this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
Mike,...you are very welcome! "Super Trio" has some dynamite "prepared piano" passages on it and several kickass drum-kit entries that are hard to top. It is a very unique recording and on your system I can only imagine the jaw-dropping results. Certainly worth making room on the shelf and server for "one more silver/gold disc" and then the import into the server!
The Nojima and Evans discs you mention are favorites here too; they give a system a great workout in multiple dimension and are damned fine music to boot! I don't have the others and will be sure to look them up. I like Nojima's other works as well beyond the Liszt as well as Guilda's piano work on all the Beethoven recordings that Esoteric remastered and released as an SACD box set last year.
That mislabelled tape you have sounds like someone was mic'ed a live or other recording from the booth and then it went into the archives. I know several people with recordings like this from various venues in NY, Chicago, etc...the little I've heard tell me there are treasures out there; it's been enough to keep me thinking of adding a R2R capability to the system and start buying tape but I've held off as like vinyl, it;'s pragmatic here in that there is only so much time, money and space available (and limited WAF beyond what I enjoy most days).
thanks for the kind words. I do enjoy this wonderful hobby of ours to it's fullest.....and I appreciate the encouragement. one of the best parts is the community of listeners/audiophiles I interact with. and I'm happy you enjoy the 'Jan Fukamachi, At Steinway', it was a fun process and i was honored to be involved with and it was very educational for me. I'd love to that again with my current vinyl playback and system and see the progression since 2008.
Have you ever played Winston's "Super Trio" UDC on this system? There are a few tracks I'd love to hear out of this system of yours....
I have lots of Winston's discs, which are always excellent sounding. sad to say I don't have the 'Super Trio' UDC disc 'yet'. about three years ago I stopped buying 'silver discs' for the most part as I basically ran out of room for them and was transitioning to mostly listening to digital thru my server. right now I have 6+ terabytes of music 'growing daily' on my server and most of what is one there is dsd and 2xdsd. that is not to say that discs do not sound great, since they most certainly do. as good as hirez is, and particularly 2xdsd is, some CD's still fully hold their own in sound quality, particularly Winston's discs. i likely have at least 50 FIM discs and Winston is a dear friend. I will acquire the 'Super Trio' UDC and listen to it and post my comments.
what are you favorite piano and violin & cello if applicable recordings or at least your top3 or top5 for each? I've got a long list of piano, violin and string music but I'm curious which ones you return to for the ultimate playback experience.
there are so many, and it's hard to separate the sonic qualities and the performance. mostly it's the music that moves me, and i hope for the best as far as sonics. and understand that I'm no expert on music, i only know what i like and what makes me happy. all that said here is a list of what comes to mind at the moment.
Piano,
-my overall favorite piano recording is a 1/4" 15ips master dub of a live concert hall recording of the Beethoven Piano Concerto No.4 by Leonard Shure. i acquired it some years ago and I've tried to find details on the performance but cannot find anything on google about the performance or recording. the person I acquired it from labeled it as a 'Beethoven Sonata' so he did not know what he had either. it is a force of nature. just a majestic and involving recording and the piano just rocks. sorry to tease you with this, but you asked. if you ever visit we can enjoy it together.
coming back to the real world for piano recordings....
Ivan Moravec, Beethoven Piano Sonatas, VAIA CD, 1069. great sound and performance.
Nojima Plays Listz, Reference Recordings, I have the CD RR-25CD, the Lp, and the 15ips 1/4" tape from the Tape Project. really stresses a system to get it all. wonderful recording.
one piano recording I love is 'Peace Piece' from Bill Evans off the 'Everybody Digs Bill Evans' album. I have the OJCCD-068-2 (Riverside) CD and the AP 45rpm 2 disc Lp set. first; I love everything Bill Evans has done and so anything by him is good. this album is very good but this particular cut is simply wonderful in it's feeling. I love it.
I'm running out of time before my Seahawks game, I will come back to this and do my violin and Cello recs.
Mike....what are you favorite piano and violin & cello if applicable recordings or at least your top3 or top5 for each? As an aside, I regularly return to Winston's UDC/UDM Fukamachi done in your room and marvel at how great that disc and the system that produced it are...I've got a long list of piano, violin and string music but I'm curious which ones you return to for the ultimate playback experience.
Have you ever played Winston's "Super Trio" UDC on this system? There are a few tracks I'd love to hear out of this system of yours....
I've looked at this system and love reading through your threads many times every month; between you and Albert Porter and a few others, you do an incredible thing for this hobby (obsession more like...) in how your systems inspire people and all the help and advice you give.
All I have to say is that if one believes in heaven (at least for an audiophile), it must look and sound like this room!!! Have a great weekend and enjoy the music!
Oboyoboyoboy!! Man, I can only imagine what that 1/2" stuff 'sounds' like (or rather, 'where' it 'transports' you to... A vector in space/time) The Argerich Chopin scherzo op39 is likely my very favorite piano recording, I'd love to hear it on 'The' system. Kudos again for 'getting there' It's inspiring to see a man with the wits, passion, and means pursue the ne plus ultra in any endeavor.. I could rattle on for hours but alas, I have a date with Ms Argerich
for almost 3 years I've been without my 1/2 inch Studer A-820 deck. the summer before I got my new MM7 speakers and 458 amps I figured that would be a good time to do some maintenance on the 1/2 Studer A-820. due to mostly my innocent incompetence, and some help from pathetic UPS shipping, I made such a mess of this deck that it's taken my friend and RTR tape deck puba Ki Choi a couple of years and untold aggravation......but today it's in my room playing beautiful music.....better than ever. Ki has been a man among men, and a great and understanding friend to see this process thru. I suppose if you were to supply the right amount of good cheer and high quality adult beverage to Ki he might share with you all the stuff he went thru with my beast. personally I don't even want to think about it anymore. in any case, many, many, thank you's to Ki.
recently I rediscovered my 1/4" Studer and just how amazing tape is sounding thru the 458's, tweaked by designer MM7's, and the recent addition of the Entreq grounding box.
and now the 1/2 Studer is, for the very first time, showing just what the all time best possible audio media can sound like thru the system. there is nothing like 15ips 1/2 inch tape. unless maybe it's 30ips 1/2 inch tape, or 1" 15ips or 30ips tape. however; since 1 inch 2-track is not really real world, and 12" reels are not something I want to deal with, and there are different EQ's for 30ips (the King Cello does not use)........I'm going to crown 1/2 inch 15ips as the bomb. and I'm of the mind that a fully right A-820, A-80 or ATR-102 are the best transports to ever come down the pike (my preference of the three is the A-820). output electronics remain a matter of taste. so 1/2" 15ips, thru the A-820-King Cello is my personal tip top source for reproduced music in my experience.
I do have a couple dozen or so 1/2 tape titles I can play, including 4 tape project titles I can actually post about...which I will in due time. I also have 15-20 unused 1/2 reels of new tape waiting to receive some great content.
I'm listening to 1/2 inch, 15 ips tape right now and it is awesome sounding. superb! I am so happy to have this deck back and sounding so good.
if you want to have a music reproduction reference to chase, this would be that.
my listening room is in a barn. the barn is 75 feet from my house. I have a 75 amp service to my Equi=tech panel from the meter in my garage in my house which runs on a dedicated line to the panel. there is a dedicated ground rod right outside the wall which serves this panel.
the panel is mounted on an outside wall across the hallway from the door to my listening room (see pictures). there are 10 circuits from the panel using 10 gauge Romex running into the room to Furutech GTX-D Rhodium duplex outlets.
you have to get within 3 feet of the panel to hear any noise at all from the panel. and the isolation transformer is powerful enough at 10 kilowatts that it has lots of headroom to easily power my whole system without any effect on dynamics. in fact; the system is much more dynamic with the Equi=tech than before it.
there is a separate 100 amp service for the barn to a different sub panel for HVAC and lights and service to the 'dirty' circuits in my room.
it has been awhile since we got together; I think it was actually the Von Schweikert VR9SE's I had in early 2006....when I first got the darTZeel preamp....8 years ago. even in dog years that is awhile. :-)
and I have noticed your system evolution and continued musical enjoyment too. I noticed you recently upgraded your 401 plinth and added the Crown 1600 watt amplifier.
as far as my system sounding better, I did recently add the Entreq Silver Tellus grounding box with -4- of the Entreq signal gounding cables. they did push things to just a little higher level of refinement I think. the music sucks me in and involves me more. a good tweak to my ears.
but I also agree that sometimes we, as listeners, are just more ready to connect with our systems....we are in the right 'mood' as you say. I will add that since you visited, my wife and I have spent quite a bit of time on Whidbey Island and the San Juans exploring....what a wonderful place you have there.
I agree wholeheartedly on Martha Argerich and i have 25-30 of her Lps and maybe 10-15 of her CD's. one of my favorite artists.
I am enjoying the music on my system....it brings me great joy and satisfaction. that is what it's all about. you are always welcome to visit again. the system is in a whole different place than it was 8 years ago....and looking at your system from what I recall....it has evolved too.
I appreciate your enjoyment of your system, and understand how, for some reason, a system just sounds better for no other reason than your mood tunes you in the music more on that particular night.
A common occurrance, but that doesn't mean the system isn't sounding great all the time, it's our appreciation that changes from time to time.
I have also lately developed a great affinity for Martha Argerich, and highly recommend her DG retrospective, "The Art Of Martha Argerich", three CD's and text with many photos to enjoy. It certainly doesn't hurt that she's a vary beautiful woman as well as a world-class musician.
I have not forgotten how you so graciously welcomed me in your home, and listening room, over ten years or so ago now (you still had your VR-7's, I believe they were, and hadn't had your darTZeel preamp very long. Been a long time.
Anyway, thanks for that, and I'm glad to see you're still enjoying your system. Mine has also evolved greatly, as has my enjoyment, on a necessarily smaller financial scale, but still highly enjoyable.
I wish you a Happy New Year, and many more to come.
the system has been really sounding fine lately so tonight I grabbed a couple of superb sounding Classical Lps I have not listened to in a long time (one maybe never) and I was transported to another place and time. One is solo piano, the other large Orchestral.
first; a DG 1980 pressing and 1980 performance (DG 2531 088 tulip) of Martha Argerich, Bach, Toccata BWV911, Parita BWV826, and English Suite No.2 BWV807. wonderful full range piano recording just right to my sensibilities. intimate, super quiet pressing, great sparkle and energy, not strident at all.....full bodied and nicely balanced. looking for a solo piano recording to show off the system? here is one to have. I dimmed the lights and let it flow........
second; a late 90's Decca 'Super Analog' reissue of a 1967 Decca, (KIJC 9238) of Falla:El Amor Brujo-Ballet, Granados:"Goyescas"-intermezzo, Ravel: Pavane Pour Infante Defunte. a 1966 Kenneth Wilkinson recording in Kingsway Hall, London.....and it is superb! amazing sonics and musical flow, space and detail. great tension and sucked me into the vibe of it. very interesting recording and I loved the music. Wow! I've had this record since the late 90's and I'm not sure I've ever played it before. or maybe it simply never touched me like this.
caution; I'm no classical expert......I just like great music and appreciate great sonics too.
thank you again for the nice comments. i'm happy that you appreciated my efforts to optimize things in my room and system. it's been a labor of love.
when you have a great source like 'reel 2' of 'Abbey Road' what is great is that as you go down the road of system and room improvement you will hear more and more of the reality of a source like that. don't knock where you are at on the path, just enjoy the journey.
we are all on that same path of trying to get closer to the real music.....and it's fun getting together to enjoy that path.
To my own system, in a small non dedicated room. Owing to lack of eq and room treatment, plus proximity to my speakers, I now reali the softening of resolution and immediacy I perceived that day was really just a lack of defects and imbalance in my own setup. The benefit of a proper room and true world class equipment led to an audio experience that will not be forgotten. A 3 hr drive and bad car stereo left me a bit frazzled. Ear plugs on the drive out next time! Haha
sorry for the delay in my response; I'm not always paying attention to my Audiogon page.
I am using spikes for the feet as I have carpet over concrete and I wanted to make sure the feet got down to the concrete for the best connection. as far as the shelves I am using the flat leveling dampers; however, I'm also using two Herzan active isolation platforms with the Adona, one under my tt and one under my pre and digital player. so my Adona is supercharged. the two Herzan platforms are $12k and $10k each.
the Adona is ideal as a grounded rack for active isolation.
sorry for the delay in my response; I'm not looking at my Audiogon page often enough. as far as answering your questions;
the Wave Kinetic NVS compared to the Rockport; it's been 3 years now that the Rockport Sirius III has been gone from my system. i'd say that the NVS does do a little more of what I like than the Rockport; quieter backgrounds (when on the Herzan active isolation in my room), more space, a bit more pace; but these preferences are not large differences, they are quite subtle. more significant is that the NVS allows for other tone arms which is where the more significant performance differences are that allow the NVS to have higher ultimate performance than the Rockport. but again; both these tt's are at such a rarified level that both are top top level choices. and my own tastes and preferences are involved here. I know some simply prefer the sound of the linear tracking arms. so it's not a black and white issue of superiority.
I still miss the Rockport and wish I still could afford to own it and the NVS. the Rockport has an iconic position among tt's that is unique.
as far as the EMT948 it is a wonderful tt, but it's arm and cartridge are only very good, not top level. so as it sits in my room it is not in the same class as the NVS. if someone were to mount a great tonearm, such as the Durand Kairos you would have a world class vinyl front end.
You know, I'm sitting here listening to reel 2 of Abbey Rd, it is a 'reference' piece for me as well, and I'm finally able to appreciate the level of repro in your space... My space is much smaller and very 'live'. Naturally, I noticed only what was 'missing' in comparison t
it was a pleasure to meet you, and thank you for the kind words. it was a fun session, and I hope you can visit again with some of your B.C. audio friends. let me know when and we will work out the details.
and no; other than at audio shows I don't have personal experience with the Strain Gauge cartridges, but really admire what Peter does.....sorry I cannot be more help.
Wow! Thanks for hosting such a fantastic music 'experience' You've put together an amazing system... And set it in a little corner of heaven! What a treat, after seeing your system evolve and (revolve) on audiogon, to finally witness it! I really admire your dedication to vinyl, and your dedication to 'the best' Cheers! If I'm fortunate enough to visit again I know just the record to bring! The Anna and Durand- sublime. Have you played with any of the strain gauge carts? Thanks again! Harvey
Hi Mike - I am really curious about 2 things in ur system?:
1. the Wave Kinetics Turntable - is it better than the Rockport you had? 2. How come you have am emt 948 - how does it stack up in ur pantheon of turntables - u've perhaps had the most dream decks I can ever think of so I guess you should know
It's been over TEN YEAR'S since I inadvertainly named "the barn"?. Wow... How time flies! It is most admirable that even at the lofty heights you and your systems have attained you admit that there are always imperfections though you have always remained truly supportive and a consummate gentlemen!