this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
Jason and Natan, That amp seems to be be ultra quality but you two raise a good point. That`s a lot of cubic space to fill with 3 watts and 92-93 db efficiency speakers. In a smaller space it could workout well.
Although I have never heard the 3 watts on your system I've heard it on mine, 92 db sens with powered subs below 80hz, 18'x37'x 10' h listening about 11' from speaks . Yes it's fun initially but not enough juice to hold my interest long term. In fact I was not satisfied with anything less than 20 watts. The best I lived with is the 300 b tubes from Border Patrol there Parallel single ended with 20 watts .Gary Dews was generous enough to give me lengthy home audition. 300b can be magical but even the bass on the border patrol which is very good was not satisfying for my taste which is more real world. I've lived with 807 and 845 tubes as well and liked them very much. But I would have to agree with Jason, that 211 tube has everything going for it with enough juice to drive 89-95 db sens spkrs in even large rooms at high volume. Audio Note makes some gorgeous equipment. But I opted for higher power design from Nat Audio. With the best Nos RCA or United 211's these have both the microdynamics with real world macrodynamics.
Hi Mike The 45 & 2A3 are wonderful valves and when a amplifier is designed around them properly & matched with speakers with high efficiency you can get beautiful sound. In my opinion the 2A3 valve designed in a Single Ended Triode amplifier producing 3 watts does not have enough power for your speaker system even with a active bass system to get a full "physically engaging experience" as compared to your solid state amplifier with over 100 watts output power.
92 Db efficient speakers need a more powerful SET amplifier design to get the extra dynamics to compare in a large room like yours to your more powerful solid state amplifier, I would think you would need to go to a 211 SET designed amplifier to get the headroom you need.
I have used many SET amplifier over the years with Tannoy`s, Avantgarde, JBL & TAD speaker systems, in my experience you really need a minimum of 98 Db + efficient speakers for a 2A3 SET designed amplifiers to get a realistic head room in all types of music. Even with 98 Db efficient speakers like TAD and more modern JBL 2226 15 inch bass drivers this does not always ring true and you still need a lot more power to control the bass woofer properly.
Your 2A3 amplifiers look very well designed and I am sure for some music (that is not to amplifier taxing) these amplifiers will sound wonderful in your system producing tone and delicate notes that your solid state amplifier will not capture, but on the other hand your solid state amplifier will be preferred for a fuller dynamic presentation for higher SPL music.
DO you recall the Tel wire power cord (HC or non HC) that you have used in the past and how it compares to your choice of Absolute Fidelity and Evolution acoustics power cords? seems like it could be a great value especially when one buys multiple power cords. I am looking at purchase of 10 -12 for every thing from tube monoblock amps, powered subs, Dartzeel 18ns and 108, reel to reel, digital, and tube phono preamp. Thankfully my TT is battery powered, but maybe not for long.
I think one needs to do a cable shoot out at least once to get it right because cables are highly system dependent and have become a major investment over the years. But I totally concur that its not high priority for my time as well.
I am planning to install a 15KVA Ultra 600 isolation transformer in front of my Isoclean Zero Ohm power distribution panel and then do a shoot out for both power cords and speaker cables.
I dont have the EA MM3 speakers so I may not benefit from the EA's product but I may still include it in my shoot out. I like the Absolute Fidelity story and value, so they may be involved. Then of course there is KUbala Sosna Elation and a newcomer, or at least one that has been brought to my attention recently, CH Acoustics. These may both be included since they do have courtesy trial policies.
my viewpoint changed on what type power cord i needed before and after my Equi=tech 10WQ isolation transformer/distribution panel was installed. prior i used and liked the Jena Labs Fundamental One power cords which had an inline power conditioner. after the Equi=tech they became a liability.
one other point is that i have not done any kind of comprehensive power cord shootout recently; back in the day i did invest time to to that. i'm sure there are quite a few very good power cords out there.
doing cable shootouts is just not what i want to spend my time doing any more.
agree on the Evolution BNC interconnect cables; they are amazing and when used with the dart 'zeel' interface are unsurpassed.
recently i did switch from my long-term speaker cable reference, the Transparent Opus MM2, to the Evolution Acoustics 'double-wire' speaker cables. the Evolutions were simply more synergistic in top to bottom balance in my particular system than the Opus MM2 (as one might expect). the Opus was slightly 'dark' sounding directly compared to the Evo's and the Opus had a slight degree of bass emphasis bordering on bloat compared to the more articulate Evo's. i still loved the way the Opus MM2 worked in my system and only slightly preferred the Evo's, but considering the amount i could sell the Opus MM2's for i made the change. i've since heard the 'triple wire' version of the Evolution Acoustics speaker cables and plan on switching to those at some point.
as far as power cords, i use -11- Absolute Fidelity power cords in my system and love them. they are built to be optimal in particular places. i use the specific ones, for motors (tape decks and tt's), amplifiers, and components.
i do use one 'triple wire' Evolution Acoustic power cord on my darTZeel amplifier. it's a big heavy mother but it was better than the Absolute Fidelity power cord in that application.
the only gear i leave powered on 24/7 is my digital player/dac, the active amps in my Evolution Acoustics speakers, the darTZeel preamp, and (when i'm using) the darTZeel amplifier. the digital player is the Playback Designs MPS-5. once a month (more in the summer) i do shut off the MPS-5 just to allow it to cool off and re-boot.
the server for my dac is upstairs in my barn loft; and i do also allow that to stay powered up 24/7. my Equi=tech isolation transformer is hard wired into my power grid so it's always on.
when i travel i do turn everything off except the dart preamp.
when i anticipate using particular tape decks ahead of time i will typically give them 24 hours of warmup as it seems to help.
no doubt these particular 2a3 amps are special, even for 2a3's. especially now that these amps have around 200 hours on them. and from a particular perspective they do now get the musical job done in my system. which is hard to believe if you've not heard it.
last night i did switch back to the dart stereo amp; and the system gets transformed into a much more physically engaging experience and room filling event. after an hour or so of warm up the dart reminds me of just how complete the music can be in every way. it's no wonder it took a 45 tube or 2a3 type tube amps to find a part of the music where the dart cannot do it all.
Mike, I have the Dartzeel 18ns and 108 amp for several months and loving every minute. I am just about ready to experiment with cables. What is your current/future power cord and speaker cable in use with these components. I know you are using the Evolution Acoustics BNC interconnect and currently I am using a 7 meter dartzeel BNC link which has outperformed every non-BNC cable I have tried.
I just don't think I have ever seen an amp that low before. I have seen 7, 10, 12 watts but not too many three. I did not mean to say that I thought it was low quality. I have no doubts it is a great amp. It just makes me smile that's all.
I imagine this Found Music amplifier has the very highest quality transformers, chokes, parts and an over built power supply. These type low power SET amps will always surprise with their performance(with- in reasonable limits) as people tend to fixate on the "it`s only 3 watts". The classic quality vs quantiity scenario.
I know the MM3's have self powered woofers but damn. The specs say the min is 5 watts so that amp is right there. Very interesting choice. Do you switch back and forth between te Dart and those?
my speakers are 93db efficent, with a 6 ohm load. my speakers have active bass amplification. the 2a3's are marginal for my system; but most people might think three watts has no chance. but these particular three watts are pretty amazing.
also; i had these amps set up with a 50ohm BNC input to work with my dart pre. with a typical RCA 75 ohm input you would have more gain than i get. between the higher efficiency and likely higher gain, and depending on your room size, i would expect these amps to work well in your setup.
i'd recommend contacting Scott Sheaffer at Found Music and asking him directly about it.
thanks. i've always wanted to have a tube amp as a different view on the music; but until i heard the 45 tube amps last winter in my room nothing had really got me excited enough to pursue. these 2a3 's do things i really love.
Great new pics of the room. It looks fantastic. You certainly have some might fine gear to listen to. So those tube amps are three watts? did I read that right? Congrats and I am sure you enjoy your system very much.
thanks. honestly i'm going to try and take better ones. but this morning i just wanted to get it done to clear out all the outdated information.....and get the gear list updated.
i think since the Evolution Acoustics MM3 speakers are quite large (73" tall, 575 pounds), even the chair is large and tall, so the room does not look as large as it is. plus the drop ceiling masks the height. when i had the Kharma Exquisities and even the Von Schweikert VR9's, they were around 46 inches tall and so the room looked bigger.
i do enjoy the size, and the lively but diffusive surfaces, as it really does allow for the music to breathe.
Mike I have been thinking of getting a 2a3,45 or 300b amp for my 96db 6ohm hybrid horns.I currently use 845's and think my speakers may need the additional wattage,so I have hesitated I searched for the specs of your speakers and wasn't able to find anything but if the 2a3 can drive the MM3 then I just may give Found Music a call. Do you know the input sensitivity of these amps ?? Beautiful pics of a beautiful room Enjoy ed
Mike, I like the new photos of the room. Thanks for sharing the dimensions. I had thought it looked more like 16' or 17' wide. That's really larger than I would have thought. Really nice.
i've got about 150 hours now on the Found Music 2a3 monos. and i've been listening to them for the last 4-5 days exclusively. i love the amps. there is an open window to the music and the level of refinement and fine detail is astounding. they are still gaining more dynamics and continueing to open up at this point.....although the rate of change is now slight. so we are likely almost all the way there.
can these 3 watt wonders be a long term amp in my system? i know i love how they sound. but they do have limitations on a portion of the music. when i go back to the dart its a different ball game.
i have not yet compared the Stillpoint Ultra SS to the Wave Kinetics A10 U8's. the 2a3's sure have an amazing level of precison and those footers must be doing something right.