My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
Roon Nucleus Plus
Nordost QNET
Nordost QNET Switch powered by the Nordost QSOURCE LPS.
Nordost Odin Gold power cord
I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Nordost Odin 2 Power Cord
This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P10 phono stage
I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
Computer Audio Design (CAD) GC3 Ground Controls
I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
HRS SXR
I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
HRS SRX with M3X2 isolation base
I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
Thank you Arnie, I've had my son and his fiancé, here for the holidays and no time to experiment. With you and Christian on board with same choice I'm more eager than ever to install the RCA CRC Jan 5R5GY.
We had a good session this evening with one new visitor. Wish I had the new tube in the system before we began.
I have the same RCA 5R4GY as you and when speaking with Andy at Vintage he mentioned the 5R4 Chathum “potato masher” rectifier. I remembered I had a few of those so on my living room table are four sets of rectifiers.
Cation R4, RCA 5R4 , Sylvania Gold Brand GB-5931 and old Tung sol 5U4GB. I don’t know exact age of Tung Sol but they are straight side with double top getter and box appears to be from 1950s.
Please post results of your test, I know Rockit loves the RCA and suspect they are excellent but who knows what each of us will get from these.
I'll be interested in the shoot out between the 1940s RCA 5R4GY and that prime DHT version.
Allnic designed the H-5000 to run with FY3, maybe we have not been looking at the right version. Please do post results, I know how your system sounds so it will be pertinent to mine.
No you did not miss anything, the old was easy and “bubbled to the top” is a perfect description. We all knew it was a new contribution and those that wanted to view clicked and those that didn’t passed it by.
I hope they return it to the original but at least for now Virtual Systems can be found. A week ago it was total disconnect which would cut my visits to Audiogon even more than now.
Exciting news, I hope to hear your system again sometime in the near future. From reading about upgrades it appears to have taken another leap in performance.
I have a sort of Audio Prepper Nervosa Syndrome going on with tubes lately.
Ahh....welcome to the club.
I have boxes and boxes of NOS tubes. Probably several hundred. I'm always afraid the "perfect" tube will go away just when I need it for XX brand of gear. :^).
Upscale Audio has this Amperex from the 60s for $65.00. I bought four of them for $55.00 each just four months ago, so perhaps his claim they will eventually be $100.00 each is true?
Dragon_vibe This is by far one of the best systems iv seen on the internet? Very well laid out. Room looks Stunning. Can not imagine how it feels sitting there listening all day long. Top Class!
Dragon_vibe, I can tell you how it sounds. I visited Arnie some weeks back and not only is he a gracious host, his system is top tier.
Of all the systems I've listened to in my 30 plus years as an audiophile/music lover his ranks among the very, very best.
I've heard systems that were "different" and high performance but it's almost impossible to achieve more than what Arnie has. It's remarkable in it's control, low distortion and tonal color.
I think equally important is the fact that Arnie loves music. The system is not just a toy. When I visited for two days he played LPs I had not heard. When I returned home I purchased several of those titles.
That does not happen often, I own and listen to thousands of titles so Arnie not only has a ultra high performance system that I respect, he is a kindred spirit in music.
I've purchased a NOS pair of the Bendix 6106 Red Bank rectifier tubes to try in the H5000. I should have them here sometime next week and I will give them a try. Although I hate to change anything because the analog front end is sounding so good right and I still only have 9 hours of playing time on the H5000.
That and swapping out all the 6550 tubes on my VTLs on Friday are keeping me from any more tests at this moment.
My 6101 Bendix rectifiers will have to wait, I just finally got around to a second round with the two sets of 300B. I think we both agree the Russian (low impedance) solution was best.
The Allnic DHT5000 is so much better than anything I've ever heard, that alone is a big adjustment. I have a few more hours than you but based on previous experience there is more to come.
After we spoke about the 6550s (well past their prime) I put in the KT88s. It will be interesting to discuss the differences when we listen together again.
Thanks Arnie, very interesting about VTL changing to 12BH7 after using the 6350 for more than a decade. The 12BH7 is probably easier to source and maybe lower distortion.
What I'm most interested in is if VTL managed to keep the Siegfried Series 2 sounding as "tube" like as pervious models.
If VTL changed the output transformer it could be months before it completely stops changing but it's certainly positive that you've gotten this much performance out of the box.
Please do post listening results, especially if you can separate the upgrade to Series 2 and what that delivers beyond the already excellent Siegfried.
I have active version Vibraplanes, one purchased used and one new from Steven at SOS.
My pump is Silentaire which is Italian manufacture. It appears to be the same as supplied with Kuzma Airline.
It's a model Super Silent DR-150, distributed by Werther International, Houston Texas at that time but perhaps discontinued since it does not appear on their site now. http://www.werther.com/. It would be easy to call and check.
The main difference between the various pumps is the maximum available pressure, noise level and reserve capacity. Although Super Silent is 40 DB and considered super quiet, I would not tolerate that noise level in my room.
You can run almost any length hose, and it's TINY. Maybe the size of a 10 gauge wire. My pump is in another room and impossible to hear.
I have no experience with Minus K, it may be equal or better than the Vibraplane. However, the Vibraplane technology is mature and well documented, self leveling and adjustable via the pressure gauge.
Last, if cost is a factor, my used Vibraplane was a $600.00 Ebay purchase and in great condition. Back then (2009) the pump was $499.00. At those price points this purchase was one of the single biggest performance bargains in my system.
Hi Albert, I have a suspended floor but its pretty solid. It is made of 3 layers of 3/4" plywood.
I have a suspended floor as well. It's a blessing to be able to access the underside. I have six audio cable runs, one HDTV and all those dedicated AC lines.
Those would be impossible with a slab. Still, the floor not as solid as a concrete pour.
My construction is similar to yours, two 5/8 epoxy lamination layers over lam beams supported by steel plates and concrete piers.
My flooring guy did about 1.5" of concrete on top as float and level before laying the Multicolor India Slate.
The Vibraplane was a huge upgrade for both my turntable and Studer A810 in spite of my hard work. I'm guessing the Rockport slams your room pretty good. I believe a Vibraplane would be worth the test, at least for the Beat.
I got mine from Sounds Of Silence but they turn up used here at Audiogon and also at Ebay. Please post results if you ever try one.