Description

My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.

I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me. 
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Room Details

Dimensions: 33’ × 20’  X large
Ceiling: 12’


Components Toggle details

    • CH Precision C10 DAC
    I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
    • Roon Nucleus Plus

    • Nordost QNET
    Nordost QNET Switch powered by the Nordost QSOURCE LPS.
    • Nordost Odin Gold power cord
    I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
    • Nordost Valhalla 2 Ethernet Cables (2)
    I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
    • Nordost Odin 2 XLR IC
    Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
    • Shunyata Research Everest 8000 Power Distributor
    I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
    • Shunyata Research Hydra DPC 6 V3 power conditioner
    I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3. 
    The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
    • Steve Dobbins The Beat SE
    I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.

    June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.

    October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
    • Nordost Odin 2 Power Cord
    This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
    • Schroeder LT Tonearm with Magnesium arm tube
    I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.

    June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
    • Schroeder LT tone arm with Magenisum arm tube
    This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
    • Lyra Atlas SL Lambda cartridge
    I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
    • CH Precision True Dual Monaural P10 phono stage
    I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage. 
    • Nordost Odin Gold Power Cords
    I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
    • Nordost Odin 2 XLR IC
    I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
    • Computer Audio Design (CAD) GC3 Ground Controls
    I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
    • Computer Audio Design (CAD) Ground Control GCR
    I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
    • CH Precision L10 True Dual Monaural LInestage
    The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
    • Nordost Odin Gold Power Cords
    I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
    • CH Precision M10 amplifiers
    I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
    • Nordost Odin Gold Power Cords (4)
    I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
    • Nordost Odin 2 XLR IC
    I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
    • Rockport Technologies Arrakis 2 External crossover
    This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
    • Nordost Odin Gold Power Cord
    I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
    • Nordost Odin 2 XLR IC
    I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
    • Nordost Odin Gold Speaker Cables
    I am using 2 pairs of Nordost Odin Gold speaker cables  to bi-amplify the Rockport Arrakis 2 speakers.
    • Rockport Arrakis 2
    My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover.  I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
    • Furutech GTX/NCF outlets
    I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
    • HRS SXR
    I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
    • HRS SRX with M3X2 isolation base
    I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
    • Nordost Sort Kones
    I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
    • Isonic Ultrasonic RCM
    I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
    • Custom LP Record Cabinets
    There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.

Comments 694

Hi Arnie,

Let me know if you ever do...but bear in mind it is one finicky piece of equipment...great tonality in general...but super sensitive to vibration. It has taken me a long time to get it to work where I feel the signal is 'totally solid' without leakage from vibration, weaker tubes, power cables, etc. Once done, the purity of the Zanden tone comes thru...it probably has not been the last word in detail for some time now. Yours, Vivaldi, Scarlatti, Stahl-Tek...have likely all surpassed it. But its purity of tone without artificial artefact is still my favourite part of the Zanden sound.

But there is always another mountain to climb...Mt. Arrakis!

lloydelee21

Owner
Hi Ish,

You are most welcome and thanks very much for the invite to your place. I have never heard the Apogee speakers that you have so I would definitely like to hear your system. I'll let you know next time I am headed your way and perhaps we can arrange a visit.

babybear

Owner
Hi Lloyd,

No doubt that your Zanden digital front end sounds magnificent. I have never had the opportunity to hear that setup but one of these days I would like to do so.

babybear

Arnie: I will visit you soon. Thanks for the invitation.

You too are cordially invited to my place.

gallant_diva

Hi Arnie,

Hah! I promised myself I would NEVER go there...and dedicate all my resources to the best digital front end i could find. With my Zanden front-end fully isolated, tweaked out with NOS tubes, powercords, etc)...i think that is me done on investing in sources! Plus, all my music is on silver disc...approaching 2000 and counting.

I actually crave for your speakers, truth be told. Now that i have heard them with music i know...i understand better just how remarkable they are. they make reproduction seem so easy, at such dynamic levels, you wonder 'how come other speakers cannot do this?'...

lloydelee21

Owner
Hi Lloyd,

That is great news. Brent Jessie is very good tube resource. I have purchased multiple NOS tubes from him and his descriptions of how they will sound has always been spot on.

Now we just need to get you into vinyl playback!!

babybear

Mullards came in from Brent Jessee! Stunning. He also had 3 Copper Stoppers...very thick copper tubes which have Teflon insides. They slip over the tube to damp them and help cool them.

I used to have 2 Mullard 1950s and 1 RCA/Sylvania. Now with all 3 Mullards 1950 Square Getters...it is stunningly good. Bass tight and powerful, propsulive. And dynamic attack in mids is there...which you miss somehow if the tube just isn't delivering that last ounce.

don't understand the science, but am thoroughly enjoying the results!

lloydelee21

Very interesting Arnie. Thanks for the info.

knghifi

Owner
Hi Knghifi,

I haven't heard the L5000 DHT preamp, but I think that KS Park from Allnic is planning to make some changes to it to apply some of the experience that he has learned from the H5000 DHT phono stage. I think that Albert knows more about this.

Arnie

babybear

Owner
HI Christian,

I forgot to ask, but have you had a chance to try the Bendix 6106 rectifier tubes in the H5000 and if so, what's your opinion of them as far as sonics go?

babybear

Owner
Hi GD,

I am still using the 2 REL Studio III subs with the Rockport Arrakis speakers. Not so much for bass output as the Arrakis have plenty of that, but more so for the other advantages that the Rel Subs bring to the table.

My previous system that you heard when you visited previously was very good indeed. But, I would have to say that this system is definitely a significant step up in sonics compared to what you heard previously. You are more than welcome to visit and do some listening with me and hear for yourself. Let me know.

Arnie

babybear

Owner
Hi Christian,

Its hard for me to imagine better dynamics and a more enveloping soundstage than I am getting now with the H5000 and Lyra Atlas cartridge. I am now using the Granite Audio Phono stage break in CD to accelerate the break in of the H5000 so that I can get hear it more fully broken in and then perhaps have Albert send me the HA3000 to evaluate it in conjunction with the H5000. Either way, we are enjoying some amazing vinyl playback!

babybear

Hi Arnie:

Are you still using the REL subs?

I wonder how this system compares to the one I listened to 2-3 years back.

GD

gallant_diva

Just curious if any of you Allnic owners have experience with Allnic L5000 DHT preamp?

knghifi

I was listening to my mono record setup via the transformer last night. Jazz horns leading edge transients just sound so good and un edgy. The noise floor is considerably lower using transformer input vs the HA 3000 into the MM. The noise doesn't really exceed the noise from the record surface itself, which is a good thing. Passive devices, like transformers will always be quieter than active gain..but in the end, it's really an non issue considering the gain in dynamic speed, tighter bass and soundstaging via the HA3000. The H5000 continues to amaze.

rockitman

Owner
Hi Christian,

I may have to audition the HA3000 in my system once my H5000 is fully broken in. The H5000 is just so good even with only 11 hours of play time on it. I am looking forward to hearing what it sounds like once I get to around 75-80 hours.

babybear

Hi Christian,

Thanks so much for your feedback about the Allnic HA 3000 used in front of the H5000 DHT. I am happy that it is sounding so good in your system.

I visited Albert this weekend and he had recently inserted a HA 3000 into his system as well to see what it does. Albert was using a lower line Purist Audio IC and power cord with the HA 3000 than his normal wonderful Purist 25th Anniversay cables. We could clearly hear a difference in the sonics with and without the HA3000 using the Lyra Atlas cartridge, but I need to do a lengthier listening session in my own system once my H5000 DHT is fully broken in to see if I prefer the sound with the HA 3000 or just direct into the H5000 DHT. Either way, the sound is wonderful.

Thanks,
Arnie

Hi Arnie,

I look at the HA3000 as a supplement to the transformer inputs, not a replacement. The unit keeps getting better. The transformer input allows the music to flow with a natural sense of ease (very real/live sounding). The HA3000 gives a more incisive, faster dynamic presentation. The soundstage definitely grows in width and depth by a significant margin, almost to the point you are enveloped by a blanket of music. I think once you get the H5000 broken in, it's worth the effort to try it in your system.

rockitman

Owner
Hi Lloyd,

Have fun with your new tubes as they should make for some great holiday listening. My Bendix 6106 red bank rectifier tubes have shipped and will be here this week, so I will probably give them a try over the holidays as well and see what they do to the sound of my vinyl playback.

babybear

Owner
Hi Christian,

Thanks so much for your feedback about the Allnic HA 3000 used in front of the H5000 DHT. I am happy that it is sounding so good in your system.

I visited Albert this weekend and he had recently inserted a HA 3000 into his system as well to see what it does. Albert was using a lower line Purist Audio IC and power cord with the HA 3000 than his normal wonderful Purist 25th Anniversay cables. We could clearly hear a difference in the sonics with and without the HA3000 using the Lyra Atlas cartridge, but I need to do a lengthier listening session in my own system once my H5000 DHT is fully broken in to see if I prefer the sound with the HA 3000 or just direct into the H5000 DHT. Either way, the sound is wonderful.

Thanks,
Arnie

babybear

Thanks, Arnie. They should arrive this coming week via FedEx Economy just in time for a nice week before Christmas! Hope the EAT tube dampers arrive as well, so can retube and put on the dampers all at once!

lloydelee21

Arnie and Albert,

I would be doing you a disservice if I did not recommend the HA-3000 in front of the H5000. I will give a more detailed write up once it breaks in more on my system thread. In short, the head amp tightens and focuses the bass frequencies more. Surprisingly, the sound stage width and depth significantly increased vs the transformer input. Micro detail is even more prevalent. Transformers being a passive device, there is a bit of signal loss. I feel some micro detail is lost there but is picked up running the head amp. The music seems to have more jump and the tonal balance is a bit more neutral than running via transformers.

It is very sensitive to placement and cable selection. Much to my chagrin, my $10,000/pair Nordost Odin 2 meter interconnect hums with the HA3000. When I use the same cable out of my tape pre, no hum. So I am perplexed. I think that maybe a 2 meter cable is too long from the HA3000 to the H5000. My rca cabling is limted and the Nordost 1.5 meter rca cable is working without any hum. Weird huh ?

rockitman

Owner
Hi Albert,

I am glad that you changed out those beyond their prime 6550's. I am looking forward to hearing how your system sounds now with new Gold Lion KT88 tubes. Also interested in hearing what the sonic differences are using the Allnic HA3000 with the H5000 DHT.

Arnie

babybear

Owner
Hi Lloyd,

Yep, rectifier tubes play an important part of the sonics - yet no signal passes through them but when they age beyond a certain point, the music just becomes dull and lifeless - it just suddenly hits you one day that something isn't right.

You should be good as new when your new Mullards arrive. Have fun.

Arnie

babybear

Hi Albert,

I've purchased a NOS pair of the Bendix 6106 Red Bank rectifier tubes to try in the H5000. I should have them here sometime next week and I will give them a try. Although I hate to change anything because the analog front end is sounding so good right and I still only have 9 hours of playing time on the H5000.

That and swapping out all the 6550 tubes on my VTLs on Friday are keeping me from any more tests at this moment.

My 6101 Bendix rectifiers will have to wait, I just finally got around to a second round with the two sets of 300B. I think we both agree the Russian (low impedance) solution was best.

The Allnic DHT5000 is so much better than anything I've ever heard, that alone is a big adjustment. I have a few more hours than you but based on previous experience there is more to come.

After we spoke about the 6550s (well past their prime) I put in the KT88s. It will be interesting to discuss the differences when we listen together again.

albertporter

Look forward to your comments, Babybear.

Just ordered a set of Mullard 1950s Square Getter Rectifiers myself for my Zanden DAC. I am using a set now from brent jessee which I love. They simply have gotten a touch old...slightly weaker bass, less slam, dynamics across the board. I also decided while I was getting ready to change them out...I would order 2 EAT tube dampers for them as well...very excited hopefully have them all next week for re-tube.

lloydelee21

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