Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405

Selling the Rockport??? You are going to need to rename your system thread...

adamg

Lock me up and lose the key.

straightahead

Mike,

Did you carry more tests with the Equi=tech?

microstrip


Roysen,

You're going to love it :-)

Regards,
Sam

c1ferrari

Mike,

I am about to acquire a copy of one of your analog combinations (Rockport Technologies System III Siurius Turntable + Arm & Lyra Olympos Cartridge). I am a little worried about the size of the Rockport compressor though. Do you have a picture which shows its size?

Thanks,

roysen

Happy New Year! to you.

So how is your new arm evalution going, specificaly the Talea MK2, been some time now.

How is THE BEAT sounding, you have had it for a while now.

I picked up a 12" REED arm Rodium satin finish with the Pernambucco wand to be mounted on my Raven AC3, I'm actually going to pair it up with a My Sonic Lab Ultra Eminent Bc cart which I'm awaiting for it's arival. A good friend has this combo and I really like it.

My plans are to add a second table to my set-up this year and The Beat interests me, different flavor than what I have.

Are you looking at getting those new EA MMSeven's speakers and pairing them up with those darTZeel 450 mono's?

dev

Mike,

I keep writing in thinking i'll be the 1 lucky "incoming" and win the free car from your dealership...LOL

Seriously, thanks for saving me and steering me toward Equi-Tech and the kind and gentle man named Martin who truly seems to have this passion coming out of his pores!

Balance power indeed!
The same great attention to detail fro delivery to set-up and OH the changes this model makes!!

Have a wonderful Christmas and a safe and happy New Years and thanks Mike for your generosity of spirit...

Azjake

azjake

Owner
Power grid effect on RTR--Equi=Tech with Ampex ATR-102.

for the last 2 years i've used my Studer A-820 instead of my Ampex ATR-102. Jeff Gillman of Precision Motor Works did a full refurb on this ATR-102, but since it's set up for NAB EQ and almost all my tapes are IEC it has just sat there. it requires more skill than i have to properly adjust it for IEC EQ. i can have Jeff Gilman set up a separate set of sound cards for IEC so i can switch them but i've not yet decided to spend that money.

Saturday i decided to warm it up and play it; i do have a few NAB 15ips tapes and i want Ki to install a head switch so i can listen to it thru the King Cello. so i listened to my NAB Kind of Blue. really quite good (very lively and dynamic) but i could tell it was a bit rough compared to the Studer thru the King Cello.

i had been trying it plugged into the dirty power outlet. i then tried it thru the Equi=Tech powered Oyaide power outlet. it was like night and day. huge difference in refinement, noise floor, and detail. like a whole different tape deck. it was much more like the Studer thru the King Cello.

what does this tell us? i'm not exactly sure but it seemed like something that might be helpful to know. next i'm going to try my stock Technics RS-1500 with both dirty and Equi=tech power and see what that does. i also need to switch back and forth with the Studer; which has been plugged into the Equi=tech along with the King Cello.

i only have one Equi=tech outlet in the vicinity of the RTR decks, so i've purchased an Oyaide R-1 MTB-6 power strip to give me more outlets in that area. they are all analog and there are no high power amps so it should work well.

mikelavigne

Owner
Microstrip,

great point; and i agree.

one of the great things about a product like Equi=Tech is that it has to meet local Electrical Codes where ever it gets installed and it needs to be installed typically by a commercial electrician. not too much room for smoke and mirrors. it's built like a tank as it needs to be.

i got a thick packet of schematics and instructions for my contractor with the unit.

as you say; Tripoint could be wonderful; but for sure it's a bit of a mystery.

mikelavigne

Mike,
I have no experience with either the Equi=Tech or the Tripoint, but for me there is an important difference between the units - in the Equi=Tech site I have photos, technical specifications and details about their units, but unhappily there are no technical details in the Tripoint site - only references to patented techniques without patent numbers.
I admit that the Tripoint can be a marvelous device but I think it would not be a coherent part of your system.

microstrip

Thanks again for having us over and putting up with our testing. I really appreciate all the work you had to go through with all the switching of wires. I'm glad it was you not me :)

The room is really sounding great and way better than even the last time I was there. It was the first time I was in your room and nothing caused me to be critical. Music just sounded natural and involving. Congratulations!

jtinn

Owner
who says AudiogoN does not listen?

late yesterday the Talea-Schroeder Thread was back.

mikelavigne

Owner
a few days ago i noticed that the thread regarding the Talea--Schroeder 'non' shootout has been removed/deleted/erased by 'father' AudiogoN.

one could debate who might have requested that action.

but the politics of AudiogoN are best left alone.

OTOH i did keep a copy of my post on that thread.....so....for the sake of my own sense of closure here it is without further comment.

*********

i abstained from posting in this thread until now as i had a few strong feelings about the event for awhile after and thought that would be best. as far as how things came together that evening; with the perspective of over three weeks i'll just say that Joel was dealt an unfair hand, but pointing fingers serves no purpose and i don't think any intent to be unfair was present.

i know it was not supposed to be a shootout; but honestly what the heck else did anyone think it could be? even when Frank changed cartridges and phono's, it was still a shootout.

as far as my perspective coming into the event; anyone who cares can read my system page about that, i won't get into it here. i'll just say i have my biases.

i spent some time in that room prior to that evening; i hung out on that floor alot as other rooms there had my interest. then Saturday night i showed up at 7:30pm, an hour early, to make sure i got a good seat. i was in the third row center until around 11pm. so i had a very good seat.

the room was filled with really nice gear; but it never really synergized to my ears. which allowed one to listen for the sound, as the music mostly did not cast it's typical spell. this is not to criticize any of the gear, or Tom, or anyone. Tom has already spoken about this.

i live with multiple arms, cartridges and phono stages every day, and these arms were very familiar to me. not that i'm as good at this as many in this room filled with analog Icons.

my impressions.

i heard nothing that surprised me. is this because i made up my mind ahead of time?

the Talea had much better sense of organization, it had better precision, it had an ease in the groove and clarity better than the Schroeder. the Talea did more space and microdynamics. i will say that the Schroeder went a bit deeper in the bass; although based on my time in Frank's room listening to his phono stage (and knowing from my multiple phono stages how this factor works), i'd assign that factor mostly to the phono stage.

Frank's first cut was 'Neverglade' from 'Into the Great Wide Yonder', Trentemoller. i've since purchased this Lp and another by this artist. the cut is spacey electronic music. the Talea nailed it in terms of detail and texture; it was relatively 'homogenized' by the Schroeder. i liked it on both arms but it was real on the Talea.

early in the session there was a piano track where the Talea had much more detail and clarity. more pluck and decay. more definition.

mostly this was not a good-bad kind of thing but degrees of good. the one glaring exception was later when they played the Basie 88. this is a long term demo track of mine; i've likely played it 1000 times. early in this track there is a muted trumpet which is a torture test for dealing with arm reasonance. what's interesting is that the 33rpm pressing of this track is easy for any cartridge, but the 45rpm track is very difficult. until the Schroeder played it i was not sure it was the 45.

the Talea sailed thru it perfectly. the Schroeder came unglued completely.

again; i've had both arms in my system and nothing i heard was a surprise.

that's one guys biased viewpoint.

********

have a nice day.

mikelavigne

Owner
BooBooBaer,

after further reflection i have a another thought on the Tripoint product compared to whole system isolation transformers and the Equi=Tech in particular.

many times systems develop in rooms which for whatever reason cannot be retrofitted with a dedicated wall panel and multiple dedicated lines.

then there are systems in dedicated rooms which can be built to include dedicated lines and dedicated AC panels.....or existing rooms which are retrofitted with those things.

stand alone products such as the Tripoint likely make sense for systems which aspire to be state of the art but don't have the built in dedicated lines and provisions for a dedicated panel and isolation transformer.

rooms, such as mine, that were built to begin with with an islolation transformer in mind are best suited to go that direction.

for some people it's easier to stroke the check for a plug and play product rather than the pain of the whole room project (or at minimum a retro fitted dedicated line and panel product)......something that is a sunk cost mostly unrecoverable if you move.

who knows which may be better, we all have our opinions.

mikelavigne

Owner
Metralla writes;

Something from Ch. Louis-Hubert, in Petit-Lancy?

if Herve can get the production moving on those bad boys it's gonna happen. i hear late first quarter 2011.

regards,

mikelavigne

11-20-10: Mikelavigne writes

and an amplifier (soon to be a pair of monoblocks).
That should be fun. Something from Ch. Louis-Hubert, in Petit-Lancy?

Regards,

metralla

I hear ya! If you talk to the owner of Tripoint I bet he would let you try one.
Regards.

booboobaer

Owner
BooBoo,

never heard the Tripoint, if i get a chance to listen i will.

looking at the Tripoint website it appears the Tripoint is a stand alone box that plugs into a wall outlet, or (at least for the Top of the line Spartan) possibly two outlets. does it accept 220 volt? it's hard to tell from the description. with one box (a $35,000 box!!!!) if your amps are not in the same area as your sources you will need some very long (read expensive) power cords or another one of those puppies. not the most logistically fexible approach. and having added plug-ins in the circuit for each piece of gear compared to the Equi=Tech approach has it's issues. i've heard many 'one-box' power conditioners over the years and mostly they do good things to varying degrees. maybe Tripoint is the best of those.

however, whole power grid isolation transformers designed into a system to begin with do things on another level or three from those, the Equi=Tech being likely the best of those.

i have 3 turntables, 3 phono stages, an RTR Repro, 2 RTR machines, 2 power subs in my speakers, a preamp, and an amplifier (soon to be a pair of monoblocks). they are spead out all over my room. how many of those $35,000 boxes would i need to match the coverage of my Equi=tech with dedicated lines?

i can only repeat my comment from earlier posts. the best sounding systems i have yet heard use an Equi=tech isolation transformer for the whole system. maybe a Tripoint is better? i'm skeptical.

mikelavigne

Just wanted to suggest you check out a company that has come up with conditioning AC the passive way.Tripoint Audio is the name. I have heard the Tripoint Sparten AC correcting device. The weight of the Sparten is 160 pounds.It is not at any time in the signal(AC)path! The sound becomes dynamic,unforced,open,full of life! There has never been a conditioning device that I would use my Krell 650 mono blocks on because of the current limitaion of most conditioning devices.The Sparten is a different bird. I had a disdain for AC conditioners of old. Now the new approach has broken the barrier of dynamic restriction and coloring that seems to be haunting most designs. I have the Tripoint Troy and it has brought the sound closer to what I hear at live events.Non amplified acoustic performances always expose electronic glare and distortions.The Sparten is unforgiving, as it will expose weak links in the system.Check it out if you would like.

booboobaer

Mike, you should do the comparison :)

jtinn

Owner
Hi Charles,

i have a few friends who did the Topaz instead of the Equi=tech transformer and are very happy. no doubt your Eaton unit is also good.

is the big Equi=tech better than those two or other large isolation transformers? who knows until you compare them side by side. the Equi=tech's wall panel is certainly a step up from a standard panel, and the actual 'Q' transformers are 'said to be' quieter and more dynamic that 'industrial/medical' transformers. maybe.

i would say that any small power conditioner, even the Equi=tech, is no match for a full blown isolation transformer. so it's debatable what your experience with the small Equi=tech might have to do with the large units.

based on my feedback from pro audio professionals who might know that i've spoken to; the Equi=tech is the ultimate choice for a music system or studio. and the best sounding rooms i've ever heard both had Equi=tech's. which proves absolutely nothing.

YMMV

mikelavigne

Hi Mike, not bashing here, but after a while with smaller Eqitech units, instead of the direction a few of you folks decided, I, ve decided to go with a medical quality power supply.It,s made by the Eaton Corporation, and provides just as much power supply as the Equitech you have chosen , but also line conditioning,harmonics, and AC noise control. I,m prone to these conditions at my location, and after discussing it for quite a while with others, have decided to boldt from the pack so to speak. I,ll let you know down the road how I make out.

cvl

Owner
Charles,

if you heard Crna39's room you'd be positive about the Equi=tech too. if you are...
not so sure
....you should at least enlighten us as to what you think is better.

or are you just a tease?

mikelavigne

Crna39, are you absolutely positive, I,m not so sure.

cvl

Equi=tech... there is no substitute!

Go Big or Go Home!

crna39

Displaying posts 1351 - 1375 of 3405 in total