Description

*Progressive system with updates and changes.

12-watt tube integrated from Hong Kong with high sensitivity speakers from Connecticut. Slowly stopped tube rolling with focus on exploring new music through the Node 2i. Future includes room treatments and placement of the Kingko and Node. Following the golden rule of K.I.S.S. Inspiration from migueca and his second system, which can be found here on Audiogon! 

11/2019: added MHDT Paradisea + (OPAMP OPA2228P mod), 1960’s Danish Credenza, ATS acoustic panels, UA Acoustic diffusers, and some Herbie’s tweaks throughout. Connections remain MIT AVT 3s. The discontinued and more than 10 year-old Paradisea+ may be considered a step back to some considering it’s only a 16 bit NOS R-2R DAC connected to a streamer fully capable of MQA. But because of my strange music preferences more than 95% of what I listen to is in 16 bit from Tidal anyways. Additionally, NOS R-2R seemed to fit within the “less is more” equation when accounting for the Omega’s single driver and no crossover design.

11/2020: Added the Galante Rhapsody, NAD C 658, and Ryhmik/Omega sub. Greatest barrier has been the room which is considered pretty “hot.” Unable to add more room treatments due to my better half. DIRAC utilizing the UMIK-1 through the NAD was the compromise (in my eyes).

ADVERTISEMENT

02/2022: Added some new 4” ATS acoustic panels. Updated the sub to a Rythmik F12G SE, which blends and disappears into the soundstage (simply incredible). In line for a Decware Zen Torii Jr - should have purchased four years ago (that waitlist...), but contemplating QS Mid Monos, LM 845, or Aric Audio Transcend. Future includes corner bass traps (floor to ceiling from ATS), larger diffuser between speakers and much lowered mid-century credenza.

Favorite 2022 late night find: Before the Road by Motorama. Favorite "audiophile" album: Braziliana by Luiz Bonfa and Maria Toledo

12/2022: Added Sonore opticalModule Deluxe and Aric Audio Transcend Push/Pull with Sophia Electric tubes.

12/2025: Roon Remote with iPad. Bypassing Roon processing utilizing HQ Player in the background (Macbook) for processing, upsampling, and outputting DSD 256 to Lampizator TRP with KT66s and 274B.

Strictly streaming tube-based system with focus on unity gain. Done for the foreseeable future. 

Heavy rotation in 2025: Soutak by Aziza Brahim and The Universe Smiles Upon You ii by Khruangbin. 



Read more...

Room Details

Dimensions: 14’ × 16’  Medium
Ceiling: 10’


Components Toggle details

    • Tannoy Stirling Prestige Gold Reference
    Secondhand
    • REL Acoustics Classic 98 X 2
    Dual 98s
    • Aric Audio Transcend Push Pull Amp
    Sophia Electric KT88s
    TAD EL34s Red Base
    Sophia Electric 6SN7s
    Secondhand 
    • Lampizator Atlantic TRP
    With volume control. Secondhand with Swiss Digital Fuse Box. Currently using EL34s and 274B with HQ Player outputting DSD 256 behind Roon UI.
    • Decware ZRock3
    Two slope tube equalizer. Adds weight between DAC and amp. Perhaps my favorite component.
    • Sonore opticalRendu
    + Sonore LPS (secondhand w/ opticalRendu).
    • Sonore opticaModule Deluxe v2
    • Roon Labs Nucleus Ref 2
    Located in the office:
    Via Arris Surfboard SB8200 (DOCSIS 3.1 Broadcom) > Pangea Premier Ethernet > TRENDnet Switch w/ LPS > Supra Cat 8+ Ethernet 1-Meter > Roon Nucleus

    TRENDnet Switch (above) > Pangea Premier Ethernet > Sonore opticalModule Deluxe w/ LPS & Finisar SFP 1324P2BTL > FS singlemode Fiber Optical Cable (50’) > Sonore opticalRendu & Finisar 1324 w/ Sonore LPS > Cardas Clear USB 1 meter > Lampizator Atlantic TRP > Decware ZR3 > Transcend Push Pull
    • Miscellaneous, Retired & Interestingness (Toggle Details)
    Misc: 
    - Roon lifetime with Tidal, HQ Player processing/upsampling to DSD 256
    - Swiss Digital Fuse Box (to Lampi)
    - IsoAcoustics Gaia III
    - Herbie’s Audio Lab component isolation products
    - ATS Acoustics: Diffusion, Corner Bass Traps, Absorption 
    - Cardas Parsec throughout with Cardas Parsec bi-wire speaker cable. 
    - Hubbell HBL5262 Wall Receptacle
    - 1" thickness rug pad
    - Hue lighting throughout with one-touch mood settings.

    Retired: 
    - Kingko KA-101 (retired to office)
    - TEAC NT 505 (retired to office)
    - Galante Audio Rhapsody (retired)
    - Omega Speaker Systems Super 3 XRS (retired)
    - Rythmik F12G SE (retired)
    - NAD C 658 (retired)
    - Core Technologies USBe (retired)

    Speaker Placement: 
    - Following Jim Smith's formula (83-84% of the distance from each speaker to main listening position) - currently 82%.
    - Speakers are 36" from front wall, 100" between speakers, 82" to MLP, and 40" from closest sidewall. 
    - Dual subs; asymmetrical positioning to help reduce nulls and a smoother bass response. 
    - Tannoys and their concentric driver helps with phase and coherence for semi-nearfield listening given the space constraints and desire to be away from the back wall.  

    Interestingness:
    Stereophonic Sound Spectacular (1957) 

    Future thoughts:
    - Two more corner bass traps (extend to ceiling).
    - Dedicated line

Comments 41

Showing all comments by pehare.

View all comments

Pm'd you toro3 but my comments are under review by a'gon so I can't tell if it went thru to you.  In the meantime Happy Listening.  Pat

pehare

Great setup!  I too have Stirling GR's I bought new in 2019 and consider them my final speakers.  I have driven them with Music Reference RM10 MkII, Atma-Sphere Class D monos and now a Will Vincent ST-70, all great amps with the Stirlings.  I would love to hear the Aric Transcend with them - how would you describe the pairing?  Curious about the Teac DAC/streamer as well.  My system is posted.  I like you like to keep things simple and mine is central to the living space and often playing.   Congrats and happy listeneing.

pehare