Description

My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.

I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me. 
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Room Details

Dimensions: 33’ × 20’  X large
Ceiling: 12’


Components Toggle details

    • CH Precision C10 DAC
    I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
    • Roon Nucleus Plus

    • Nordost QNET
    Nordost QNET Switch powered by the Nordost QSOURCE LPS.
    • Nordost Odin Gold power cord
    I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
    • Nordost Valhalla 2 Ethernet Cables (2)
    I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
    • Nordost Odin 2 XLR IC
    Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
    • Shunyata Research Everest 8000 Power Distributor
    I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
    • Shunyata Research Hydra DPC 6 V3 power conditioner
    I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3. 
    The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
    • Steve Dobbins The Beat SE
    I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.

    June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.

    October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
    • Nordost Odin 2 Power Cord
    This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
    • Schroeder LT Tonearm with Magnesium arm tube
    I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.

    June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
    • Schroeder LT tone arm with Magenisum arm tube
    This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
    • Lyra Atlas SL Lambda cartridge
    I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
    • CH Precision True Dual Monaural P10 phono stage
    I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage. 
    • Nordost Odin Gold Power Cords
    I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
    • Nordost Odin 2 XLR IC
    I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
    • Computer Audio Design (CAD) GC3 Ground Controls
    I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
    • Computer Audio Design (CAD) Ground Control GCR
    I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
    • CH Precision L10 True Dual Monaural LInestage
    The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
    • Nordost Odin Gold Power Cords
    I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
    • CH Precision M10 amplifiers
    I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
    • Nordost Odin Gold Power Cords (4)
    I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
    • Nordost Odin 2 XLR IC
    I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
    • Rockport Technologies Arrakis 2 External crossover
    This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
    • Nordost Odin Gold Power Cord
    I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
    • Nordost Odin 2 XLR IC
    I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
    • Nordost Odin Gold Speaker Cables
    I am using 2 pairs of Nordost Odin Gold speaker cables  to bi-amplify the Rockport Arrakis 2 speakers.
    • Rockport Arrakis 2
    My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover.  I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
    • Furutech GTX/NCF outlets
    I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
    • HRS SXR
    I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
    • HRS SRX with M3X2 isolation base
    I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
    • Nordost Sort Kones
    I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
    • Isonic Ultrasonic RCM
    I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
    • Custom LP Record Cabinets
    There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.

Comments 694

B'bear, like Lloyd I'm still gobsmacked by the effects of Entreq. It's just totally enhancing the listening experience. I'm detecting so much dimensionality, and air around instruments, with a real rock solid stability in the soundstage, that's moving my system a quantum leap closer to the goal of imitating reality. My concious mind is really switching off the analysis of the music making experience, and my subconcious mind is wallowing in the sheer enjoyment of music.
Expensive as our hobby is, it all becomes tenable with the stress busting effect my system is now producing.
PS running a full Symposium Acoustics Isis rack/supports for components/spkrs and this is contributing greatly too.

spiritofmusic

I am no techie...I am told that both devices try to create a common earthing for the components and use materials inside to simulate a high quality ground earthing. All I know is...it works. Very impressed by Entreq and investigating Tripoint next.

lloydelee21

Owner
Hi Duane,

The audio world is very small indeed. I was at Goodwins a fews years back auditioning the Altair and the Magicos and I do remember meeting someone in one of the other listening rooms who was auditioning the Rockport Aquilas - obviously it was you - that's pretty amazing.

I don't use balanced power, but I do use an isolation transformer as part of my overall electrical distribution strategy for my audio system which does have a very high quality electrical ground for it. I have measured the impedance at my electrical outlets fed from the transformer and it is fractionally just slightly above 0 OHMS.

If you are also curious about the Entreq and Tripoint devices - I am as well. While they are referred to as grounding devices I am not sure that those names are all that correct as I am certain these boxes do not replace the electrical safety grounds of your power system. So, exactly what effect they will have in any given system remains to be seen. In talking to several folks who have heard either of these products, there seems to be a consistent theme that they make an improvement even in audio systems that have done some fairly extensive electrical system implementations. Hence my curiosity.

babybear

Just curious, you mentioned running your power from a balanced transformer. What role does ground play in a balanced power set-up? Awesome room Arnie, (I met you very briefly at Goodwins when you were demoing the Altairs and Magicos I believe). I was auditioning the Aquilas at the time.

Duane

drizmond

Owner
I am looking forward to getting both hear and hearing what they do and how they compare to each other. Should be great fun.

babybear

Great stuff Arnie!!! Love it!!! Thanks for all the effort!!! Very excited!

lloydelee21

Babybaer,
I'm sure I speak for others when I say your effort in setting this up is very much appreciated. Users of both products seem more than satisfied with the results they've achieved.
Charles,

charles1dad

Should be informative. A comparison of the aesthetics of the two boxes is amusing, and its not hard to guess which one costs more. Demo Miguel's Orion PC while you're at it. I heard that demoed after hours at Axpona in Atlanta along with the standard Troy. Shocking. You have not heard your system yet....

agear

Owner
Hi Agear and Charles,

I have no doubt that someone must have done the comparison between these 2 products already, but like most of us, I would of course want to compare them in my own system and to understand what they do to the overall sonics of my system and how they compare in performance.

I have gone to great effort at this point to make the 2 foundational elements of any audio system - electrical power and the room itself, as good as I know how to make it. But, I also believe, especially with the power aspect, the right product or products can still bring real sonic improvements so these 2 products are intriguing to me.

I am working to see if I can arrange an audition of both products here at the same time. I have heard back from Entreq already and one of the Tripoint Troy dealers so it looks like it will be possible to do this (just not sure of the timing yet).

babybear

Agear,
I agree with the idea of developing a foundation first and then proceed from there. The issue of cost can work in two directions, the DIY mentality is valid in some cases. On the other hand there`s a mentality that says it "must" be better because it more expensive.The fact that some asian buyers are willing/eager to spend considerable money is no indication of smarter/wiser purchasing.

I personally have found that there isn`t a linear relationship between cost and performance. Each component has to be judged on its individual merit rather than hype and expectations based solely on price.This upcoming comparision between Entreq and Tripoint should prove to be interesting based on actual direct use in the same system.
Charles,

charles1dad

Lharasim, as the founder of Fidelity Forward and apparent manufacturer of audio equipment, you are selling yourself indirectly through your opinions. What do you manufacture again and what proprietary products have you developed to improve our audio world?

agear

I believe the comparison has been done, but every experiment should be duplicated IMO. Price point and affordability is a strong potential source of bias though. Just look at the DIY world and their perceptions of the hi end. If you cannot afford it, the cheaper solution will be predictably competitive or even "better."

The Asian audio community is so far ahead of us in the power game. They are gobbling the Tripoint stuff up whereas we are still deciding if its relevant while still playing on the equipment merry-go-round. Foundations first IMO.

agear

charles,
Quote:I also look forward to the comparison of these two well engineered

how do you know these are well engineered products when you have no idea whats in them LOL...

you people should be in sales :)

lharasim

I also look forward to the comparison of these two well engineered and highly regarded components that address the same issue of electrical grounding. This has the potential to be very informative and worthwhile.
Charles,

charles1dad

This will be very interesting!! I am also going to try to listen again to Troy. The good news is I have heard both and know they both work...really well...which is better is another matter for the moment.

lloydelee21

Owner
Hi Knghifi,

I have been thinking along those same lines as well - try both of these products at the same time and see what I hear and then have John try them in his system and see what conclusion he reaches and then let's compare our results. That would be an interesting experiment.

Hopefully I will hear from Entreq very soon. The designer responded to my email and told me that he was traveling in Asia but would be back home tomorrow and then would contact me. Then I can contact Tripoint as well.

Arnie

babybear

Hi, If Arnie decided to try one or both of these...I'd be game to try it at my home also...Arnie and I have have different power cords/conditioning...so our results "may" vary...

jfrech

Owner
Hi Spirit,

Thanks for the information. I would like to try at least 3 connections - from the preamp, the dac and the phono stage, starting with the preamp and then adding the other 2 sources one at a time to see what I hear. Hopefully I will be able to arrange a home audition.

babybear

Owner
Hi John,

I haven't heard either yet but they have definitely piqued my curiosity. Just need to find out how to audition them in my system and see what they can do. I'll let you if I manage to get the home audition.

babybear

I will contact Stillpoints and see what they can do for an in home audition.

Babybear, you should also contact Tripoint for home audition at the same time and do a comparison. Have Jfrech join in and I will be very INTERESTED in your results.

knghifi

Hi Bear, when I ran my previous carts (Transfiguration Orpheus, and ESCCo modded Zu Denon 103) thru my Tom Evans Groove Plus SRX phono stage, I found that running an Apollo ic from the phono to the Entreq actually muddied the sound, thickening it up, although Fraser thought it better than me.
In the meantime I installed a Soundsmith Straingauge cart, hence getting rid of the phono stage. Now running an Apollo from the SG200 energizer has been a revelation. Go figure.
An example of YMMV.
Additionally I'm running an Apollo from the spare balanced out of my EMM Labs CDSA SE X upgrade cdp to great effect, and am going on to try Apollos from my newly-installed Audion Black Shadow SET monoblocks. If I go on to running Apollos from the two Nordost distribution blocks which sport earthing posts that I'm planning possibly to buy, this will mean a rig of Entreq Silver Tellus box and 7 Apollo ics.
Has all been revelatory so far, really complementing my move to 4kVA balanced power I've been running for a couple of years now.

spiritofmusic

Arnie, I"ve been curious about the Entreq or Tripoint also...just hearing a lot a great stuff about both units...but I've yet to hear either personally...

Lloyd...yeah I am going to have to try some still points soon...not sure they synch with my Grand Prix Audio SilverStone F1 rack...but if I get new amps soon..they likely wont fit..so the Stillpoints become a easy add...

jfrech

Good luck, Arnie. I also emailed you to provide further color.

lloydelee21

Owner
Thanks Lloyd,

I will contact Stillpoints and see what they can do for an in home audition.

babybear

Hi Arnie,

From theaudiobeat.com, it looks like Stillpoints distributes Entreq in the US now...so you should have no problems getting an audition. Good luck. Definitely go for their top of line: Silver Tellus and Apollo grounding cables...Entreq distributor here recommends Preamp and Source...and not to 'over ground' the system. 2-3 grounding cables is what they find is best.

http://www.theaudiobeat.com/ces2013/ces2013_stillpoints.htm

lloydelee21

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