Description

Gibson loves our AN-Es
Read more...

Components Toggle details

    • Small Green Computer sonicTransporter i5
    Roon server
    • Rothwell MCX
    Step up transformer
    • Audio Note (UK) AN-E/Lx Signature
    Poplar burl, w/custom crossovers by Deja Vu Audio using vintage parts; had to replace original paper woofers with hemp versions due to cat incident.  AN Lexus LX 96 speaker cable.
    • Synthesis Art in Music Ensemble
    Tube integrated amp, w/ Preferred Series NOS 8x7189/EL84 (Preferred Series NOS from The Tube Store), 4x 12AU7 (new production Tung-Sol)
    • Synthesis Art in Music Brio
    Tube phono pre, 2x12AX7 (new production Electro-Harmonix)
    • Garrard 401
    Restored w/custom plinth by Woodsong Audio
    • Reed Tonearms 3P
    12” cocobolo tonearm.  
    Finewire C37 tonearm cable w/cryo & WBT Nextgen plugs.
    • Koetsu Urushi Tsugaru
    cartridge
    • Gold Note DS-10
    DAC/streamer w/PSU-10 EVO optional power supply - Roon endpoint (ethernet).
    Decware DSR interconnect (to amp).
    • Straightwire Pro Thunder
    Pro Thunder pc for integrated amp
    Black Thunder pc for phono pre
    Gray Lightning pcs for DAC and tt
    • Triode Wire Labs Spirit II RCA Interconnects
    Spirit II for phono pre (to amp)
    Spirit II phono for SUT (to phono pre)
    • Audio Sensibility Impact SE
    star grounded power strip, with Testament SE power cable

Comments 25

Showing all comments by islandmandan.

View all comments

mdalton, I love the look of your system, especially your Garrard 401, with Reed tonearm.
I built my own Garrard 401 plinth, installed a Dynavector 501 arm I bought from Chris Harban, it sounds great with my Herron phono stage and Herron line stage.
Amp is an 812 SET built by Paul Birkeland of Bottlehead, his own design, it is the quietest tube amp I've ever heard, yet it powers my custom 12" Tannoys with plenty of grunt in my large room.
It's great when things work out so well, isn't it?

Enjoy your great system, regards,
Dan  

islandmandan

No, I did all the work on the TT itself. I fit the chassis, located and installed the arm, made and installed the purpleheart top and sides, made and installed the insert trim pieces, and the hardest thing out all of it, putting the Waterlox  Tung Oil high gloss finish. Twelve coats of it, with nearly 24 hours between coats. Just so you know, my employment was as a heavy equiment operator, but I built my own house as well. So high grade wood finshes was not in my reportoire of endeavors. It's hard.

I tried with polyethelene gloss finish, but I couldn't get it to lay down right, so I sanded it all down, and went to the tung oil.

It's not as nice as what I've seen Chris and others do, but it's good enough for me. The wood part was easy in comparison. When something went wrong, as it often does on one of my projects, I just saw the wood of the plimth, make new boards from 1 1/2" thick boards of Purpleheart on my tablesaw, shape them, install and sand them, and lastly, put the Tung Oil finish on the table.

It was a very long and engaging process, but I enjoyed it, and I love what I have to show for it.
Thanks for your comments.
Best regards,
Dan

islandmandan

Beautiful system. I especially like your Garrard 401 with the blue Woodsong plinth. Chris Harban is a marvel at what he does.
I've never had any pliths made by him, but many years ago, I bought my Dynavector 501 tonearm from him. I recently installed a new armlift from a current 507 arm, and with some home machining, I was able to make it work perfectly.
If you'd like, feel free to check out my DIY plinth and  Dynavector arm. It's a system that keeps me smiling.

Regards,
Dan (Whidbey Island, Washington

islandmandan