Description

Speakers are Focal Grande Utopia EM in black finish

Analog music sources, Technics SP10 MK3  with two Kuzma 4 Point 14" arms.  Koetsu Blue Lace on one and Air Tight Opus One in the other.   Studer A820 half track tape machine with three sets of cards, each rebuilt by Studer electronics experts so I can compare upgrade performance.

Digital music source is Aurender W20 Special Edition into Soulution 760 LEEDH.  THe best input for music so far is Purist new USB cable and AES/EBU close second place.

Soulution 725 preamp, Soulution 755 phono stage Soulution 760 LEEDH and Soulution 701 mono block amps for electronics.  See image posted Nov 18, 2022 to see how it looks.

Cable is 100% top tier Purist Audio design.  All latest 35th Anniversary,  all ten AC cords are the new Purist 35th Anniversary AC.

My space is 18 X 31 and acoustically treated with RPG panels, tube traps and fiberglass acoustic treatment over triple reinforced walls and ceiling. The floor is lamination beams over steel plates to concrete pier and beam.  Two sheets of 5/8 epoxy lamination sheets make up the floor with two inches of concrete topped with India multi color slate.

Whisper Wall rail system and fine textured acoustic cloth covers the work, making  everything appear as a normal room of painted sheet rock or decorative cloth covering.

The room acoustics were conceived by RBDG and the entire space was torn out to bare dirt under the foundation and bare studs in the walls.  The combo of all new electrical and acoustical treatment resulting in best sound I’ve ever had.
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Room Details

Dimensions: 31’ × 18’  X large
Ceiling: 12’


Components Toggle details

    • My Photography http://www.albertporterphoto.com
    Commercial + Advertising Photography, Dallas, TX.
    • Focal Grande Utopia EM
    The best offering from Focal, shown with Stillpoints Ultra 5. Ultra 5 was an amazing upgrade for the speakers !
    • RPG Acoustics QRD 734 (variation)
    On front wall, now obscured by acoustically transparent cloth, is floor to ceiling RPG (similar to QRD® 734) in foam, so it's partially absorptive.
    • Studer Studer A820
    Found a near mint A820 at a production studio in Illinois.  I was so excited about it's condition I had it driven here in the back of an SUV, covered with moving blankets.

    Head block sent to John French and all cards at Soren Wittrup who worked for Studer.  This is the machine I spent more than a decade searching for.
    • Technics SP10 MK3 Rosewood with Stillpoints Ultra 5
    Technics SP10 MK3 Panzerholz + Rosewood shown with Stillpoints Ultra 5
    • Technics SP10 MK3 Panzerholz + Ebony
    Technics SP10 MK3 Panzerholz with African Ebony lumber (no Veneer). This is the original design by John Semrad and myself, copied to death now.
    • TTM Stainless Mat and Oil Damp Weight
    Japan, TTM Stainless mat (6.61 pounds) plus TTM oil filled record weight.
    • TTM record stabilizer TTM three piece set
    Very hard to find, grateful I was able to purchase this last week.  Three piece TTM record stabilizer replaces my previous single piece unit.
    • Air Tight Opus
    Air Tight top of the line phono cartridge
    • Mutech Hayabusa
    Excellent MC cartridge, retail about $4500.00
    • Koetsu Blue Lace Platinum
    Top tier stone body Koetsu, perfect alternate to Air Tight Opus One
    • Soulution 725 preamp
    725, Soulution best preamp, shown in system
    • Soulution 755 phono
    Soulution best phono stage, unbelievable amount of adjustment for cartridge including channel balance to 1 DB
    • Soulution Soulution 760 LEEDH
    Soulution top tier DAC, really pleased with performance of this DAC.  

    I still prefer analog but many recordings that were digital to begin with (and vinyl cut from CD master) are better on Soulution than on turntable.
    • Soulution 701 Mono Block Amplifiers
    Soulution top tier 2KW solid state amps from Switzerland
    • ORB-DF03 USA version DF03
    Excellent LP flattener, simple to use and so far perfect result
    • Aurender W20 Special Edition
    Aurender music server, model W20 SE with 16TB solid state storage on board.
    • Vibraplane 2212-01
    Under my Technics MK3,  powered by Silentaire DR-150
    • Degritter MK2 Ultrasonic LP cleaning machine
    From Estonia, very powerful ultrasonic LP cleaning machine.  The MK2 version is better than the original which was already the best I’ve heard
    • Degritter and ORB LP flattner Degritter and ORB LP flattner
    View of two important pieces to maintain LP collection
    • Milbank Transocket three phase 750 amp
    750 amp meter base. Pass through design, three phase power is a huge benefit in conjunction with our dedicated transformer.
    • Porter Port Cryo outlets 20 Amp
    14 of these in my system, each to a dedicated breaker in copper based electrical box
    • Furutech NCF Booster
    New NCF Booster added to majority of AC cords in system.  Easy to see against light colored wall, arrow points to NCF Booster to my (previous) owned Allnic M-5000 amp.
    • Purist Audio Design Focal EM Supply cable
    New four conductor cord, replaces stock Focal supply cord from EM drive box to back of speaker. Amazing upgrade
    • Purist Audio Design 35th Anniversary XLR (4 total)
    (1) Soulution 755 phono to Soulution 725 preamp
    (1) Soulution 725 preamp to Soulution 701 mono blocks
    (1) Soulution 760 LEEDH DAC to Soulution 725 preamp
    (1) Studer A820 to Soulution 725 preamp
    • Purist Audio Design 35th Anniversary Bi-Wire
    1.5 meter Bi-Wire, Soulution 701 mono blocks to Focal Grande EM
    • Purist Audio Design 35th Anniversary AC Cables
    New STUNNING cable from Purist Audio, silver and seven stage network box.  This cable brought so much dynamics, resolution and transparency to my system it qualifies as a main component.
    • Leica Disto D2
    Super laser measuring tool. Indispensable for setting distance and alignment of your speakers

Comments 4737

Showing all comments by sean.

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Albert: I don't know the specifics of your speakers, but if their resonance point is noticeably above 12 Hz, and i suspect it is, introducing gain below that point will actually increase distortion, reduce transient response and lower the max spl ( dynamic range ) of the system.

In such a case, one might be better off limiting the bandwidth of the woofer section and lowering the gain at a higher frequency. This in turn reduces power draw from the amps, lowers the operating temperature of the woofers due to a reduction in power dissipation and increases the performance capacity of the system above the actively equalized cut-off frequency.

This is a common trick used by intelligent designers of vented speakers that are bandwidth limited i.e. using active equalization and a high-pass filter to both increase extension while lowering distortion. Bobby Palkovic of Merlin uses such an approach in his "BAM" module. Electro-Voice also used this approach in their "Interface" series of speakers back in the 1970's, which were the first vented designs based on Thiele-Small parameters.

As a side note, this type of circuitry is more effective with sealed designs as sealed designs have a shallower roll-off below resonance. In effect, they can get away with less active boost below resonance, therefore reducing power draw and thermal dissipation. On top of that, sealed designs maintain consistent damping characteristic below resonance, whereas vented designs lose any damping characteristics that the cabinet itself may have contributed. The lack of damping increases excursion and distortion as the driver is now "unloaded". This is where the high-pass filter comes in, limiting the lower frequencies and letting in the higher frequencies that won't cause as much excursion and distortion. Sean
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sean

Zaikesman: I never studied the patent on this design, so i can't tell you exactly how & why. All i know is that it works.

As to the bandwidth of a square wave, it wouldn't be a square wave if it required infinite response at high frequencies. That's because "everything" suffers from some type of bandwidth limiting. 10x the bandwidth of the primary signal will get you very slight but visible rounding of the leading edge and 15x will look "perfect" to the naked eye. If you really wanted to get technical, you might need wider bandwidth than 15x, but you're way more than splitting hairs by that point. Sean
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sean

El: I don't want to sidetrack this thread, but even the Ohm Walsh drivers will fall on their face with a square wave above a certain frequency. In order to produce a "reasonable" facsimile of a square wave, the circuit or driver has to have at least 10x the bandwidth of the center frequency used to generate the square wave. Given the limited high frequency extension and speed of this large cone, one would have to use a signal centered below 2 KHz ( at the utmost extreme ) in order to achieve a "decent" looking square wave. As one went down in frequency, the more articulate and square the wave would look using this driver. Given that most drivers can't do this at all at any given frequency, that says a lot about the potential of such a design.

This is one of the main reasons that this design approach has such a natural harmonic structure. Combine this with the very airy and ambient omni radiation pattern and you've got a one of a kind presentation. Now factor in that all of this eminates from a point source and you've got bass response that can shake the house and one might be able to understand why i like this design so much. Sean
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PS... a "perfect" square wave requires a bandwidth that is at least 15x higher than that of the center frequency of the test signal. At 10x the bandwidth, it still looks quite good with a slight amount of rounding of the leading edge.

sean

I was just going to drop you a line and see how things were going. This post saved me the trouble and probably answered a few other questions too. Thanks for the update : )

I hope that you have a safe and enjoyable trip. I'd really like to wander off to some of these various events, but unfortunatly that four lettered word called "work" gets in the way. The fact that i'm already taking off most of Christmas week and the entire week between Christmas and New Year's would make it hard to disappear again right after that. I'm glad that we've got someone like you there to snag images for us. The only request that i'll put in is that you should try and find some more of "Santa's Helpers" or the "Elves" that you took photo's of before. I thought that some of the equipment "stacked up" quite nicely against the competition : ) Sean
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sean

I had Tele's in the front and a quartet of Electro-Harmonix in the back of my Marantz 8 and was quite happy with the combo. Then again, different circuits produce different sonics, so.... That amp went the way of the wind though as i traded it for a few thousand dollars worth of test equipment. There's just something about irreplaceable all original vintage pieces of hand built tube gear in mint condition that is 40+ years old that drives the value up : ) Sean
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sean

Albert, those pictures look all blurry. As a photographer, i would have thought that you would have stopped using a Kodak Insta-Matic years ago : )

All i can say is that i am in awe. Given how your room re-design came about and what we discussed privately, i can't wait for something bad to happen to my house : )

Honestly though, i bet that Arnie has already contacted you about doing a small spread on A-gon. If he hasn't, you need to contact him and start talking turkey. After all, you did mention Thanksgiving : )

With the quality of work that was done and your top-notch photo's documenting it step by step, it would make for one helluva interesting and educational reading experience. I'm sure that anyone and everyone that visits these forums would like to see something like this. Hell, it would've made a GREAT series on one of those home improvement shows on tv !!! Sean
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PS... When can we buy the videotape ??? : )

sean

We all know that a carpenter's roof leaks and a shoemaker's kids go barefoot. So why would Albert, who is a photographer by trade, be any different ? Asking him to take a "quick photo" would be like asking a mechanic to do a "5 minute tune-up" on his own car : )

Having said that, even the photo of Albert's "old" room looks much like i had imagined it from his posts i.e. truly tasteful, elegant and functional all at the same time. If the new room is that much more functional, acoustically correct and nicer looking, we might have to start billing Albert's advice as coming from a "better homes and gardens acoustician" : )

Kudo's on a job well done to one of the truly nicest guys on these forums. I aspire to have both a house and system as beautiful as what you've shown us. Sean
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sean