Description

My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.

I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me. 
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Room Details

Dimensions: 33’ × 20’  X large
Ceiling: 12’


Components Toggle details

    • CH Precision C10 DAC
    I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
    • Roon Nucleus Plus

    • Nordost QNET
    Nordost QNET Switch powered by the Nordost QSOURCE LPS.
    • Nordost Odin Gold power cord
    I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
    • Nordost Valhalla 2 Ethernet Cables (2)
    I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
    • Nordost Odin 2 XLR IC
    Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
    • Shunyata Research Everest 8000 Power Distributor
    I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
    • Shunyata Research Hydra DPC 6 V3 power conditioner
    I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3. 
    The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
    • Steve Dobbins The Beat SE
    I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.

    June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.

    October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
    • Nordost Odin 2 Power Cord
    This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
    • Schroeder LT Tonearm with Magnesium arm tube
    I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.

    June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
    • Schroeder LT tone arm with Magenisum arm tube
    This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
    • Lyra Atlas SL Lambda cartridge
    I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
    • CH Precision True Dual Monaural P10 phono stage
    I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage. 
    • Nordost Odin Gold Power Cords
    I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
    • Nordost Odin 2 XLR IC
    I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
    • Computer Audio Design (CAD) GC3 Ground Controls
    I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
    • Computer Audio Design (CAD) Ground Control GCR
    I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
    • CH Precision L10 True Dual Monaural LInestage
    The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
    • Nordost Odin Gold Power Cords
    I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
    • CH Precision M10 amplifiers
    I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
    • Nordost Odin Gold Power Cords (4)
    I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
    • Nordost Odin 2 XLR IC
    I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
    • Rockport Technologies Arrakis 2 External crossover
    This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
    • Nordost Odin Gold Power Cord
    I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
    • Nordost Odin 2 XLR IC
    I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
    • Nordost Odin Gold Speaker Cables
    I am using 2 pairs of Nordost Odin Gold speaker cables  to bi-amplify the Rockport Arrakis 2 speakers.
    • Rockport Arrakis 2
    My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover.  I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
    • Furutech GTX/NCF outlets
    I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
    • HRS SXR
    I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
    • HRS SRX with M3X2 isolation base
    I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
    • Nordost Sort Kones
    I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
    • Isonic Ultrasonic RCM
    I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
    • Custom LP Record Cabinets
    There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.

Comments 694

Showing all comments by rockitman.

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Looking forward to your impressions on the WW2 era 5R4GY's Albert. Arnie shared his positive experiences with me the other day. I was reluctant to mention yet another rectifier for the Allnic. I mean how many have we all tried ? A ton. These double bottom getter tubes are great.

rockitman

Those tubes will be a revelation Arnie....my prediction. Please let me know if I am wrong. :-)

rockitman

Are those 1986 Philips tubes the ones with blue print ? I have some of those. I think they were my favorite for the small bottle type tubes.

rockitman

I like the current new format. I am sure the bubbling to the top bug can be worked out. I couldn't even update my system on the old format for the past 6 mos. It would prompt me to login then it would error when I went to edit. The admin support told me to wait for this new format.

rockitman

Arnie,

What outputs do you use on your Allnic H5000 DHT phono..XLR or single ended RCA ? TIA

rockitman

Hi Arnie,

I am glad the Valvo's are working out for you. I pulled mine last night to try Mullard Blackburn F32 GZ34's. They sound very good too. I am not offering a comparison to the Valvo's as I want to get a few more days under my belt, then plug the Valvo's back in. I could be happy with either.

I also bought some Holland made late 50's Phillips GZ32's rebranded Telefunken. They are the traditional 300B looking glass bottle. I think I have now explored GZ32 and GZ34 to their fullest extent.

rockitman

I'm looking forward to your impressions. I am tempted to buy another set. I have a sort of Audio Prepper Nervosa Syndrome going on with tubes lately.

rockitman

Where did you pick up the bugle boys ? Not much offered on ebay

rockitman

I also have some GZ34 Mullard F32 series coming made in Blackburn, England. Rectifier rolling is fun.

rockitman

Hi Arnie,

I have been using the Phillips Valvo NOS GZ34, F31 1958 series for a few days now. Better bass than the Bendix 6106 and much better treble. They have transformed the sound and I base this on using the transformer input on the 5000 DHT. These are the closest in sound to the metal based Valvo's which were replaced by them in 1957. Tube World seems to have a stock of them. We can't use the metal base version since our sockets are countersunk into the chassis and the wider metal base will not fit.
https://www.tubeworld.com/index_high.htm

rockitman

Hi Arnie,

I should get the Valvo's mid-next week. I plan to try them right away. I will let you know.

rockitman

Hi Arnie,

After getting the H-5000 manual, it looks like we have another option for rectifier rolling. 5AR4....the GZ34 is the Euro version and according to KS may offer the best sound. They are relatively expensive for rectifier tubes. That said, I picked up a matched pair of NOS PHILLIPS VALVO GZ34's (Made in Holland). They are indirect heated with filament current of 1.9 amps. Scouting for some Mullards but they are even more pricey.

rockitman

Hi Albert,

They appear to sound the same. My main concern is a quiet ha3000 at listening level. With music I don't notice the noise floor so much. When I turn off the music and listen to the noise floor with my ear near the speaker, it is quite prevalent compared to the transformer input. The H5000 is incredibly quiet for a tube stage.

rockitman

Let me know how the Sylvania Nuvistor tubes compare to the stock RCA ones and your view of the sound with and without the HA3000.

One of my stock rca's went bad. I replaced them with RCA JAN Military spec 7895's. They are the quietest ones I have tried. I have consumer grade NOS Sylvania's and the 4 different one's I have tried were all higher in noise floor. This is sort of a bummer. I haven't tried my entire lot of 20 tubes, but will do so. I did find a pair of NOS JAN spec sylvania's and they will ship soon. I think in the end, if you want the best nuvistor tube performance, one needs to go for JAN military spec variants.

rockitman

I am also trying a different brand of Nuvistor. Stock is RCA, I am trying the 6CW4 Sylvania. They have yellow printing on the sides. I added one more sheet of MU under the top of the casing. I had to order more Mu sheets to finish off the double layer shielding.

It is interesting how you find the Bendix to sound better the second time around. I suspect I will find that with the GE's

rockitman

MU metal is a success. Lowered noise floor by at at least 2 dB with .004" metal. I may double it since it is effective.

rockitman

Arnie,

I still plan to try the GE's again. Since they were nos they probably needed some more breakin than the 4 hours I was listening. I just finished modding my HA-3000 casing by covering the inside with MU metal with the idea of reducing interference and hopefully lower the noise floor. We shall see how that works. In the end, I kind of like having two options of gain...one active and the other passive.

rockitman

Peter, that 5db estimate is by putting my ear up to the speaker at listening level volume with no music. It is significant and only noticeable between tracks. Comes with the territory using a separate tube head amp for gain. I plan to use my iPhone to measure the actual spl difference.

rockitman

Alas, I remain divided. Having listened to Clapton Journeyman first issue both with trans first and head amp second. I prefer rock with the head amp. That said, my 10dB noise differential may be off...let's say 5 dB, but the frequency of the added noise is around that of the record surface rolling noise. Clearly the passive trans is quieter. I think I might enjoy the Classical pieces best with the trans, rock and hard jazz with the head amp.. You really need both then you don't have to worry about it...;)

rockitman

H-5000 Rectifier comparo (Indirect Heated)...GE vs Bendix. I have had the H5000 for a couple of months now. The first month running MC tranny input and the last month HA-3000 head amp. I put the NOS GE's in tonight and let them warm for 2 hours. I was using the head amp input and not the direct coupled transformer. I felt the GE to be softer in the bass with an overall drier sound compared to the Bendix which I felt had better defined bass and an overall richer sound with greater presence. I did not do the comparison with trans input.

That said, I have not heard my trans for stereo playback, save for my mono table in over a month. Clearly there has been some break in time. I switched to trans (MC) input bypassing the HA-3000. The trans input bass is much tighter than I remembered...virtually as good as the head amp bass. What's more, the trans input noise floor is close to 10dB less that the head amp at listening level. Using the high gain head amp into MM input accentuated the records surface noise and any pops or ticks. The trans input is spookey CD like background silence. I tink the trans input is more real and musical sounding. It may become my standard, when I though the Head amp input would. Time will tell. When I get more oriented with the current trans sound I will switch back to GE. Based on my comparison using the head amp input...I vote Bendix.

rockitman

Hi Arnie,

I bought a set of the GE's you mention. I have been using the Bendix 6106 since my unit came back from repair. Compared to the stock direct heated triodes, I found the bendix to provide a better grip on the bass. I will have to try the GE's soon.

Regards,

Chris

rockitman

I was listening to my mono record setup via the transformer last night. Jazz horns leading edge transients just sound so good and un edgy. The noise floor is considerably lower using transformer input vs the HA 3000 into the MM. The noise doesn't really exceed the noise from the record surface itself, which is a good thing. Passive devices, like transformers will always be quieter than active gain..but in the end, it's really an non issue considering the gain in dynamic speed, tighter bass and soundstaging via the HA3000. The H5000 continues to amaze.

rockitman

Hi Christian,

Thanks so much for your feedback about the Allnic HA 3000 used in front of the H5000 DHT. I am happy that it is sounding so good in your system.

I visited Albert this weekend and he had recently inserted a HA 3000 into his system as well to see what it does. Albert was using a lower line Purist Audio IC and power cord with the HA 3000 than his normal wonderful Purist 25th Anniversay cables. We could clearly hear a difference in the sonics with and without the HA3000 using the Lyra Atlas cartridge, but I need to do a lengthier listening session in my own system once my H5000 DHT is fully broken in to see if I prefer the sound with the HA 3000 or just direct into the H5000 DHT. Either way, the sound is wonderful.

Thanks,
Arnie

Hi Arnie,

I look at the HA3000 as a supplement to the transformer inputs, not a replacement. The unit keeps getting better. The transformer input allows the music to flow with a natural sense of ease (very real/live sounding). The HA3000 gives a more incisive, faster dynamic presentation. The soundstage definitely grows in width and depth by a significant margin, almost to the point you are enveloped by a blanket of music. I think once you get the H5000 broken in, it's worth the effort to try it in your system.

rockitman

Arnie and Albert,

I would be doing you a disservice if I did not recommend the HA-3000 in front of the H5000. I will give a more detailed write up once it breaks in more on my system thread. In short, the head amp tightens and focuses the bass frequencies more. Surprisingly, the sound stage width and depth significantly increased vs the transformer input. Micro detail is even more prevalent. Transformers being a passive device, there is a bit of signal loss. I feel some micro detail is lost there but is picked up running the head amp. The music seems to have more jump and the tonal balance is a bit more neutral than running via transformers.

It is very sensitive to placement and cable selection. Much to my chagrin, my $10,000/pair Nordost Odin 2 meter interconnect hums with the HA3000. When I use the same cable out of my tape pre, no hum. So I am perplexed. I think that maybe a 2 meter cable is too long from the HA3000 to the H5000. My rca cabling is limted and the Nordost 1.5 meter rca cable is working without any hum. Weird huh ?

rockitman

I just got the HA3000 today. My H5000 doesn't arrive back until tomorrow. I plan on trying the HA-3000 with my SS Pass XP-25 tonight just out of curiosity. Tubes and SS...should make an interesting combo.

rockitman

Yes loading is interesting as the gain/turnover knobs are the only adjustment. I feel that these transformers have a wide latitude and will work well with most LOMC carts. If one decides to use the headlamp via the 48k MM inputs, loading can be done more precisely but of course you bypass the transformer completely. I was concerned that running via transformer, loading would be an issue. It is not.

rockitman

Love the black look of the Adona stand and the H5000 Arnie. I completely agree with your assessment. It will be interesting to see how this unit sounds with the HA-3000 Nuvistor head amp added in the chain. I will report back when I get mine in a week or two.

rockitman

Thanks Arnie..yes Lloyd, I have not updated my system info here on A-gon as of yet (will do soon)...it keeps changing...lol

rockitman

Thanks Arnie...perhaps I should just go Diamond DAC for now and add the Galaxy clock later, which seems to be remove the cover and plug the galaxy clock in (easy button). I want to keep it under $30K for the time being. I suppose after I get used to the dac w/o the galaxy and then add it later, I will better be able to ascertain the improvement of that very expensive kryptonite crystal clock :-)

Thanks for sharing your experiences.

Best,

Chris

rockitman

Thanks Arnie...

So you went with the Galaxy Clock option ?

Makes me wonder if the Signature dac with the galaxy clock would sound better than the diamond dac without the galaxy clock. The price would be virtually the same. What are your thought's on that idea ?

rockitman

Hi Babybear,

Love your system. Are you still in love with MSB ? Do you still consider them THE SOTA ? I am starting to think about them for my digital playback.

rockitman