My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
Roon Nucleus Plus
Nordost QNET
Nordost QNET Switch powered by the Nordost QSOURCE LPS.
Nordost Odin Gold power cord
I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Nordost Odin 2 Power Cord
This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P10 phono stage
I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
Computer Audio Design (CAD) GC3 Ground Controls
I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
HRS SXR
I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
HRS SRX with M3X2 isolation base
I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
Yes, it was a wonderful trip. We got to see and feel what Istanbul has to offer and it is a really wonderful city to visit. It is far more cosmopolitan than I was expecting.
You should definitely move the MSB digital front end up on your list. One of the folks that have moved to it did a direct comparison of the MSB Diamond DAC and CD IV transport with the full DCS Scarlatti stack and strongly preferred the MSB gear and so went ahead and purchased the MSB.
The CD IV transport that they used was not even the Signature CD IV with the Signature power supply, which in my listening tests makes a substantial sonic improvement.
Wow...sounds like a great trip and a pretty great experience! I am impressed on the MSB! That has risen up my list, particularly given that Andy Payor apparently also uses it...and the fact that it is regularly upgradeable by MSB.
Just returned from a wonderful trip visiting Istanbul, Turkey. I was there visiting the home location of Echole cables and Absolare electronics, both of which i use in my system. It was a small conference organized by Echole and Absolare to bring together a few of their customers and dealers. Istanbul is a fascinating place that I had never visited before. Part of the activities included a visit to an audio dealer in Istanbul, named Extreme Audio. I have never been to a brick and mortar dealer of this magnitude. They have 12 very well done listening rooms each fully equipped with great gear. The number of brands that they carry was a very long list as well. The location that we went to is the largest of Extreme Audio's 4 locations all of which are in Istanbul.
Another interesting thing to me was that within the small number of folks also on this trip, 2 others were using MSB digital front ends and another 2 had done in home auditions of the MSB digital gear and were planning to upgrade to MSB in the near future.
I also got a chance to hear The Beat turntable that I use with the new Reed 3P arm with the Lyra Atlas cartridge through the Allnic H3000 phono stage playing through the Rockport Aquila speakers with the Absolare preamp and mono block amps. A wonderful sounding system which made me even more curious to audition the Reed 3P arm in comparison to my Reed 2A arm which I hope to do later this fall.
Based on what I hear in my system, mastering is always important. There are many SACD's, especially from the early days of SACD that don't sound very good in comparison to the CD layer. One of the worst SACD's that I have heard is the original Norah Jones' "Come Away with Me". (Not to be confused with the new LP's and SACD's that Analogue Productions have just released. I haven't heard the SACD but the LP is really, really good).
Having said that, if you play a high quality mastered CD/SACD disc, then the SACD layer played back through the UMT will sound better than playing the CD layer through the CD IV transport. To me, well done SACD's sound more relaxed and natural with less digital artifacts especially in the upper frequencies.
The CD IV is the better PCM transport so when playing a redbook CD via the CD IV it will sound better than the same CD played through the UMT.
Just curious...which do you prefer: - Playing the SACD layer thru the UMT - Playing the CD layer of the same disc thru the CD IV Transport?
Or does it depend on the particular hybrid SACD? I imagine some SACDs are not as well remastered as others...so the differences might not be as great btwn the CD layer and SACD layer?
System edited: Updated one additional picture. Also added the MSB UMT (universal transport). I use the MSB UMT for SACD playback and the MSB CD IV transport for redbook and hi-rez PCM playback. MSB just released new firmware upgrades for their DAC IV's and the UMT. The firmware upgrade for the DAC's adds native DSD playback support from any of their digital inputs (USB, SPDIF, optical) and the firmware upgrade for the UMT allows it to pass the native DSD data stream from a SACD to the DAC IV. I did the upgrades and it works flawlessly and the SACD playback sounds very, very good.
There are a few key differences that I hear in my system between the Purist Audio Anniversary IC's and the Echole Signature IC's.
Overall, the Echole Signature cables have a greater sense of elegance and coherence to the sound along with greater resolution and texture. Both the bass and the upper frequencies are more extended with the Echole and the upper frequencies in particular are harmonically richer and more natural sounding to me. The mid range is very similiar in tonality but the Echole do exhibit the greater resolution and texture.
System edited: Just replaced the Purist Audio Anniversary balanced IC between the MSB Diamond DAC and the VTL 7.5 Series 3 preamp with an Echole Signature balanced IC. I now have all Echole cabling in both my analog and digital signal paths from source to speakers.
Yes, I agree that would be a good approach. One of the nice things about the MSB digital products is that they are for the most part user upgradeable both from a hardware and software point of view. So you can always add the clock at a later date. I also think that MSB even gives you a trial period with the clock such that you can try it and if you feel it's not worth the price they will give you your money back.
Also, with either their Platinum or Signature transports, you can download hi-Rez files either in .WAV format or convert them to .WAV format, burn them to a DVD and then just play them directly via the transport (which is what I do). In that case you are using their I2S interface between the transport and DAC for the best sound quality.
FWIW, i think your approach makes a lot of sense. Get the best DAC...add the clock later. Enjoy and pls post your observations here or on WBF when you get a chance. LIke to see you've updated your pictures...but your description still says Wilson 8s! ;)
Thanks Arnie...perhaps I should just go Diamond DAC for now and add the Galaxy clock later, which seems to be remove the cover and plug the galaxy clock in (easy button). I want to keep it under $30K for the time being. I suppose after I get used to the dac w/o the galaxy and then add it later, I will better be able to ascertain the improvement of that very expensive kryptonite crystal clock :-)
Yes, that is correct that I did get the Galaxy clock module. I did listen to the Diamond DAC with and without the Galaxy clock. With the clock, the improvements in sound are similar to what I heard when I added the G0s clock to my Esoteric stack. The affect of the clock is that the sound is further refined in the upper frequencies and you hear a level of elegance and coherency in the sound that is lost when you remove the clock. My opinion is that the signature DAC with the clock will not equal the sound of the Diamond DAC without the clock. The diamond DAC had better defined bass than the Signature DAC and was harmonically richer in the midrange and upper frequencies with more palpable images. Of course the best way for you to be sure would be to compare them in your system. Hope tha helps.
Makes me wonder if the Signature dac with the galaxy clock would sound better than the diamond dac without the galaxy clock. The price would be virtually the same. What are your thought's on that idea ?
As for my MSB digital front end, I do enjoy it very much. I certainly consider it to be one of the best digital front ends available. Before deciding on it, I owned the Esoteric P03/D03/G0s stack for 5 years. When I got back into analog however, I found myself having a hard time listening to the Esoteric digital - I just couldn't relax into the music with it. So I started to audition different digital front ends. In my system I was able to audition the MSB Signature DAC IV and Platinum transport, the MSB Diamond DAC IV with the optional clock module and the new Signature transport, the EMM XDS1, and the CH Precision CD/SACD transport with its matching C1 DAC. I was also able to hear the full DCS Scarlatti stack in my friends system and compared that to his analog front end.
Based on what I heard and also my personal listening preferences, the 2 digital front ends that I enjoyed the most were the MSB Diamond DAC with Signature transport and the CH Precision digital stack. The CH Precision, when used with its built in preamp and bypassing my preamp was really good and if I had a digital only system, I might have gone with it. But with the need for a preamp, the MSB sounded better to me going through my preamp than the CH Precision. I now fully enjoy listening to digital again.
Thanks so much and if you are ever down here please let me know as it would be great to have you come by for some listening.
BTW, your room and system are looking great!! Your room looks warm and very comfortable and it must be a great environment to enjoy listening to music in.
I am glad you were able to come by as I had a great time as well. Its always nice to have people over who really enjoy talking about audio and more importantly enjoy listening to music.
I am looking forward to coming by your place to hear your system once you have your room acoustics project completed.
Hi Arnie, thanks so much for the time this afternoon. I very much enjoyed the company and advice. I have to say this, your set up was the BEST system I have EVER heard. Top to bottom transparency, dynamics, power, control...just simply AMAZING Congratulations.
I've heard some great systems before several around Wilson's, one around Dali's, another around Kharma's...but yours is just stunning...on music of all types...I think you know my system isn't so bad so this is meant to be quite a compliment!
Most importantly, the company and our talks we're special, again thanks for the afternoon!! All the best !
You are right about what the active configuration can do - music just sounds so effortless and relaxed with seemingly unlimited dynamics compared to a passive configuration. I was hesitant at first to do the active configuration but now that I have it, I am glad that I was lucky enough to be able to do it.