Description

39 tubes/triode (15 are doubles). All are NOS.

A few transistors thrown in for good measure. (Phase 1000 in Sunfire tube's processor loop, and H-CAT pre between Tube DAC, and Tube Sunfire)

Four way speaker system, ribbons,stats,and dynamics, with D class amplified active subs.

Digital and vinyl. :-)
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Components Toggle details

    • HP IQ506
    This all in one works great for me. It has a 500 gig hard drive and a coax S/PDIF out, which I used for quite a while, until I got my Off-Ramp USB working again. I use cMP2 playback software. It is sonically far superior to Foobar2000, and Media Player 15 on my system. < I have about 500 CD's ripped full bandwidth to the hard drive.
    • Empirical Audio Off-Ramp Turbo USB to S/DIF
    This is the original Turbo, not Turbo 2. I finally got it working with my music server which is running Windows 7, 64 bit.
    • Musical Fidelity TriVista 21
    Stock TriVista 21 tubed output DAC with DIY 6 awg power cord. I upsample the 24/96 input to 24/192.
    • North American Products P-12R (X8) - H-CAT (update 8-09)
    H-CAT (Holographic Cloning Amplifier Technology). {currently used as a single ended level matching section between TriVista21 DAC output and Sunfire tube pre input. Allows Sunfire volume control to be in the more linear tracking last bit of the pot} Totally analog, no contacts input to output. Remote switched, mute, display brightness level, inputs, WTC adjustment, and volume. True balanced and single ended outputs, single ended inputs only. You can see my DIY interface and Absolute Phase (as used to be available in most gear decades ago, but now is mostly found on only the most esoteric) switch box just behind the H-CAT. The H-CAT has been updated to version X8. I now use the H-CAT for its WFT aspect and as a signal attenuator. This keeps the potentially very large signal for the DAC from overloading the tube line amp and allows more transient headroom. Lots of fun.
    • Koetsu Rosewood Sig
    Koetsu NOS Rosewood, early signature. It doesn't get better.
    • Audiocraft AC300
    Older Japaneese made damped unipivot. Probably the oldest piece in my system, with the exception of some of my NOS tubes. Manufactured in the late 70's. It is mounted with a Pete Riggle VTAF (Vertical Tracking Angle change on the Fly - while playing).
    • Pete Riggle VTAF
    Pete Riggle VTAF™, pronounced 'vee-taff' for 'Vertical Tracking Angle on the Fly'. The VTAF allows smooth and easy VTA (Vertical Tracking Angle) adjustment on the fly and other benefits; • Improved nuance, inner detail, air, sound staging, dynamics, pace and rhythm compared with the original mounting system! This is above and beyond the VTA adjustment benefit! • Raises performance of tone arms to the highest level! • Smooth and easy adjustment of VTA on the fly! • Continuously variable VTA adjustment... infinite resolution! • High resolution: Each full turn of the adjuster wheel results in only .025 inch (0.635mm) height change • VTA is easy to measure, record, and reset! • After VTAF installation, the arm can be removed from and restored to the turntable in just moments! Easily remove tone arm for transport, for cartridge maintenance and cleaning, or for cartridge replacement. • OTHER VTA ADJUSTERS, ORIGINAL OR AFTER-MARKET, DO NOT CLAIM OR PROVIDE THE ADVANTAGES LISTED ABOVE. http://www.vtaf.com/
    • Linn LP-12 Sondek Ittok
    Linn Sondek Ittok. I originally bought it with Ittok mounted in 1984 from Gene Rueben. There have been a few mods like the three cone feet, damping and a second layer of acoustic isolation, a bike inner tube.
    • Sunfire Classic Vacuum Tube Control Center
    Sunfire Classic Vacuum Tube Control Center, with phonoboard, and remote options. It is so nice to be back to a full function preamp with balance and tone/contour controls. This preamp tends to be rare, when fully optioned. The six (6) tube phono board was an option. It will soon be updated to an eight (8) tube board. It could be user installed. It has provisions for MM, MC (the additional two tubes will be added to the MC pre-preamp), and a reverse RIAA input for CD that can then be run through the MM section to tame bright/hard sounding CD players. Remote control became available later in the production run, as an additional option. It was only available factory install. Other than a pair of 12AX7 (Amperex Bugle Boys) in the phono section, the other 7 tubes should be 6922/6DJ8s. Four (4) of the tubes are 6DJ8/6922 (on the phonoboard), with three additional 6H30pi-DR in the line section. The preamp is very flexible and pretty much bullet proof. It is a tube roller's dream. I have currently rolled NOS from the late 50’s to the late 70’s into all positions. . I am still playing with the tube complement in the MC section and the final position on the phonoboard. The MM section uses the pair of Bugle Boy 12AX7’s. The line section has three (3) NOS 6H30pi-DP for the singled ended and balanced output. It is a really sleeper. Much better than many would guess and most even know.
    • Van den Hul The First - etc.
    1 pr of the orignial THE FIRST. 4 pr of THE FIRST Ultimate Mk II. 3 pr THE FIRST ULTIMATE. (The First Ultimate original, best of the lot in my system YMMV). Carbon fiber, the only metal is in the RCA connectors. I had tried some of both the copper, the alloy, and the silver expensive spread. I ALWAYS return to my VdH with great joy and aural relief.
    • Manley Laboratories Neo-Classic
    Dual mono, all tube amps. 10 EL34's per side! Neo-Classic Design for 2000! (this pair was built in May of 2003) Same great ballsy sound, new chassis design to fit in those HUGE new transformers! 250 watts per channel in tetrode/100 watts per channel triode. NOS GE JAN 12AT7WA (1965), NOS Sylvania 12BH7A's, and NOS RFT (1981) EL34's.
    • Manley Laboratories Neo-Classic 250
    What I see as I listen in a darkened room, in triode mode. The price is per pair. They look amazing in the dark.
    • Audioquest Volcano 144v
    Four foot pair Volcano, upgraded to 144v dbs
    • Zero Impedance/Anti-Cable Zero Box
    I am back to the Zeros. I had two pair of the naked zeros a couple of years back. As I upgraded the system it was less revealing with the zeros in and I sold them.

    As I have continued to upgrade the system Zeros have made their way back in with GREAT sonic improvements and none of the veiling I heard before.

    You can see them to each side of the amp. Usually there is one on each amp, but one is out for repair.
    • Cardas Helink Golden 5-C
    Very old 1 meter pair of top of the line. Thick as a snake.
    • Sequerra HF-1
    Ribbon super tweeters. At $300 ea. in 1980 they were 1/2 the price of the T1's at the time. After seeing a later generation 180 degree Sequerra design with 3 horizontal ribbons, I decided to try mine on their sides. Much better!! You can see one here sitting on the custom solid Oak tweeter perch I built for it. Martin Logan to the right. Van den Hul hanging off the self below and to the left. Nitty Gritty to the left, and DIY tube trap behind.
    • Martin Logan Prodigy
    Martin Logan Prodigy. Bought dealer demos shortly after they were discontinued. What a buy. What a sound.
    • Martin Logan Depth
    This is a pair of depths, bought from a dealer on the web after the depth i superceded it. Amazing subs!
    • DIY Acoustic Flags
    A very inexpensive copy of ASC's acoustic flags. These flags are simply in-wall fiber glass insulation from Home Depot with the paper backing removed and then sewn between two pieces of fabric. Very inexpensive and works great! If you can't sew just cut out a rectangle, fold it diagonally, put the fiber glass triangle inside the fabric, and staple together the two edges. Use two push pins to secure them to the ceiling.
    • DIY Tube Traps
    Another ASC DIY copy for a small fraction of the retail price. You can see one of my low noise bathroom fans on the ceiling for removing tube system generated heat. I built a lot of these tube traps but only have a few in the room right now. Top cap and end cap is MDF, a layer of wall fiber glass rolled around the inside of a cage of hardware cloth. One half of the circumference is covered with mylar used for window sun block. Avery good friend with a great deal of "real" tube trap experience, made a couple of simple repositions and the differences were jaw dropping. You absolutely should either buy, or build some!
    • Home Depot Squard D
    Square D surface mount box with one 30 amp breaker. 10/3 AWG solid core wire.
    • Tice Audio Power Blocks & Titans
    Four of the Power Blocks with three Titans, wired in parallel on a dedicated 30 amp circuit. Huge, heavy, isolation tranformers. Almost 500 pounds of square cross section 12 AWG single strand wire, and iron. About 10,000 watts of reserve for transient peaks and music foundation. Transient current delivery of a 75 amp circuit! Probably $15,000 worth in todays dollars.
    • Weiland/Tice Power Station
    Here is a picture of my four Tice power blocks, and three Tice Titans (off to the left, under the Linn garage system speaker). There are four (two duplex) outlets supplying the power blocks from the 30 amp dedicated circuit. The wire from the secondary (isolation filtered) side of the transformers is 6 AWG going through the wall to 14 duplex outlets of the other side for the audio system. This power station has the short term transient current delivery ability of a 75 amp line!!!!! Originally, the Power Block/Titan combinations were $2,250 per pair. Of course they can be found for less now. The $15,000 is a pie in the sky number based on 1988 dollars, and currently available audio power conditioners/filters.
    • Hubble 20 amp hospital grade
    I have mounted 14 hubble hospital grade 20 amp duplex outlets in my audio room, in two banks of four and two banks of 3. A run of 6 AWG solid core wire supplies the first bank and the other three are connected with 8 AWG.
    • Blue Circle Audio BC68
    The BC68 is essentially a BC62 power cord with a built in line-conditioner equivalent to two BC86 MKII noisehounds. It was developed for use with electrostatic loudspeakers. The background low level noise just went away. BLACK, BLACK, BLACK background. Worth every penny.
    • Virtual Dynamics - Kinda David 2.0 Series - Kinda
    I have built 6 VD type cords, so far. (I need to build at least 5 more.) The first after watching their video on how to build a power 3, but instead of 14 awg I used 10 awg. I built a 12 awg version, then moved on to this 10 awg. I now use only 6 awg. Here is a link to the DIY power cord http://forum.audiogon.com/cgi-bin/fr.pl?htech&1242155869&read&keyw&zzdiy=power
    • Virtual Dynamics - DIY Master Series w/ 6 awg copper
    This picture of my 3 foot 6 awg DIY power cord dwarfing my 10 awg Element Basic cable. Well worth the effort, both in improved sound and thousands of dollars saved. Link to DIY power cord project http://forum.audiogon.com/cgi-bin/fr.pl?htech&1242155869&read&keyw&zzdiy=power

Comments 120

Owner
Go here for current system.  

https://systems.audiogon.com/systems/4760

bruce_weiland

Owner
This one is not available to me for edit. And may never be, but the newer Vsystem seems to be working. :-)

bruce_weiland

Owner
After bombarding Audiogon with email after email about "broken" virtual systems, I finally got a reply that was not an autoresponder.

"..We are still working on virtual systems. To be honest this is not a top priority......"

I guess that pretty much sums it up.

bruce_weiland

Owner
Yea, and I am in So. Cal.

These ARE headphones with bass response. :-)

bruce_weiland

I think they call this type of speaker setup "Texas Headphones" :)

spinaker01

Owner
Well CRAP AGAIN and AGAIN!!!!

Just built a virtual system for the third time. This time in the NEW Audiogon.

Still no link in my page and no way to edit or change it. Damn, damn, damn!!!!!!!!!! Extremely frustrating.

And still no reply to multiple emails to Audiogon support.

They must too busy putting out all the "fires" they have caused with their "new and improved" site.

bruce_weiland

Owner
Not quite as frustrated. Tried an older password and after the second time I entered it I got in. Of course none of my virtual systems are connected to me as a user. And.... NO responses from Audiogon support, to my emails to them.

bruce_weiland

Owner
Can't get anyone to respond to my emails. I am logged in but when I go to MyPage, I no virtual system. When I try to create one, I am instructed to log in. However, it will not accept my log in. DAM*!!!!!!!!!!!!

bruce_weiland

Owner
Well crap!!!!! I have made some system changes. I went to "MyPage" to update the virtual system I had to create after this link was no longer anywhere on "MyPage" and the new virtual system is no where to be found! 10/2011 all over again. Damn!!!

bruce_weiland

Owner
I thought I was done. NOT! Well it is a good thing this is in this area.

The Sunfire has been sold and will be off to its new home soon.

I have an all tube line section, and an all tube phono section, both with tube regulation. Details and pictures to follow.

It looks like I am going to have to build a new virtual system.

It has been over a month and audiogon has still not re-established the links to my individual pictures or the link on "my page" that knows a virtual system exists. :-(

bruce_weiland

Owner
Enter to move broken virtual system to the top. Still no picture links or link on my page

bruce_weiland

Owner
This system keeps disappearing, not audible, the link.

This edit is to get it to show back up in the virtual systems.

It still is not linked to my page.

bruce_weiland

Owner
System edited: Moved H-CAT up and added to description for current use.

bruce_weiland

Owner
Yea!!! They fixed it and all picture links work again!!!

:-)

bruce_weiland

Owner
Currently all the picture links are broken. :-(

bruce_weiland

Owner
Some how this system got deleted accidentally by Audiogon. Fortunately, for me, they were able to recover everything.

bruce_weiland

Owner
System edited: Removed the three Titans from the power conditioning setup. Now just FOUR Power Blocks, Series I and II, in parallel on my 30 amp dedicated line.

bruce_weiland

Owner
System edited: My description just above this post has been haggin' around since 06. System has changed immensely since then.

bruce_weiland

Owner
System edited: The original intro for the system I started listening to vinyl 60 years ago, when I would sit in my little red rocker and put records on my record player and sign along, at age two. Worked my way through 9 years of college, mostly in audio. Got the 1st issue of the Absolute sound when it was published. It wasn't too long before I had some Phase Linear electronics and Magnepans. It has taken me years to reach audio heaven. The oldest piece in my system was manufactured in 1984. It is all about the synergy. I have listened to many $200,000+ systems that don't approach the musical enjoyment I get from this hodgepodge. As we all know, it is hard to describe sound, or the sound of a system without having similar experiences. I will try to give you some insight into what I listen for, so that you might get some sense of what this system sounds like, and if this is the kind of sound you would like. From age 10 to my mid thirties I played in marching bands, concert bands, dance bands, pep bands and sang in large choirs, smaller traveling vocal groups, folk groups, and some pop rock groups. I played trumpet, guitar, electric bass, and played at piano. Because of these experiences I like hearing instruments and voices up close. Either in the group or front row. The percussions were generally on the riser right behind me, and I am used to having a voice almost next to my ear on either side. As one moves away from the instruments or a human voice a number of the upper overtones become attenuated very quickly. My best audio friend of over 35 years and I can sit down to evaluate a piece of equipment and very quickly describe to each other what we are hearing. We always agree on what we are hearing, but we don’t always agree on what we like. He really enjoys sitting way back in the hall at a concert or opera. While his system sounds wonderful, his further back perspective is not what I prefer. While I love the close perspective, I don’t love harsh and brittle and have tuned my system such that some marginal recordings can still be enjoyed. The system it is a mixed of tubes and solid state. This system has amazing depth, width and height. It resolves very low level detail. Is extremely dynamic with very fast transients, and yet sweet and delicate. It sounds wonderful at high volume and at low. Although I seldom listen at low levels. Since I listen nearfield there is tremendous headroom. Another advantage of nearfield listening is much less room interaction. One still needs room treatment, as you can see in the pictures. This is some of my room treatments. I am really pleased. Voices/vocals are to die for. But, I keep tweaking. That is why it belongs in this category.

bruce_weiland

Owner
System edited: Build some custom stands for the gear. My old Sound Organizer table for the Linn, cut in half and made into two tripod stands. Spikes to the floor, and weight plates on the equipment. DIY equipment clamps to come. New position of new amps. Subs to get relocated next

bruce_weiland

Owner
System edited: I loved the VTL MB-225t so much that I had to get "an updated" version. Now the Manley Neo-Classic 250's are really a distillation of the 240/100 and the Reference 500 with better passive parts, transformers, and some subtle circuit updates, but all the older VTL and the older, and newer Manley stuff is built on the same underlying philosophy.

bruce_weiland

Owner
System edited: After a several years hiatus, a Sonic Euphoria PLC (passive line controller) has come back into my system not as a preamp, but as a line level matching device.

bruce_weiland

Owner
System edited: Sold VTL preamp to simplify system some.

bruce_weiland

Owner
System edited: VTL pictures added

bruce_weiland

Owner
Frank,

Additionally, this out of phase is difficult to do, except for phono chartidges, or if one can change absolute polarity for on channel only somewhere in the chain, most can't.

bruce_weiland

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