this room and system is the result of 10 years in High End audio. my
system has been stable for a couple of years (except for transport and
amplifier upgrades within the same brand). the room has been in the
planning stage for about 18 months and i actually moved in a little over
a month ago.
my audio philosphy is to have the system get out
of the way of the event. i like as pure and simple a signal path as
possible and, at this point, prefer passive to active gain stages. i
love all the formats and enjoy having lot's of music.....vinyl is my
favorite but i listen to at least 60% digital. the new room really
reveals the benefits of SACD over redbook.
the system and room
truely allow the event to be recreated before me. i love the way the
speakers disappear and i am transported to another place/time.
i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.
recently, i upgraded my digtial transport from the modified Philips
SACD 1000 to the new emmlabs CDSD.....this was a significant step upward
in performance.
i have written an article in Positive Feedback regarding my room building experience.....here is a link;
new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
WADAX SA Reference DAC
Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.
Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.
https://www.arya-audio.com/revopod
CS Port LFT1 turntable w/arm
air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.
world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
Esoteric T1 Turntable
magnetic drive/rim drive idler turntable with torque adjustment.
with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation.
https://www.esoteric.jp/en/product/t1/top
Esoteric G1X Master Clock
Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.
https://www.esoteric.jp/en/product/g1x/top
Durand --Tosca tonearm.
gimbal bearing design. Tosca is on the Esoteric T1 turntable
Primary Control 12" FCL tone arm
Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.
12 inch tonearm, stainless steel. used for the Sumile mono cartridge.
https://glanz.tech/e/collection/mh1200s1000s900s/
Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.
https://myemia.com/LR.html
LFD -3- Phono Cables DIN to RCA
3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.
one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.
two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.
one is mounted on the CS Port linear tracker.
one is mounted on the Primary Control FCL arm.
finest cartridge i have heard by a significant margin. WOW!
Audio Technica MC-2022 60th Anniversary cartridge
uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.
https://www.audio-technica.com/en-us/at-mc2022
Murasakino Sumile Mono phono cartridge
MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges.
Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.
active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
Taiko Audio Daiza isolation platform--22 used in the system
Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.
22 Daiza platforms in the system of various sizes under every piece of the signal path.
Evolution Acoustics 'system' power cables
a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
Sablon Audio King power cord
used on the Wadax Reference Server power supply.
https://www.sablonaudio.com/power
Absolute Fidelity power interfaces
power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
Tripoint Audio Troy Signature
Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
Tripoint Audio Elite
Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
Equi=tech 10WQ
10kva balanced Isoltion transformer and distribution panel.
Furutech GTX-D NCF Rhodium duplex outlets
10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
Wave Kinetics A10 U8 decoupling footers
8 sets-of-4 in the system for individual tuning of each piece of gear.
Auralex T-Fusor diffusers
i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
Klaudio Record Cleaning System
automatic record cleaner
Acoustic Revive RL-30 mKIII CD-LP demagnatizer
for demaging any disc.
Furutech DF-2 LP disc flattner
will remove warps from Lps
Audiodharma Cable Cooker, Anniversary Ed.
will cook any cables
Winds ALM-01 Stylus Force Gauge
easy accurate, repeatable, measurments.
i-Tower by Koncept LED floor lamp
(3) are used. best audio light ever. 2 'warm', 1 'cool'.
Quietrock THX 545 drywall
specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
i love live music, and appreciate what live music over FM is capable of sounding like. a good friend is the music director/conductor/composer of a local Chamber Orchestra and i've sponsored performances of theirs (thru the company i manage) from time to time for 15 years, and advertise in his program. i don't get to as much live music as i would like to, but agree it's important as part of one's musical path.
my aim is maybe to record some live music in my room from time to time if i can. i have a number of RTR decks including a couple vintage Ampex's; a 350-2 and 351-2 both with tubed mic pre's. my conductor friend also has a jazz guitar band that we have talked about doing that with.
sorry to barge in here mike...Here in the chicagoland area we have probably the best classical station in the country WFMT 98.7...I get a daily dose ..they have plenty of live and pre-recored in there studio music + pipedreams on sunday!! right now they are doing tribute to Sir georg Solti
excellent live feeds that i sometimes attend...IMO its important to hear live music on a regular basis to keep you going in the right direction...unless you just like hifi and are not trying to bring the live musical event to your home...
Mike, that radio content is available on the web along with commentary, blogs, and the like so you can participate (if you want to) in what you liked/didn't like what you heard. it may not sound that great magnified over your big rig, but you should check it out, especially if you're looking for new music. i heard Nielson #4 the other day (last thursday 10/17) and i thought it was really great. they feature top performers and orchestras, string quartets, etc. and feature concerts from Europe, Tanglewood music festival, the Proms in England, the list goes on and on. i don't want to harp on this too much, but there is so much music i haven't been exposed to that i might potentially love, i have to tell people about it. plus yes, i give the local classical radio station a yearly contribution in the hopes they will stay on the air- you wouldn't believe that a city the size of Miami can't come up with more than 20,000 or so patrons. i should also warn you that before you get your bass cabinets to do some push-ups and sit-ups (and keep a bottle of tylenol handy just in case). -since you seem to enjoy this hobby "so much"...! just kidding....
great to hear from you! i hope you are enjoying your fine system(s). and i fondly remember my Marantz SA-1, it was a great sounding player.
the bass towers will be set up to the outside of the main towers. to give you an idea of how it will look, the main towers are 15 inches wide, the bass towers are 18 inches wide. there will be from 5 inches to 12 inches between them. there is 5 feet between the main towers and the wall, so there is plenty of room. here is a rendering of the MM7's in that configuration.
any time you are in the Seattle area you would be welcome to visit for a listen, i hope you dcan do it sometime.
thanks. and i'm sure your system sounds great! it's not a contest but a pathway we are all on....each a bit different. we are all enjoying the music as we see fit, enjoy sharing that enjoyment, the talk about gear, and our experiences. hopefully we make a few friends along the way amd make our lives better.
a little competition happens, it's unavoidable....boys with their toys. but it's a sideline to the rest of it....or should be.
my 'family' (my wife and grown children) understand and respect my desire to explore the possibilities of music reproduction. they understand the joy and friendships it's brought me, and the years it's delayed my retirement. they respect that it's a balance to the obligations i've always fulfilled. i'm lucky to have such support.
my 'paradigm in my head' that i'm searching for is really nothing more complicated than wanting a music reproduction system that gets out of the way of the music to the highest degree possible, and to have plenty of music recordings in thier purest forms on hand to listen to. maybe also to have a comfortable room and setting where i can enjoy this and share it with like minded people.
this is the same vision i've had for years, and one that is not that unusual in this hobby.
we likely share this vision to some degree, and i also have a Home Theatre and multiple other media rooms in the house and barn.....including a whole house B&O system. but unlike you, when not in my 2-channel room, i don't have music playing around the house myself, although my wife does have it on in background quite often. of couse, i'm in my 2-channel room many hours a day. everyone's personal culture is a bit different.
i respect your love of the live broadcasts over the radio. and i know that live FM broadcasts can have absolutely amazing fidelity since they approach a live mic feed. unfortunately; i have a 4000 foot ridge between my home and the radio towers around Seattle (likely not a problem for you in Florida) so my mountain living does eliminate FM broadcasts.
i don't especially enjoy the logistical and physical efforts to move around and set up large speakers. but i am energized by the anticipation of what these speakers can do (as are my friends) so it does not seem like any imposition at all. i'm looking forward to the opportunity to unpack and set up the bass towers. i wish it was tonight!!!
and while things are now more complicated than my Wollensak reel to reel tape recorder i had 45 years ago in High School, i think it is worth it to me.
Mike, I've not checked in in a long time but have been following this latest iteration of what was always a superb system. Where on earth will you be setting up your bass towers? Beside or behind the main towers? Back off against the curved wall? And how will they be amped? It seems like your whole view will be speakers once you're done. You have an enormous room but I still have trouble picturing how all this equipment will fit in it. You and I used to have a SACD player in common (the Marantz SA-1) but now all we have in common are the ceramic cable isolators you're using behind your speakers! Would love to hear your system sometime. Enjoy this new set-up and thanks so much for the pictures. --Sarah (lone female audiophile on this site?)
Hey Michael, i wish you lots of enjoyable hours relaxing listening to music in your "retreat". what does your family think about your ongoing efforts to find "the sound"? - i imagine you have a paradigm in your head about what you would ultimately like to hear when you listen to music. i wonder a lot what that is and where you got it from. i got it from playing in the band in school and college. before i started in on chemistry and zoology... for me i have a "stereo" in every room of my house except the bathrooms pretty much. a mid-fi set, Tivoli radio with Tivoli sub's, a boombox, and a pair of sonus fabers in a second bedroom with a levinson integrated. to be totally honest i LOVE to listen to PERFORMANCE TODAY on public radio in the evenings on the Tivoli set while relaxing in bed. they have contemporary as well as every other genre of classical music, much of which was recorded before a live audience. i go to their web site later sometimes to get the exact name of a piece so i can add it to my collection. and the radio sounds really good, i should be totally ashamed to admit this, but the reality is i listen to a lot of other radio shows, too: Jazz with Bob Parlocha late at night, Pipedreams (organ music of ALL genre's), and so on. the big stuff in the living room is great, but i don't HAVE to listen to only the most pristine form of music available in the house. i guess i am a real oddball for sure. BTW, the VR9's with the new subwoofer amplifiers are noticeably better in the low bass area- tighter, deeper, cleaner. this also allows the midbass and lower midrange to come out of hiding a bit more as well. the new midrange driver sounds like the old midrange driver- which is good considering A. i liked the original driver very much and B. it's not "broken in yet" , so it might get somewhat better (hopefully a whole lot better, eh?). who knows? I am just relieved to have them back and set-up where they were before- not that easy since they weigh considerably more with the new stiffer/heavier cabinets. you may "love" getting a bunch of crates and having delicate equipment being hauled all over the place with a ton of packing material to be surgically removed, etc etc. I OTOH do not cherish this part of being an "audiophool". my 1st set of components- a Fisher receiver, speakers, and garrard turntable- cost under $400 and i set it up myself. nowadays the CRATE for one of the speakers costs more than that. i am becoming incredibly nostalgic for a simpler time. but yes, shit yes, my system does sound really REALLY good. just not (damn!) as good as yours.... all the best on your quest! D.
i love the sound of my current amplifiers, the dart NHB-108 stereo, but i decided to get the monoblocks. 2 years ago i had the 458's in my room for a month and fell in love.
the new MM7 speakers are quite efficient aty 96db, 6 ohm. but there are things the monoblocks do which are unique to them. i'm excited about putting these speakers and the 458's together.
so while i'm sure that almost any amp can handle the MM7's, i'm already locked and loaded in my direction.
based on your reference, i seriously considered the Vicoustic panels....so thank you.
i considered the Wavewood for my rear wall and door area which right now has no treatment. i need a product that is less than 2 and 1/2" deep since it will be mounted on my door which must open wide and the door stop allows for a depth of 2 and 1/2". the Wavewood is close enough. the other product i'm considering is the RPG Futterfree which will also work.
i also seriously considered relacing my RPG Skylines with the Vicoustic Multifusor Wood 64 since i love the look. but i decided the wood would end up being too absorbtive and change the tonality. the Skylines are refective mostly and do little absorbing; so they are neutral sounding.
anyway; i agree on the Vicoustic products as great choices and they will be ones i will continue to consider. i may end up with the Wavewood on my door area.
the Rockport was gone by the time i got the Anna this past February. however; i did use the A90, which should behave approx the same as the Anna in terms of compliance, on the Rockport without issue.
btw; we have determined that 1.97 grams seems about right for the Anna.
the 'celebratory' bottle of scotch is 'The MacPhail's' Collection 'Speyside Single Malt' 30 year old from Glenroths Distillery.
i agree that the Q7's being a single tower may work better in some rooms logistically than MM7's. however; i suspect many Q7 owners will add subs; which will then equal the floor space of the MM7's. the MM7's are much taller and heavier which could also enter into the equation for some.
plus; no doubt that amplifier choices for the MM7's are much wider compared to the Q7. and that is ignoring any performance perspectives, only logisitics.
enjoy your new flat screen. i always get my son to come over and do installs and set-ups on stuff. i can do it but it takes me forever to do what he can do in minutes. i guess he got his brains from his mom.
i did charge my camera batteries prior to delivery of the main towers, thanks for the heads up. i also charged up the batteries for my power screwdrivers. :)
i do always appreciate having help with remembering things.
there is a latch system where an arm rotates and locks onto a latch firmly. this latch system is designed to attach one wall to another so it is designed to pull very heavy objects together and attach them firmly. the speakers come with an 18" long thick heavy allen wrench which fits thru a fitting to rotate the arm and lock it in.
the system works well. my MM3's had the exact same system and i owned them for over 5 years with zero issues.
the great thing is that each section is a completely finished unit so each driver gets exactly the environment that is ideal.
that 'blue thing' as far as i can tell is a reflection from the window. i did not see anything else that it could have been. sorry for my sucky photography. Jonathan Tinn, who sold me the MM7's, insisted i take pictures as i went along, but i did not stop and take the time to make sure they were decent. you can see the results. :)
even though i saw them in March at the designers home in San Diego, having these 84" tall speakers in room was startling. the great thing is the elegance of the look and the build quality. they look 'right' and 'organic'. i love the way they look. i expect that the bass towers, at 86" tall and wider and more massive might really hit me.
the dart monoblocks are still 3-6 weeks away. this week i might get a more definite delivery time for them.
thanks. and agree that those crates are bomb proof at protecting big heavy things. the only thing is that my 61 year old body is still feeling the effects of all that work. and next week it will 8 crates (instead of 'only' 6) to unpack and then 8 sections to assemble. i wonder how long that will take to recover from. i'm sure the adrenline will kick in pretty strong.
no pain, no gain.
the last day of listening has been very rewarding for me even with the restrictions of not having the bass towers yet.