Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405

Mike, It is great to see that you are able to have the Exquisite Midi's in your room. If you let me know when you are going to be less busy then I will call you and get some initial impressions. It would be great if you can compare them to the VR's with the focus that we like. Best Regards, Bob

stenersr

Mike, I've enjoyed seeing the evolution of your room and reading the attendant commentary. Your room is wonderfully fantastic and I would love to have the opportunity to sit and listen to your system someday. I have had the pleasure to sit in and listen to another reviewer's room here in the Puget Sound area (who shall remain anonymous) and really appreciated the work he had put into room construction/attenuation. Both of you have provided a lot of useful information that will be implemented - finances allowing - into my music room/office. I appreciate that you have shared this experience with us.

islandear

Mike, I think you have unfortunately misunderstood me. Let's face it, many of us are in this hobby becasue we love music. Some because they love the gear. Me, I must be totally honest and forthright here - I have a love of music that is paramount to every other "hobby" Ive had and it is a true passion. As you may know, I was a professional musician until my career was abruptly ended by an accident.

However, very soon after I fell in love with music, I became enthralled with the equipment that conveyed it. I still remember the first time I saw a Dual turntable, Mac amps and Walsh speakers - I was totally infatuated! I also must admit, unfortunately, at times my two loves have been paradoxically at odds. For example, in chasing that Audio Holy Grail of better sound, when I have bought more and more expensive and, hopefully, but not all the time, better and better gear, my level of expectation also goes up because I am expecting that extra cost to justify itself (taking into consideration, the diminishing returns inherent in this hobby, and most others). The problem is that I then listen more critically - listening more to the "system" or the "gear" or for "audiophile tricks" than for the emotional content of the music - and THAT is not a good thing for me - at least not when I listen that way for too long.

Why the long dissertation? Because when all the dust settles at the end of the day, the only thing that REALLY counts in this hobby, is ARE YOU HAPPY? Was the money you spent worth it and did you acheive your goal? I saw a post on AA where someone listed a website where a bunch of small-minded people are taking cheap pot shots at you, your system and your room. Fools!! If they don't like what you spent your money on, what harm is it to them? Most of those childish comments are likely based in envy, some just negative people who are narrow minded because THEY think they can build a better mouse trap. But in the end, YOU earned the money and YOU choose how and where to spend it to increase YOUR enjoyment based on YOUR priorities.

Hell, if you use their childish and critical approach, ask them why they bought a Seiko or Rolex when a Timex tells time or why buy a Honda or Lexus or Mercedes when a Yugo or Ford Escort gets you from point A to B. We all prioritize our spending based on our own experiences, values and preferences.

So Mike, no need to ever apologize to me. My only disappointment was that you didn't seem to want to respond. You have the most visible system on the Net and a logical by-product of that visibility is that people will ask questions.

The bottom line? If YOU are happy with the VR-9s, THAT is all that matters! During my short time in the Von Schweikert room at CES (while you were there), I didn't like the VR-11s at all. However, I am not sure it wasn't the demo that was the problem. To me when I heard the Pink Panther theme, I honestly felt like I was listening to music at an IMAX theater. I, personally, did not like hearing a sax that sounded 28 feet high - to me it didn't sound like real music but a testosterone competition. BUT, that was the VR-11s driven at loud volumes so the VR-9s in your room may be a totally different story. Just because I prefer the Kharmas doesn't make either of us right or wrong, just 2 people with different tastes. And it certainly doesn't upset me that you have changed speakers as I have no loyalty to any manufacturer, just loyalty to music. That is why I always tell people who compliment my system: "Don't compliment me, compliment the designers, all I did was buy it!"

Enjoy!

fmpnd

Mike,

Very,very nice. I wish you the best with the switch to the VR9's. We actually have similar systems....I also have those nice cablelifters!!. :) Seriously, you've done very well!-- Ken

kehut

Mike,

I auditioned those Exquisite Midis for about 4 hours this summer, probably the exact same pair and they helped sell me onto Kharma (albeit much lower in the Kharma line). In combination with the Tenor hybrid, I could hardly find fault with them. Perhaps, I could have used more bass dynamics, when I listened to the last White Stripes CD and wondered where the kick drum had gone. (Perhaps, I wasn't surprised to see Valin add the Kharma sub with them in his review in TAS). Nonetheless, musically I have never heard anything that compares, in my limited experience. Few systems have actually had me as engaged, closing my eyes not able to believe what I was hearing. It will be interesting if you get to compare to the VR-9's, specifically commenting upon the Kharma disappearing act, it's luscious midrange. Listening to one my favorite female vocalists, Lucinda Williams (American Dream from World without tears) was spine tingling on those Midis.

Good luck with the new equipment. Will the Tenors stick around ?
Also, sorry to see all the arrows flying on the internet. Please stick with your postings though !!!!!!!!!!!!!!!! You have taught me (and others I'm sure) quite a lot.

thom_y

Owner
Guys; thanks for all the nice comments. sorry i'm behind in my responses here.....i've been extremely busy at work.

Hifimaniac; i do enjoy my Lp's. for the last 2 years i have had an agreement with my wife to be revenue neutral (to allow for the room project).....as a result i have not been able to buy many new Lp's.....and it has really bummed me out.

Joesy; i have not heard the Strativarious but did read the Stereophile review. my total guess would be that the two speakers might have much in common......the Kharma Exquisite's might disappear better....the Strad likely is more extended top and bottom. my experience with Sonus Fabre compared to Kharma would be that the Kharma is the more refined speaker.....say if you compare the Amati with the CRM 3.2.....at similar prices. to my ears...refinement is most important and most ellusive to attain (by refinement i mean more nuanced and less veiled but still natural).

Frankpiet; i have heard Micro-Seiki's but mostly at shows and i'm not sure which model is which. i think they are very fine tt's.....possibly not as quiet as a few more recent designs but at the SOTA none-the-less.

i know some consider them the very best.

Mark; no, i don't mind you asking.....

George; initially....i was skeptical when my acoustical designer suggested hardwood at the speaker end. he then explained that most rooms over-damp the sound and lose all the musical energy. he added that as long as any adjacent wall was either absobtive or diffusive there would be no reflection that would be a problem since the 'bouce' would be eliminated. when you consider a concert hall the floor is typically hardwood....with diffuse and angled walls behind and to the side of the stage.....exactly like my room.

it turns out my designer was correct.

in my quite small previous room it was necessary to dampen things considerably to keep the system from overwhelming the room as i raised SPL's......sometimes absobtion is necessary......but it is better to retain and control energy for the top performance when you can.

Sammie; yes....God is good.

Fmpnd; sorry for my non-response. since i've been in the new room i've been struggleing with my speaker issues. the lack of low bass under 40hz has been troubleing to me......and i have preferred to keep my thinking to myself regarding this. rather than mislead anyone i choose not to respond......and don't blame you if you are upset about it.

i have sold my Kharma Exquisite 1D's......i still love them and would recommend them to anyone.....but they did not support low bass (under 40hz) in my room. in my previous room they went flat to 30hz and pretty good to the mid 20hz range.

at this moment i have a loaner pair of Kharma Midi Exquiste's with the Diamond Tweeter's and Enigma wireing in my room. these speakers were designed recently whereas the Exqusites were designed back in 1997. the Midi's are fantastic in my room.....matching all the pluses of the 1D's but adding a much more extended treble, greater dynamics, more clarity in the mids, and deep bass into the 20hz range. this is the best sound i have ever heard in my room (or, in an overall sense, any other).

i spent 8 to 10 hours at CES listening to the Von Schweikert speakers.....both the VR9's and VR11's. i was really blown away by the performance of these speakers. the room was set up for multi-channel and due to the challenge of set-up at a show......combined with the considerable adjustability of the Von Schweikert's .......many times these speakers were not optimized at CES. but when they were right they were as good a speaker as i have heard......and with their dynamic capability.....the VR9's are ideal for my 29' x 21' room.

so i ordered the VR9's.

i hope that i still have the Midi Exquiste's when the VR9's arrive. the Midi's can't compete on a dynamic basis with the VR9's but i'm truely curious how they might compare in my room.

Frank.....i hope you forgive me my delay in response. i had such a connection to the Exquisite's that i really wasn't sure what to do.....but i wanted to take my own time to figure it out on my own.

mikelavigne

Good god man!

sammie

Good lord.

A question if I may - what is the reasoning regarding the hardwood floor in the front segment (about 1/3 I'm guessing of your room). I assume there is a sonic benefit?

Congratulations, I'm drooling.

George

esoxhntr

I have only seen one other room that was of this quality in my 15 years of being involved in audio.. absolutely 1st class - I'm still looking at the pictures in disbelief - stunning !!!

[email protected]

your system is beautiful !! if you dont mind me asking. how much do you have in it.

thanks,
mark

martin06

wow - incredible system. congratulations!!! It will take me a very long way to get there.. have you ever experienced a Micro Seiki SZ 1 T Ultimate turntable?

Best regards, Frank

frankpiet

Hello, Mike : Your room is the absolute top best I have ever seen. Congratulations !!! I have a question for you : I like the Stradivarius from Sonus Faber very much, but I will like to know how will you compare them to the Kharmas Exquisite ID , if you don`t mind? When a person owns a room like yours , with that kind of gear, his opinion carries weight, and wisdom . Thanks so much Josey

josey

Wow! You have the best room and system ever seen on this website! Congratulations! I especially love the album collection.

hifimaniac

Gee Mike, if I didn't know you better, I'd think I was being treated like the proverbial "red headed step-child!" LOL! If you are somehow offended that I asked about what speaker you are considering, then I apologize. I asked because the last time we spoke you were asking me about a sub-woofer and then a short time later I saw your speakers listed on A-Gon so I assumed you found a suitable alternative and I was curious what a guy with the best room on the planet would be using - simple as that.

fmpnd

Mike: Thank you for your response. Appreciated it.

ryder

Owner
Audiobugged; i have never tried any omni-directional speakers in this or my previous room. they seem to answer a question i'm not asking.....since i'm a 'sweet-spot' kinda guy. i have enjoyed listening to the big MBL's at shows......but somehow i prefer the presentation of better traditional dynamic speaker designs.....maybe slightly better image focus and overall coherence.....i dunno. the visuals of the Duevels would be (for me) an aquired taste.

i would agree that the Duevels might sound spectacular in my room.....as my room really excells at doing 'space'....a clear strength of the Duevels.

Ryder; thanks for the comments. the rear Lp racks and side CD racks are used as diffusers.....with the Lp racks actually slightly absorbant when full. i had tall bookshelves behind my seating position in my old (much smaller) room and i really liked that.

there are some cautions i would list. if stuffed full....a cd rack can be reflective.....there needs to be some variance in the face.....either space between the top of the cd's on a lower rack and the shelf above....or.....space between the cds. also, if the cd rack has a backing it can resonate. so you need to consider those issues if you want acoustical benefits.

i think it is best to keep media shelves toward the rear of a room.....those shelves are not ideal ways to control first reflections......especially since they are constantly changing as you use the media.

overall; i think you are on the right track with your ideas.

mikelavigne

I've read that book racks or CD racks behind the listening chair will help improve sound quality. Since you have them at the rear and side walls, what is your comment? I'm going to emulate your idea of the CD racks by getting a couple of mount-on Ikea Lack shelves and stick them on the rear wall. The cheapest idea that I can steal from your room.

Agreed with all that your room is mighty impressive, and can see that you are extremely passionate about it!

ryder

Mike, Yes enough with the bodily fluids, as you wouldn't want someone getting overly excited in your room upon visiting.

Have you tried any Omni-polar design type speakers? Just wondering what a pair of Duevel Bella Luna Diamante, or their larger full-ranger sibling the Jupiter would sound like in a room that was fully acoustically tuned from day one?

audiobugged

Mike, I see your speakers are for sale. What have you decided on for the new room?

fmpnd

Owner
guys, thanks for the comments......i do expect visitors to control their bodily fluids.

.....and that is all i have to say on that subject (i don't want to encourage this line of discussion).

mikelavigne

Mike, You should have a drool Dribble Cup dispenser mounted outside the door w/ cups to grap as you enter. The Styrofoam cups should come with a chin strap of some sort? You might also want to keep your local Hazmat teams phone number on speed dial should things get overly messy?

audiobugged

gorgeous gorgeous gorgeous

ellery911

A long while back, I inquired about the cost of building custom bookshelves to fill up my alcove area. I ended up buying Ikea. Material cost is one thing, labour cost is another. Estimate the minimum number of hours it takes to finish the job and multiply it by $100 and you've pretty much got the minimum price, materials not included.

Jtinn, are you sure Mike didn't need a mop? Well he'll need one when I go visit. ;D

howie

Thanx Jtinn, Ouch..... I best keep saving my pennies!

audiobugged

Audiobugged: I understand your curiosity, but Mike will probably be embarrased by that question.

The answer would be very difficult as he converted a barn to a complete living area. The audio room is the main focuse, but it really was a total build out. Imagine you were building a 1500 - 1800 sq. foot house and you have your answer.

Mike followed me around with a towel cleaning up after me as I drooled all over his room. :)

jtinn

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