Description

Hello all,

My involvement in audio has been an evolving journey for many years now, but about six years ago, I decided a return to Tannoy speakers was something I had to do. I sold my Dynaudio Contour 5.4's, and purchased some HPD 315 drivers and crossovers on Ebay UK.

I had enclosures built in Pennsylvania by Frank Wyatt, of 1 7/8" net MDF (an inner 3/4" laminated to an outer 1 1/8" layer), with a Sapele Pommelle veneer. They are 150 liter bass-reflex, and weigh 192 lbs. each; sans drivers and crossovers.

I built outboard crossovers using Mundorf SIO caps, 12 gauge Alpha core inductors, and Dueland resistors, with silver solid core 14 gauge hookup wire.

I like them so much, they are the speakers I will have till I leave this earth.

After several years with a VPI Scout Signature, I wanted to venture into the idler wheel turntable world, so again on Ebay UK, I bought my Garrard 401, and did a DIY restoration on it. Frank Wyatt built a plinth for me, which I later modified extensively with Purpleheart side pieces (keeping the original 3/8" thick Bubinga center section), and milled Purpleheart edging on the top edges, and framing the Garrard chassis.

I then installed the Dynavector 501 arm (so nice to not have the VPI wobble!). Several cartridges are available in my collection, two Actutex (LPM 415, LPM 320), the Soundsmith retipped Dynavector XX2MKII, Zu Denon 103R with ESCCO white sapphire cantilever and Paratrace stylus mods, which is my favorite by far.

I bought a used Modwright SWP 9.0 SE phono stage, put NOS tubes in it, and installed an upgraded power supply provided by Dan Wright. I feel no compulsion to change to a different phono stage.

I wanted to try a tube line stage, so I sold my much-loved Sonic Euphoria passive, bought a Transcendent Sound Grounded Grid kit, in which I used NOS Amperex 12AU7 tubes, Clarity Caps output caps, Goldpoint stepped attenuator and switching, mil-spec silver hookup wire, and Bent Audio remote volume control. This is an amazing sounding line stage, I see no need to change.

Next came the Assemblage Audio SET 300B, which I sent to Chris Johnson for upgrades, caps and resistors, using Kiwame film resistors, Jupiter Paper Beeswax caps, and Nichicon caps. With the EML XLS 300B tubes the Tannoys sound lush, detailed, and very much like live music, especially well recorded Jazz LPs.

Lastly, some would say I devolved, but to have a quality backup in case of tube failure, and to save hours on the 300B output tubes, I decided to give Class D Audio a try. I bought a 125 Wpc CDA 254 kit a try, and really enjoyed it. I installed an additional amp module in it, running in bridged mono mode, it bumps the output up to 500 Wpc, which snaps the Tannoys to attention, and they sound excellent.

My old five channel amp gave out, so I built another CDA 254 class D amp, with an added module, and I was able to convert it to a three channel amp, with 125 wpc for the surrounds, and 500 watts for the center channel. All in all, a very cost effective set of amplifiers that are every bit as good as some of the higher priced amps I've used over the years.

At this point, at my age ( I turned 70 in February), I am happy to stand pat with what I have, I am enjoying the best sound I've ever had the pleasure of listening to at home.

As of 9/2016, I've completed additional sanding/polishing of the enclosures for my Tannoy HPD 315 drivers. This time, I got it right. Up next, a redo of the Garrard 401 plinth.

Refinishing of the plinth for the Garrard 401 has been completed. Removed face and top pieces, made replacement 1" thick Purpleheart face with inlay, all new top pieces, and new arm board from Purpleheart and Australian Mallee Burl.

Added photos of redone plinth.

Regards, and enjoy,
Dan         

More turntable photos added Mar, 2017 

Added new photos 11/12/2018

Added SET 845 Audio Renaissance 845 integrated amp, just picked up on 4/20. Makes my Tannoys sound the best they ever have.

Added RCA 5693 Red Metal tubes in the SET 845 amp, made for a nice improvement in SQ.

Regards,
Dan

08/09/2019

Added Benchmark DAC 1 Pre, my digital front end sounds very much improved with this DAC. I know there are better ones available, but not in my price range. May be the best $500 purchase yet. I also discovered how much I was missing with a Musical Fidelity X-CAN driving my Sennheiser HD 600's, they sound amazing, who knew how much I was missing? (Not me!)

Regards,
Dan

09/23/2019

Added what is the best line stage I've ever had, the Modwright SWL 9.0. This piece has completed the quest to attain what is my ultimate goal in my system's sound quality. There is now a new liquidity, and completeness to the sound my system never had before. As this category says, "Done For Now", but maybe should be "Done Forever".

Regards,
Dan

04/13/2020

Upgraded surround speaker with very nice Andrew Jones designed Pioneer x-Z9 monitors. Concentric midrange/tweeter with a bass driver, built by KEF. Sound and look beautiful. 
12/04/2019
Added new photos of turntable with red Albert King LP

May 8, 2020

Replaced my old Kef Reference 100 center channel speaker with new KEF Q 650c center channel speaker. This is a very good upgrade in multi-channel music listening, and home theater as well.

June 8, 2020

Just added newly built 3C24 amp, built for me by Paul Birkeland  of Bottlehead. It has the refinement like an SET 300B, but the power response similar to the SET 845 amp. Sounds beautiful, too.

Regards,
Dan

September 12, 2020

Installed new Audio Technica AT440Mlb moving magnet cartridge. Always wanted to know what they may sound like, so I bought this one on Ebay. I'm really enjoying the sound of this rather inexpensive cartridge. Makes me want more.

Sepember 23, 2020

I added an Audio Technica AT ART-9 moving coil cartridge.

It's already my favorite cartridge, with only two hours on it.

Regards,

Dan

06/05/21

Gratefully added Townshend Audio Seismic Podiums under my heavy Tannoy speakers. Effect was immediate and transformative. Made a very good speaker system a great one.

08/17/2021

Added Class D Audio Gallium Nitride amplifier from Class D Audio. It sounds great.

11/01/21

In the process of adding a Herron Audio VTSP 3A/360 six tube preamplifier to the system, scheduled to arrive Friday the fifth. If it sounds as good as it looks, it will be a game-changer.

Regards,
Dan

07/06/22

Added Benchmark DAC 3 DX  
Nice improvement.

2/12/23

Added Herron VTPH-2 Phono Stage 
It's a keeper!

04/23
Hypex UcD 400 Stereo amp, built from kit. Superb sounding amp!

07/02/23

Paul Birkeland changed amp to use 812 output tubes after having some problems with the 3C24 ouput tubes.
 Amp sounds even better now, glad to have it back and even better, thanks to Paul.
The 812 amplifier is now the best sounding amp I have ever heard.
Paul Birkeland should take a bow!
Read more...

Room Details

Dimensions: 34’ × 16’  X large
Ceiling: 11’


Components Toggle details

    • Arcam AV 9 Pre-amp Processor
    Just added to replace defunct Primare SP 31. Excellent, so far.
    • Benchmark Media Systems DAC 3 DX
    Just installed this DAC 3 DX which I bought off US Audiomart. It's sounds great just out of the box, best my digital front end has sounded yet. I'm very happy with this DAC, and now I understand what all the fuss was about. I'm sold.
    • Oppo UDP 203 with Linear Power Supply
    Bought this after my Arcam DV 139 died. Installed a new Linear Power Supply, back to enjoying my multi-channel hi-res music again.
    • Esoteric DV 60 Universal Player
    Universal player, XLR, HDMI connections, multi-channel capability.
    • Herron Audio VTSP-3A (rev02) 360 Line Stage
    VTSP 3A/360 Line Stage

    Exceptional sounding phono stage. It mates very well with my Herron line stage.
    • Herron Audio VTPH-2 Vacuum Tube Phono Preamplifier
    Tube Phono Stage
    • Garrard 401 with DIY Plinth
    DIY restoration of a vintage Garrard 401 idler-drive turntable, on which I just completed a six week redo of the custom DIY built plinth, due to problems getting the finish right. I sawed the front off, and removed all the top pieces. A 1" thick slab of Purpleheart with an oval Australian Mallee Burl inlay flanked by a different hardwood species I can't recall were added. A new arm board of Purpleheart and the Mallee Burl was made, and the pivot-to-spindle distance was adjusted to provide for easier cartridge to headshell connections.

    Top pieces were fashioned of Purpleheart, and a new labor-intensive finishing process (new to me, anyway), of Waterlox Tung Oil Sealer/Finish, followed by Waterlox Gloss Tung Oil finish. At least a dozen coats were applied between the two, each coat requiring 24 hours between applications. Thanks to Pierre France for his help in guiding me on the tung oil finish.

    I serviced the motor, cleaning, oiling, and replacing the suspension springs. Glad to finally be done, and finally satisfied. Analog withdrawals were starting to set in, but it now looks better, and sounds better as well.
    • Dynavector DV 501
    Bi-Axis Tonearm. DIY rewire with Cardas wire. This arm works well with a diverse group of cartridges, to my surprise.
    • Audio Technica AT ART-9 Cartridge
    Moving coil cartridge, just installed. After only about two hours of run-in, at 47K, it's already the best cartridge I've ever owned.

    I've determined my analog front end is much better than I realized it was. I've never enjoyed my vinyl as much as I am now,
    • Audio Technica AT 440Mlb
    Recent purchase, new AT MM cartridge. I've always been curious about AT cartridges, so I bought this one off Ebay. I really like the sound of it, actually pretty good, considering the low price.

    Makes me even more curious about AT carts. I may have gotten myself in trouble, as curiosity is expensive in this hobby.
    • Acutex LPM M320 III STR
    Lowest Possible Mass, Tri-Induction Magnetic System, 20-45Khz, channel separation 33db@ 1Khz, weight 5.45g.
    • Denon Zu Denon 103R
    Potted moving coil in 6061 aluminum body/w ESCCO sapphire cantilever/Paratrace stylus upgrade. This cartridge has proven to be the best of all my cartridges, and not by a small amount. Beautiful.
    • Dynavector XX2MKII
    Moving coil cartridge. Just re-tipped by Soundsmith with their top-line OCL re-tip. Made a great cartridge even better.
    • Acutex STR 415
    Ultra-lightweight MM cartridge
    • TTW Copper Mat
    Solid copper machined mat, great addition to 'table.
    • TurnTableWeights VPI Heavy Brass Clamp
    TTW Brass clamp I modified so it will work with their copper mat. (Threads would not engage spindle threads).
    • Pete Riggle VTAF
    VTAF on-the-fly modification by Pete Riggle for Dynavector 501/Garrard 401 Teflon and burnt silver finish options
    • Orsonic AV 101b
    Headshell
    • Mint LP Best Tractor
    Etched-in-glass cartridge set-up tool
    • DIY Ultrasonic Record Cleaner
    I've just completed a DIY Ultrasonic Record Cleaning machine, this the creation of BBtx, of DIY Audio. I thought it a very unique design, one that melded convenience, simplicity, and build quality.

    If I were to say I am pleased with it, it would be an understatement. For a couple of hundred bucks, it can't be beat. I've hankered for one of these for years now, and thanks to BBtx my needs have been fulfilled.   
    • VH Audio Flavor 2 DIY Power Cord
    Built this AC cord for use with the Transcendent Grounded Grid preamp. Great sounding AC cord.
    • Paul Birkeland 812 Power Amp
    3C24 tube power amplifier changed output tubes to 812. Paul, the designer/builder, brought over four different amp choices to try out on my custom HPD 315 Tannoy speakers. After having problems with 3C24 tubes, Paul changed the amplifier to run 812 output tubes.

    The amp sounds much better, more powerful, and I like it even better now. My thanks to Paul Birkeland!
    • Audio Assemblage (Sonic Frontiers) SET 300B
    300B SET Factory Upgraded, with EML XLS 300B Tubes. Just serviced by Paul Birkeland. All critical measurements were taken, two bad Blackgate bypass caps were replaced with higher-rated Nichicon caps, and the filament voltage was optimized to better suit the EML XLS 300B tubes.

    This amp now sounds incredible. Paul informed me the transformers in this amp are Magnaquest, to him about as good as you can get. He also informed me this amp sounds as good as any $5000 SET 300B amp available in today's market.
    • Emission Labs 300B XLS
    Robust drop-in replacement for 300B.
    • Class D Audio CDA 254
    Kit built Class D amplifier. Running two, in bridged mode, providing 500 Wpc into 8 ohms.
    • Class D Audio CDA 254
    Two channel amp converted into three channel by virtue of adding an additional CDA 254 amp module, RCA input, and single channel speaker terminals. Price for parts for modification: $194
    • Musical Surroundings Fosgometer
    Azimuth adjustment tool.
    • Custom built crossovers Custom DIY
    I've just completed an update on the crossovers for the custom HPD drivers. I actually used all the parts over again, including much of the solid silver hook-up wire. I made new mounting boards, and ran the wiring under the board, for a much cleaner look. I used heavy copper terminal lugs, which I modified to use a flat male spade connector, rather than wire. Wire runs are much shorter as well.

    I made new outlet cables, using Furutech locking bananas, and Cardas binding posts. I can't tell why, but this update improved the sound of these speakers much more than I expected. I've never heard electric guitar sound as it did on Steve Cropper and Felix Caviliere's "Nudge It Up A Notch", Cropper's guitar sounding just as he had wanted it to sound, with gorgeous tone, unlike anything I've heard before on a recording.

    Next is an internal speaker wiring update.

    I've just completed changing some components in the crossovers back to their original values. 27ohm resistors changed back to 47ohm, .68mh inductors reverted back to the original .82mh. I'm beyond pleased.
    • Tannoy HPD 315 w/Hard Edge Conversion
    Twelve inch Dual Concentric HPD driver in custom enclosure.1 7/8" wall thickness with custom designed and built crossovers. Weight is 200lbs. each. Finished in Pommelle Sapele.

    A complete rewire of the internal wiring was just completed. I made a 1/4" X 1/2" Teflon terminal board, with double-ended male spade connectors at the speaker. Wiring was completed at the input end with new crimped and silver soldered connectors with color-coded heat shrink tubing, and color-coded electricians tape.

    The results are a major improvement in clarity, detail and dynamics. These great speakers have just gotten much better at the things I love about them.

    After further study of fine wood finishing methods, and purchase of additional sanding/polishing medium, I again sanded and polished the enclosures for my Tannoy HPD 315 drivers. Got it right this time, now they are done. Next is the plinth for the Garrard 401.

    Dan

    8/3/19
    Some of you may recall my changing resistor values in my Tannoys back to the original value, to good effect. In that same vein, I just modified the .68mh inductors back to their original value of .82mh. I felt at the time when the crossovers were first built, the high frequency output was out of line, so I reduced it to better suit how my system sounded at the time.

    I had saved the .82mh Alpha Core ribbon inductors, and I changed them out yesterday. The results have shown me how much my system, as a whole, has improved, due to how well it sounds now as opposed to back 8-10 years ago. I feel I'm now getting what I was supposed be hearing all along. It's a great feeling. Now I no longer wonder what Dr. Arthur Loesch was thinking when he gave me this crossover design so many years ago now.

    Regards,
    Dan
    • Townshend Audio Number Four Size Seismic Podium
    Large Podium to fit under my 200lb. Custom Tannoy speakers. They are 17" W X 20" D X 48" H.

    These isolation podiums have made my speakers sound as never before. Just better wouldn't describe it. I have never before heard anything sound this way in this room, or perhaps any room I have visited.

    These Seismic Isolation Podiums are very special in what they do. They're expensive, but worth it for what they do for speaker systems. 
    • KEF Q 650c
    Newly added Kef Q 650c center channel to upgrade from my old Kef Reference 100 Center Channel speaker. The Q 650c is all I could have wanted or hoped for. Multi-channel music is way better now, as is Home Theater listening.
    • Pioneer S-Z9 Designed by Andrew Jones
    Nicely made small monitor speaker. Dual Concentric midrange/tweeter with an additional bass driver. Gloss Black, and a nice upgrade as my surround sound speakers, replacing the nearly twenty year old KEF Q 15.2 speakers I was using for surrounds. Multi-channel music now has better depth and clarity to it.
    • Crown International XTI 2002
    Running bridged to single channel. This amplifier (rated @1600 watts into 8 ohms) has taken charge of the Tannoy 15" passive sub, and turned it into the most musical sub I've yet heard.
    • Tannoy Sub 15i
    15" Passive Tannoy subwoofer. with the Crown XTi 2002, does a superb job of matching, and augmenting, frequencies below 50 Hz.
    • Tempo Electric Big Twist Silver/ pair for each amp
    12 gauge solid-core silver in teflon tubing, 3 meters
    • Synergistic Research Various cable models
    Interconnects, speaker cables, and power cords different models.
    • DH Labs Silver Matrix
    From phono to phono stage, internal cabling in speakers and crossovers.
    • Vibra Pods various
    Pods and cones under amps and most components.
    • Walker Audio Reference Hi-Def Links
    Eliminates ultra high frequency hash in signal.
    • Audio Metallurgy AG-0
    Silver coated oxygen free 22ga. copper
    • Quasi-DIY Velodyne/Eminence
    An old Velodyne 1250-X sub that had a 12
    • Tannoy Crossover Schematic
    Crossover design donated to me by Dr. Arthur Loesch.
    • Dynaudio Sub 500
    Just purchased, this thing is bad to the bone, in a very good way. Sounds great for Music and Home Theater both.
    • Panamax M5400-PM
    Voltage regulator.
    • Hypex Electronics UcD 400 Stereo Amplifier
    Just built from a kit. Great souunding amplifier.

Comments 605

Owner
Recently, I've been thinking something was missing, either it's due to HF hearing loss, or perhaps what was needed was to increase the resistance in the HF circuit of my custom crossovers for my 12" Tannoy HPD's.

For quite some time ago now, I had changed that resistor from 50 Ohms, to 27 Ohms. It had seemed to be an improvement at the time, so I lived with it that way.

Yesterday, I decided to add an additional 10 Ohms in the HF circuit, with some Mills resistors I had on hand, making 37 Ohms resistance in the HF circuit.

What a difference! It wasn't my ears (but more what's between my ears), and I feel now I've struck just the right balance in the high frequencies, more air, better dynamics, just much more life in the music. Much happier now. I may, at some point, order an appropriate Dueland resistor and install it, to match the rest of them. This sounds so good though, I may not bother with it.

Regards,
Dan

islandmandan

Owner
I've installed a Goldpoint selector switch in my Transcendent Sounds GG preamp, The cheap one provided in the kit had an intermittent contact problem.

Now the knobs match. It's good to have quality parts in a bargain piece of equipment, all the ones I've done on this preamp makes it sound very, very, good.

Regards,
Dan

islandmandan

Dan -- Thanks for comments on the Dyna XXII MK2 cart. Mine's hanging in there, but I'm anticipating a change in the next year or so. Good to hear yours held out for so long and tolerated the Soundsmith rebuild so well. Maybe I'm just itching for a change? I'm running the Dyna through the Mac C2300 MC phono stage and wondering whether that could be a weak link, although lots of people like it just fine. Hmm . . .

Cheers,
Jim

goheelz

Owner
Hello Goheelz,

The stylus on the XX2MKII lasted many years. Eight, if I remember correctly, and being used a few days a week, a few hours at a time. Many hours, I would think.

The ruby cantilever and stylus made this cartridge sound much better than it did when new. The only drawback is the amount of time it takes for Peter to get to it. Mine was gone for the better part of three months, before getting it back. Peter made a good cartridge into a great one, so the time and money were well worth it.

At the time I inquired, Dynavector wanted around $800 for a retip, making the Soundsmith service a bargain.

Regards,
Dan

islandmandan

Curious as to how many hours you got from the Dynavector XX2MK2 before retipping. Mine is pretty well used, but I'm not sure where it is ready for replacement. And how was your experience with the sound smith retip? Comparable to the original Dyna sound or?

Thanks,
Jim

goheelz

Owner
Thanks Jet and Dave,

I seem to forever be up against the "outer limits" of my abilities in much of what I attempt, which adds to the satisfaction when things go right, and the agony when they go wrong...

Not enough to keep me from trying, though.

Regards,
Dan

islandmandan

Congratulations, Dan. After repair or replacement of several such parts in my project SCD-1 I feel your pain and share the pleasure of a satisfying resolution. I'm trying to keep the lid tight on my K-01X for as long as possible out of fear of reliving such traumas.

dgarretson

Dan, my hat is off to your diy skills. I would not have attempted what you tried. Much admiration!! Jet

jetrexpro

Owner
System edited: After much wailing and gnashing of teeth, I was able to finally get my Esoteric DV 60 up and running. It all started when I replaced the optics in the transport, and thereafter, the audio worked fine, but not the video. I found I had bent and broken some pins on the flexible cable connector on the video board. I tried reconnecting the cable after removing the broken pins, and neither the audio or video would work. Next came the task of selecting the right replacement connector among the 13,000 to choose from. After six tries, I managed to get the right parts in, and solder the new terminal onto the video board. Kudos to Digi-key's tech support, without whom I'd never have found the correct part. At this point, I thought all was lost, as I kept getting TRAY ERROR! message on the display. I figured something was misaligned in the tray, so I took the transport apart, and reassembled it, and everything works perfectly now. What a great relief! A new video board was over $500, so I couldn't be more pleased, now that the ordeal is over. I really appreciate this player, even more so now that everything works. Regards, Dan

islandmandan

Owner
Jet, I thought you would like this cable. It's a stiff cable to work with, but when you need a long power cable, as I did (I built two twelve footers for my Class D amps) they really do a good job of keeping the cable shielded from RFI/EMI.

Thanks for letting me know, and happy listening!

Regards,
Dan

islandmandan

Hi Dan, I built the Belden 83803 DIY power cables about three weeks ago and they have been burning in ever since on other equipment. I installed them into my amp Monday night and they sound very good. Very clean and present with less noise in the background. I like what I am hearing. Thanks for the tip! Regards Jet

jetrexpro

Owner
At a later point in time from the post above, it dawned on me that the Etna cartridge is a Lyra, and the Dynavector cartridge I was trying to recall was an XV-1S. I guess I can blame Father Time for my memory lapse.

Yesterday, I received, and installed, the Class D Audio CDA 254 amp module. I wired it up appropriately, in bridged mono mode, in the same chassis with its matching module, and using the same power supply.

Remarkably, the sound they provided seemed identical to when I was using two separate amps in bridged mode using two separate power supplies.

I played a superb recording of Warren Vache` and Bill Charlap, "2gether", on the Nagel Heyer label. It's sound was the closest to live music I've heard yet on my system, with great clarity and power.

Part of the reason, of course, is the excellent DAC in my Primare SP 31 pre-pro, and great-sounding Esoteric DV 60 player.

I really am done now.

Best regards,
Dan

islandmandan

Owner
Albert, I can't thank you enough for your kind remarks regarding my Garrard 401. It compares very favorably with a couple of friends systems, one of which has a Transrotor Fat Bob, Tri-Planer VII, and Dynavector cartridge, (the model escapes me, next one below the Etna). My other friend has Transrotor Fat Bob Reference, SME 309 arm, and again the cartridge model escapes me.

David, your places of navigation are beyond my ken, but I imagine they represent opposite ends of a spectrum. I think the only courage I display is to proudly announce to the audio world that such inexpensive components (such as in Class D Audio), on a forum that is highly representative of perfectionist audio aspirations, is on a par with, or perhaps better than, most of the quality makes of amps I have owned over these many years.

Thanks again, and best regards,
Dan

islandmandan

Dan, your passage between Class D and 300B navigates the Scylla and Charybdis of audio and evidences courage.

Best,

Dave

dgarretson

Dan,

Beautiful job on the turntable, requires a lot of work but the Garrard is among the uppermost level of tables that get dynamics and pace correct.

albertporter

Owner
A month after converting one of my Class D Audio amps to three channel, it occurred to me I could convert my remaining amplifier into a 500 Watt stereo amp, simply by adding another CDA 254 amp module to it.

This will be very easy, I won't have to use any additional inputs and outputs, just wire one half of them to the new module.

Hearing my Tannoys with 500 Wpc with two CDA 254 amps bridged into mono is not something I will soon forget, and now, by just adding another module @ $162.22 (shipping included), I will be hearing them again with effortless power behind them.

This represents to me an extreme value, in the insane world of $200K components and speaker systems.

To quote Sam Tellig, when I'm listening after the mod, "I will laugh my evil laugh"; and enjoy the hell out of myself. Again, no ties to Cladd D Audio, just a happy user. And yes, I still love my SET 300B!

Regards,
Dan

islandmandan

Owner
System edited: Just completed, converted one of my CDA 254 amps to three-channel by adding another CDA 254 amp module. Power supply is adequate to support the additional channel, and there are even terminals provided on the power supply board, making the conversion a cakewalk. The amp works flawlessly, my KEF Reference 100 center speaker is sounding the best it's sounded in over ten years of use, with 500 Watts on tap in bridged mode, and the surrounds are well served also. This just adds another dimension to how much of a bargain these remarkable amps are. I can now save my SET 300B for special occasions, without worrying about having to replace some very pricey tubes anytime soon. Regards, Dan

islandmandan

Owner
System edited: I have just added the rebuilt (by Randy Vikan), Primare SP 31 preamp-processor, which has added significantly to my enjoyment of multi-channel high-res music, and television programming. All the caps were replaced, new video board, calibration and updates were done. The sound quality is superb, in either analog or using the DAC for Red Book CD listening. Dolby Digital Music mode is also very excellent for enhancing CD listening. Done For Now is the right category for my Virtual System. Regards, Dan

islandmandan

Owner
Jet,I think you will find this wire will do a great job for you. It's a bit stiff to work with, but it's not as big as a garden hose (it doesn't need to be, with the foil and woven copper insulating layers).

I just used some blue flex jacketing, and shrink tube on the ends. I guess you could ground the insulating layers if you wanted to, but I didn't bother, and there didn't seem to be any ill effects.

Regards,
Dan

islandmandan

Hi Dan, I ordered 10ft of the Belden 83803 and will make two DIY AC line cables. Thanks again for the tip. regards Jet

jetrexpro

Owner
Now that the trauma of having to replace a failed old pre-pro, and five-channel Adcom amp, with a rebuilt Primare SP 31 pre-pro, and Class D Audio CDA 254 driving the surrounds (still operating without a center channel), the multi-channel aspect of music listening is far better than with my previous preamps and amps.

The Primare took a bit of getting used to, the way it operates is different than any others I've had, but now that I am, I've found it to be a great sounding precision piece of gear, with an outstanding DAC.

I enjoy the diversity of having the choice of all-tube analog SET listening, and well done two-channel or multi-channel digital.

Plainly put, it's a good time to be me.

Regards,
Dan

islandmandan

Dan,
You're in a very fine position in regards to your system and I'm glad you recognize this. You have two amplifiers that you can enjoy at anytime and that's to be admired. Which ever presentation you're in the mood for it's right there. Many folks are striving to reach what you have achieved.
Charles,

charles1dad

Owner
The other night, I treated myself to an evening of all-tube listening, SET 300B amp, Grounded Grid preamp, and Modwright SWP 9.0 SE phono stage.

Source was my Garrard 401, Dynavector arm, and Dynavector XX2MKII cartridge. First up was Annie Lennox's new "Nostalgia", and the "Ellington's Masterpieces", Analog Productions.

I've been enjoying my new Esoteric DV 60 and the Class D Audio CDA 254 (two of them, bridged into mono, only 500 Wpc), not the 3000 Wpc recommended by Charles (sorry Charles, I couldn't help myself!)

So now I am reminded how great the SET 300B sounds. I am glad to have this capability, it's a pure pleasure to listen to.

I'm also glad to be able to do a great deal of enjoyable listening via the Class D amps, and not have to worry about replacing very expensive tubes anytime soon.

I am at the point now where my interest in the high-end audio pursuit is waning, due to the amount of pure enjoyment afforded me every day by my current system. A far cry from a few years ago, when I kind of knew what I wanted, but just didn't know how to achieve it.

It's been a rough couple of months, some of my older equipment finally quit on me (old Adcom multi-channel amp, old Fosgate pre-pro, and even my McIntosh MVP 871, which I repaired and sold, and replaced with the Esoteric DV 60.

Everything is getting back to normal, with no worries about equipment (hopefully) for a while, just happy listening.

Thanks and regards,
Dan

islandmandan

Dan, Thanks for the info on the power chords I may do the same -Jet

jetrexpro

Owner
Hi Ray,

As you know, audio involves a very circuitous path. With the SET, I bid on here on A'gon, and to my surprise, I won it. With new caps (Jupitor 720077 Beeswax), and new resitors (Kiwame carbon film), it turned out to be a great sounding amp.

Hearing my Tannoys with an SET 300B driving them, was a goal of mine, one the Audio Assemblage met, and met well, the other part of my goal there was to do it affordably.

What led me to Class D Audio was again, I was in a bit of a tight spot financially (new roof for the home, car breakdowns, etc.) I needed to sell some equipment, so the First Watt M2 had to go.

I like to have a back up amp that is solid state, and my curiosity led me to Class D. With their low prices, quality parts, and USA manufacture, I ordered a complete kit.

The first amp sounded so good, I decided I'd build another one, for bridged-mode operation. The rest, as they say, is history.

Thanks Ray, enjoy and regards,
Dan

islandmandan

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