dB @ 100kHZ Transverse Mode Noise Attenuation - 65dB @ 100kHZ

Comments 66

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Darkmoebius, very nice description of the Slee - JLTI comparison. Very nice observation about the powering up condition. I noticed some similar problems on the JLTI - it is very sensitive to power requirements and can sound thin and bloodless with bad power conditions or if plugged in only for a short time.

A friend brought over his Slee Era Gold V. However without the Elevator, the only step-up I had around was the Lundahl. The Era/Lundahl was tonally very close, but had a fuller softer bass. It did not come close in resolution the JLTI; ther was much more texture and decay to drums. Also the JLTI went much further into the corners with better separation of instruments (which is where the JLTI really shines compared to any preamp).

With the log list of preamps I tried, I should really put together a long review sometime and write things up. The one preamp I still long to try is the K&K or Art Audio Vinyl Reference.

restock

Hey Dark, thanks for your comments on my system. I guess I haven't visited here for while either.

By the way, what phono pre are you using with the Scheu?

I went and compared a couple of phono preamps over the last months (Pass Xono, Vacuumstate JLTI, Graham Slee, Aesthetix Rhea, EAR 834, ARC PH3SE, Rossner Canofer, Sutherland Ph.D.). I ended up liking the Pass and JLTI the most - both have incredible resolution and dynamics.

restock

Hi,

your problems of deviations between the two Radio shack meters echoes the
problems I experienced with the meters and corresponding correction curves:

Radio
Shack SPL Meter corrections


For the RS SPL meter the Stereophile disk is alread a pain; I can't even imagine
going through the whole thing in 1Hz increments.

Good luck,

Rene

restock

Want to trade?? I would take your complete system. (Just joking). It's actually
so close to what I would put together, it's not even funny.

Great job with the room measurements and placement as well. My current
room has no parallel walls at all. No standing waves that one could calculate
easily but I do notice a 120 Hz peak and a 63 Hz drop out in the spectrum of
my Cain Abby's (or actually any other speaker). Where did you get the room
mode calculator?

All the best,

Rene

restock