Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405


"idlers are about musical energy and a meaty, robust sounding organic presentation."
You really nailed it. You're a very perceptive writer and I enjoy your sonic description. It's a pleasure to read the sound report on your new toys.

Have fun!

______

hiho

Mike,
I would love to see some photos of your new NVS table with the two Talea arms. Your whole equipment area must be much simpler now that you don't have so many turntables. The system must sound glorious. Please treat us readers to some new images.
Peter

peterayer

...."I also have two separate phono's in my pre but I ordered with one MC and MM, could always send it back and have the MM converted to a MC but Kevin has been working on a Reference phono which I'm awaiting to hear so we will see. "

A new reference phono? Do tell!

theaudioassociation

Hi Mike,

that's a bonus, when you really think about and how much the phono part is worth in both yours and my pre-amp and then the cost of say the Allnic for example it's a far stretch, never mind adding the extra cost for a IC pair and PC cable.

One would think should out perform the built-in, I felt the same way when I did my comparison, makes you really wonder.

I also have two separate phono's in my pre but I ordered with one MC and MM, could always send it back and have the MM converted to a MC but Kevin has been working on a Reference phono which I'm awaiting to hear so we will see.

The BK is a amazing table, sonically, build quality and eye candy to boot, very happy indeed.

VAC, all I can say is WOW! in relation to these Statement 450's, Kevin has done a fine job. I actually listened to them in a system with the same speakers and pre-amp as mine for three days and just had to have them, you know the feeling. I'm anxiously awaiting for their arival, should be soon.

dev

Owner
'fly disc'? i'm trying to imagine that name and what it's purpose might be.

i suppose that the 'lever' switching of the 50+ year old Garrard could be considered crude....but i prefer to describe it as charming. and remember, 'chicks dig tt's with levers'. a little retro is good for the soul. maybe it does extract a cost in ultimate refinement. in balance; i'm glad Garrards are what they are. and that tweaking a Garrard does not take away it's 'Garrard-ness'.

mikelavigne

Owner
hi Dev,

i have 2 separate phono stages inside my darTZeel NHB-18NS preamp; and that is what i'm using now. i sold the Allnic H3000. i did slightly prefer the dart to the very very nice Allnic.

the TW Black Knight w/Minus K certainly should be an excellennt performing turntable. i've not played around with those phono stages, but i always like the Vac electronics.

i'm not sure when my 2A3 amps will arrive; i know the work on them is proceeding. i'm anxious to hear them. the builder is confident they will be capable of working with my speakers.

mikelavigne

The Garrard can sound amazing. The Kokomo MKII bearing update made a huge improvement in my system, I wish I understood why! It consists of what the inventor calls a "fly disc" and he sent me the part at no charge (as a registered owner of the bearing).
The one thing I must admit I don't like about the Garrard is the "crudeness" of operation. That's something nobody wants to mention. I much prefer the user friendliness of my SP-10 mkII, which I'm sure your new table has in spades. Touching a button and having it be at the correct speed instantly means I can get back to my seat faster..................

idos

Hi Mike, haven't chatted for a while, boy those are some changes; down to only one table and two arms.

Great to read that you are lovin your new table, what phono are you going to end up with.

I'm also lovin my TW Acustic Black Knight table, I have it placed upon a custom made Minus K platform.

I currently have two arms/cart combo's. I have heard a couple of external phono's, ARC REF2, Audia Flight and one other and I will say I liked a little of this and that but in the end when I went back to the Vac it just sounded so realistic so for now I'll just enjoy.

Vac Sig. MK2a pre-amp w/phono paired up with the Vac Statement mono blocks, very very happy indeed.

When do you get your new tube amps?

dev

Owner
i'll add about the Garrard; i love it.

i would have kept it had i not also needed another arm, cartridge, phono stage, and have the space and rack to set it on.

mikelavigne

Owner
the Garrard is sold. it's boxed up waiting for the transaction to be complete. i've decided to have one turntable with one arm for stereo and one arm for mono.

Steve Dobbins cleaned up and tuned up my Garrard 3 years ago now, which is when he installed the Kokomo bearing. i cannot say about Mk1 or Mk2 Kokomo. and i've never heard my Garrard without the Kokomo bearing. the biggest change i've seen about the Garrard was when i got Steve's copper-top platter, which lowered the noise floor a large margin. that change cut the noise level difference in half between the Garrard and the Dobbins Technics SP-10 Mk3. the Mk3 was not quite as quiet as the Beat, which was not quite as quiet as the Rockport, which was not quite as quiet as the prototype NVS....the production NVS is a quieter again by a significant margin.

so in terms of ultimate detail and resolution the NVS is a few levels better than the Garrard. i had switched arms around on the various tt's and the current arms on the NVS were both on the Garrard at one time or another.

all that said; idlers are not so much about ultimate detail and low noise, although they can be quite good those areas. idlers are about musical energy and a meaty, robust sounding organic presentation. the Garrard can hold it's own with any of the above mentioned tt's in pure listening pleasure.

it adds fun in exchange for absolute accuracy. if you listen to classical music, the Garrard might sound a bit heavy handed. but on golden age jazz or rock'n'roll it will boggie with the best of them.

the NVS is easily at a higher level of performance than the Garrard; but it should be for $40k list price. but there are things that the Garrard does which deliver music to you at similar levels of enjoyment.

mikelavigne

I appreciate your excitement over the sound of your beautiful new turntable, new toys are always the best. Can you describe the sound compared to your Garrard (using the same arm/cartridge combination)?
Has your Garrard tech updated your Kokomo bearing to the latest MkII configuration? I recently did mine and it was Jaw dropping. Good listening......

idos

Owner
yesterday i did have a couple friends over to listen to the NVS, and i've had more time to spend listening.

it's amazing to me how you can get accustomed to a particuar reference, and then limit your expectations to that. it's not until you hear something that breaks thru that barrier of performance that you can see in perspective that the previous level of performance that you were enjoying contained noise and speed non-lineararities. this reminds me of 2002 when i first listened to the Rockport Sirius III. it was a whole new ballgame at that time compared to anything else.

that is how i feel now listening to the NVS compared to my previous references. i'm not sure that the difference is quite as profound as back 9 years ago. the Rockport Sirius III, at that time, was head and shoulders above all comers. but since tt performance has most certainly advanced since then, maybe the NVS's achievement is as significant.

the combined effect of the speed and noise improvements i now hear from the NVS are that the music is much more involving.....passages previously assumed to be fully communicated have taken on deeper meaning and content. much more space and depth, the 'there' is more 'here' in my room. aspects of the venue have come into focus. and this is not detail for the mind, as much as adding to the musical whole and getting the reproduction process out of the way.

yes; i hear things i never heard before, but it's hard to keep your mind in an analyitical mode when listening. you are listening to music. it's more that you are enjoying what the musician did that was previously not recognized.

and the affect on the listener physically is interesting. there is such an ease and relaxed nature to the presentation when the speed is really truely correct (or more properly, more 'really, truely correct'). we all commented on that during yesterday's session. we felt better because of how 'real' it sounded. why? i don't know exactly.

so yes, i'm loving the NVS tt and enjoying the discovery process on what it brings to the table. at first listen you know it's something 'beyond'. kinda like 'we are not in Kansas anymore, Toto' kinda deal. but understanding the implications of what it's doing takes awhile.

mikelavigne

Mike,

Thanks for the update.My gut feeling is he`s going to provide you with a really special amp, I look forward to reading your impressions when the time comes.
Regards,

charles1dad

Owner
Ish,

thank you, and my i-tower lights do work great.

those diffusers are just a ballistic plastic shell; they are Auralex T-Fusors. you can adjust their absorbtion by filling them with various types of insulation. for me; i only wanted diffusion, so they are empty. any sort of absorbtion will change the tonal quality of your system.

mikelavigne

Owner
Rockitman,

thanks. i do enjoy the Adona rack. it's got to be one of the better buys in audio, considering it's quality at the price. and it does sound great, i agree.

mine has the 27" x 21" turntable top shelf which gives the 'oversized' NVS lots of room.

tonight i plan on taking things apart so i can have a friend cut off about 7 inches from the legs to lower the top shelf height from 45 inches down to 38 inches. i want to be able to see the surface of the Lp from my sitting position. it's cool that the modular design allows for that sort of customization without build compromise.

mikelavigne

Owner
Mikelakers,

i don't think there will be a 'black' one; but you'd need to ask Jonathan about that.

the production NVS is better than the prototype, and not by just a little. i've only listened to 4-5 hours of vinyl on it so far, so i'm reluctant to make definitive statements; but i'm hearing the music less a recording and more real. i just have a hard time describing what i'm hearing with a sonic checklist. sure, there is more detail, more microdynamics, it's more vivid and lifelike, more growl and leading edge energy. but; it's more that you hear the complete expressiveness of the piano, or violin, or standing bass. the emotional content of the music comes thru less restricted.

i will say that the production NVS exceeds what i expected it to be able to do in terms of improvement to the performance; i was surprised. i was expecting a small step up. this is a big step up over what was world class tt performance.

this weekend i'm having a few friends over who have been in the room 10-15 times in the last year. i'd like to hear their take on the difference and see whether they hear the jump i'm hearing.

mikelavigne

Owner
Charles1dad,

i did just speak to Scott Wedneesday regarding my 2A3 amps; he finally got settled in his new digs and has been working furiously the last few weeks on my amps. he said he's close to being done with the design, and so is in 'build' stage....whatever that means. they might be 2 days, 2 weeks, or 2 months away....i don't really know. we spoke about choices of the power tubes.....reliability and longer lasting verses ultimate performance and higher cost. i said i want it to sound the very best it can.

i'm excited that Scott is feeling very good about the result he is getting, he says it's quite a bit better performing than the 45 tube SET's that got my full attention back a few months ago.

i can't wait.

mikelavigne

Mike:

Very nice table indeed. ALso love you 'iLights"

I also see some diffusors on the wall. Are they hollow or stuffed?

gallant_diva

Mike,
How are things coming along with your Found Music 2a3 SET amps?

charles1dad

Congrats Mike. The new table looks wonderful. I think you will be impressed with the Adona GX rack. I bought one with the grande turntable shelf option. The rack sounds great !

rockitman

Looks great Mike, I'm green with envy. However, I love to see a black one.

Now that is all dialed-in, how does the production table sound?

mikelakers

Owner
Owner
NVS with the 2 Talea arms mounted

i've not yet listened to them, but the arms are mounted.

mikelavigne


OMG...the new owner of the Rockport/Olympos has to be elated!

We simply must make another excursion to the Pacific Northwest to hear your system and room ;-)

Of course, we extend a warm invitation to you, as well!

c1ferrari

Owner
thanks Sam.

the Olympos left with the Rockport.

and honestly, even though i like the Olympos and it has a very special sweetness, overall i prefer the A90.

if i kept multiple tt's and arms i would have kept the Olympos.

mikelavigne

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