My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
Roon Nucleus Plus
Nordost QNET
Nordost QNET Switch powered by the Nordost QSOURCE LPS.
Nordost Odin Gold power cord
I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Nordost Odin 2 Power Cord
This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P10 phono stage
I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
Computer Audio Design (CAD) GC3 Ground Controls
I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
HRS SXR
I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
HRS SRX with M3X2 isolation base
I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
Babybear....thanks for all the background info. I hope that you enjoy the new speakers very much! I'm also glad to hear Goodwin's hasn't lost their touch; they are a class act to be sure!
I really enjoyed my system with the Magico M5's. It is a wonderful speaker and paired with the 2 Rel Studio III sub bass systems in my room the sound that I was able to achieve was, at least to me, one of the better systems that I have had the opportunity to hear.
Having said that, I have always liked Rockport speakers. I have heard the Rockport Altair on 2 occasions over the past 3 years and always enjoyed what I heard. I then heard the new Rockport Avior paired with VTL electronics at the 2012 CES and again, I really liked what I heard. Given the size of my room, I began to think that perhaps a truly high quality, extraordinarily engineered, physically larger speaker that is expertly setup with my room might be able to achieve a level of sound that a physically smaller speaker might not be able to do. When the opportunity to get the Arrakis arose, I decided to do it. I had not heard the Arrakis but I was able to speak with a person who owns a pair which helped convince me. The question that i had to think through carefully was whether to get the passive version or the active version of the Arrakis. The active version has an active external crossover and requires two full sets of amplifiers, an additional 2 pairs of IC's, additional power cords, amp stands, etc. Again, I was able to speak to several people that I trust about about an active speaker system such as this and became convinced that an active system done correctly makes it possible to achieve even higher levels of performance.
Goodwins High End from Boston came down last week to setup and dial in the speakers with my 2 Rel Studio III sub bass systems and my room and they did an amazing job. They were here for almost 3 days doing the work. The sound exceeds my expectations regardless of what medium I use (CD, SACD, LP), or what type of music I play.
Hi Babybear/Arnie, Congrats on one sweat looking system!
Did I see in your equipment list a reference to Magico speakers that preceeded your Rockports? If so, then care to mention why you changed?
I don't see any acoustical treatments listed in your equipment list - could you tell me about what you have, and where it's placed? For example, are the 3 polyfusers to the side of each speaker helmholtz bass trap while the curved nature diffuses the mids/high frequencies to reduce comb filtering effects? Or is it something completely different? Sorry but I noticed the right wall has a middle treatment that isn't the same height as the ones on either side of it - how come?
Lastly, what's your room's dimensions and do you have freq and time dimension measurements?
Congrats on a wonderful looking room and system! Kudos.
Thank you!!! Well, someday, if i ever find it...passive it is! I saw that the owner of one of the pairs had his upgraded to Arrakis 2 with the active crossover...so that can be done a future date.
But in any event, looks like i will keep my eye out for passive. Enjoy your incredible system!!!!!!!!!!!!
While I am certainly no expert, if you were to have the passive version of the Arrakis which has no external active crossover you should be able to run that version of the Arrakis with a stereo amp (and that version of the Arrakis is single wire as well. The version that I have is the active version which can only be run with 2 sets of amplifiers. In my case 2 sets of VTL Siegfried mono blocks (4 amps). The 2 Arrakis setups that you have seen must have been the active version. Also, the active external crossover is configured with balanced inputs only from the preamp and 2 sets of balanced outputs only to the amps.
I am happy to answer any questions. Hope that helps,
Absolutely incredible. As JFrech says, if i ever upgrade from my Wilsons, this is probably the only way to go. i too have heard other Rockports and been impressed.
I own a Gryphon Colosseum dual-mono. I have seen only 2 setups with the Arrakis...both had 2 sets of monos...4 amps! Am i going to be able to run the Arrakis 1 (original) with 1 dual mono Gryphon Colosseum??? Thanks for any advice!!!
You are right in that the Arrakis definitely don't need the 2 Rel Studio III's but since I already had them, we went ahead and dialed them in and once the integration of the Room, the 2 REL Studio III's and the Arrakis was completed the sound was simply breathtaking.
You have got to come on down to hear this setup. The Magico M5 setup was so good but the Rockport Arrakis in the active version are something very special. Let me know.
Fantastic addition - they look simply fabulous in your room. It's hard to imagine the Arrakis need the 2 Rel subwoofers, but boy, the bass must be mind-blowing. Congratulations on your whole system - just delightful to read about. Thanks for posting.
Arnie, you are crazy! It's not even Summer time, so you can't blame the Texas heat. Your room sounded amazing already. Congrats and can't wait to hear the new addition.
I am looking forward to hearing your system once the room acoustics project is finished. Of course you are welcome to come by anytime to hear my system with the bi amped Arrakis.
Hi Arnie, Rockports are fabulous speakers, if I ever get the itch to move off wilsons, Rockports are definitely it. I've heard some of their other models and the transparency is astounding. Congratulations ! I am sure they sound fantastic in your room!
System edited: I've just completed a major system upgrade. I have moved to the Rockport Arrakis 2 speaker system from my wonderful Magico M5 speakers. The Arrakis 2 uses the Be tweeter and a Rockport external active crossover that takes the signal from the VTL 7.5 Series 3 preamp and splits it between the bass drivers of the Arrakis and the mids and highs. The crossover has adjustable gain for each channel. I am driving the Arrakis with 2 sets of the VTL Siegfried mono block amps both using the Gold Lion KT 88 tubes. Goodwins High End from the Boston area flew down to my home to do the setup. They did an amazing job of integrating the Arrakis with my 2 Rel Studio III subs and most importantly my room. The sound is nothing short of amazing (at least to me).
System edited: I changed my digital front end to an all MSB digital front end. I now have the MSB Platinum CD IV with the Signature power base mated with the MSB Diamond DAC IV with optional clock module powered by the Diamond power base.
System edited: I've made some changes. Replaced my Audio Excellence Power Wing conditioner with the Absolare Purifier power conditioner that is powered from a wall socket with an Echole Signature Power Cord. There is a very significant improvement in sound quality compared to the Power Wing (and the Power Wing was very good). Also replaced my Audio Desk RCM with the Loricraft PRC Deluxe RCM.
My previous table was a Steve Dobbins Garrard 301. I would say that the Beat is better than the Garrard in the following areas: 1. A significantly lower noise floor 2. Image Stability of performers within the soundstage 3. Wider and deeper soundstage 4. Deeper and tighter bass 5. The sense that the table never loses control over the musical performance even on complex musical passages 6. Upper frequencies sound even more natural and real.
Hi Babybear Stunning system, great room and love your Beat table. Can you describe how the Beat betters your previous table when you have time please. Thank you,
I heard the Rel at a dealer once and was quite impressed. I can only imagine how two would sound.
I forgot about the new Reed arm. I will have to check it out on their web site. I got to hear the Schroeder LT vs the Reed at RMAF last year. The bass was better on the Schroeder but the highs where a little nicer on the Reed. They both had the Allnic Puritas. Of course the Schroeder was just a prototype. Steve says they are still deciding on the best bearing to use.
I have heard The Beat a couple of times. Once in Mike Lavinges system and once at RMAF. One of the best TT's I have heard. If I had more funds I would love to have one.
I started out with one Rel Studio III and it made a significant improvement and then 6 months later I tried the second one and it was even better so I went with 2 of them.
I have talked to Steve about the Linear Tracking arm as well so it will be interesting to hear it once they have it ready to go. I have also asked him about the new Reed 2P arm that came out in the last couple of months - it has both on the fly VTA and Azimuth adjustment and uses 3 bearings instead of 4.
I really enjoy The Beat. Works like a champ and sounds so amazingly good. I've had mine for over a year now and it is my main source. I previously had one of Steve's fully loaded Garrard 301's and that too was wonderful, but The Beat is a definite step above that.
Wow nice room. 2 Rel studio 3's nice. I also have an Allnic H3000 and Reed 3Q. I am thinking about upgrading to the Schroeder LT when Steve and Frank are done with it. How do you like the Beat?
If I remember correctly, it was around $8K to upgrade from the Series 2 to the Series 3. It was alot of money but before I did it I was able to compare a Series 3 that my dealer had to my Series 2 and it was a pretty significant improvement. As for tubes, I was using a pair of CIFTE tubes that came from VTL. In the past few months I have upgraded to a pair of NOS Telefunken 802s tubes that VTL had tested and matched. Also a very nice upgrade.