My system has continued to evolve over the past 5 years with the one constant being the Rockport Arrakis 2 bi-amplified speakers. They have continued to amaze me that as my electronics have changed and continued to improve, the Arrakis have continued to grow with the electronics as well. Every time I thought I had reached their sonic limit, I have been proven wrong and I am very happy about that.
I have now completely eliminated all tube based components in my system. I have always felt that if I could get the sound that I wanted without tubes, that would be wonderful but I never thought that would be possible. The combination of the TotalDAC digital front end and the Steve Dobbins Beat SE turntable and LT tonearm paired with the CH Precision P1 phono stage, the CH Precision L10 line stage and the CH Precision M10 amplifiers (run in active bi-amplification mode) have achieved this for me.
I have upgraded to the CH C10 replacing the CH C1.2 DAC with X1 power supply.
Roon Nucleus Plus
Nordost QNET
Nordost QNET Switch powered by the Nordost QSOURCE LPS.
Nordost Odin Gold power cord
I am using a Nordost Odin Gold power cord for Nordost QSOURCE LPS that powers the Nordost QNET Switch and several Nordost QPOINT resonators.
Nordost Valhalla 2 Ethernet Cables (2)
I am using 2 of the Nordost Valhalla 2 ethernet cables. The first one connects between the QNET Switch and the Roon Nucleus Plus. The second is from the QNET switch to the CH Precision C10 DAC.
Nordost Odin 2 XLR IC
Nordost Odin 2 Balanced IC's from the CH Precision C10 DAC to the CH Precision L10 true monaural preamp.
Shunyata Research Everest 8000 Power Distributor
I am now using the Shunyata Everest 8000 power distributor which has replaced the Shunyata Triton V3 in my system for my front end electronics. I use a Nordost Odin Gold power cord for the Everest.
Shunyata Research Hydra DPC 6 V3 power conditioner
I have the Shunyata DPC 6 V3 power conditioner for my computer based audio gear. I have my Nordost Qsource LPS plugged into the DPC 6 V3.
The DPC 6 V3 is powered by an Echole Omnia power cord from a wall outlet.
Steve Dobbins The Beat SE
I have recently replaced my wonderful Steve Dobbins The Beat turntable with Steve's latest turntable, The Beat SE. The Beat SE is a complete and thorough re-design of the original Beat turntable with about 99% of the table different from the original Beat. I have had the original Beat in my system for 8 years and it has undergone several upgrades during this timeframe that always further improved the sonics, but nothing prepared me for the improvement that the Beat SE has made in my analog playback.
June 29 2021 Update: I just replaced the umbilical power cord connection between the Beat SE power supply and the Beat SE turntable with a new umbilical power cord that Steve worked on with Nordost. The results are simply amazing.
October 1 2021 Update: Steve has now done further modifications to the Beat SE external power supply with internal wire upgrades with wiring from Nordost as well as adding an external grounding connection that enables me to ground the Beat SE power supply to my CAD GCR reference ground box.
Nordost Odin 2 Power Cord
This Odin 2 power cord is used on the outboard power supply for The Beat SE turntable. This is plugged into the Shunyata Everest 8000 power conditioner.
Schroeder LT Tonearm with Magnesium arm tube
I had my previous Schroeder LT tonearm with wood arm tube modified to the even better LT tonearm with Magnesium arm tube. It has the Lyra Olympus SL cartridge mounted on it and it is truly amazing to hear this combination. This arm has replaced the Reed 2A tonearm on my "Beat" turntable. The Olympus SL has never sounded anything like this.
June 29 2021 Update: I have upgraded the LT arm cartridge mounting plate for my Lyra Atlas SL Lambda to a new one that consists of a carbon fiber top and bottom plate with a copper plate in the middle between the 2 carbon fiber layers.
Schroeder LT tone arm with Magenisum arm tube
This is a new LT tonearm but now with an arm tube made from Magnesium instead of wood. It is a very significant upgrade in sonics. I plan to have my existing LT arm modified to have the Magnesium arm tube as well.
Lyra Atlas SL Lambda cartridge
I have now replaced my wonderful Lyra Etna SL cartridge with the new Lyra Atlas SL Lambda cartridge. My previous experience was that the original Etna SL cartridge was the best sounding of all of the Lyra cartridges. But not any longer. I was fortunate enough to be able to compare the new Lambda versions of the Etna SL and the Atlas SL in my system and the Atlas SL Lambda is simply stunning to hear in my system. The new Lambda Etna SL is also wonderful and better than the original Etna SL, but the Lambda Atlas SL is superior in every way.
CH Precision True Dual Monaural P10 phono stage
I have now upgraded my 4 box true mono CH P1/X1 phono stage to the CH Precision P10 4 box True Dual Monaural phono stage.
Nordost Odin Gold Power Cords
I am now using two of the Nordost Odin Gold Power Cords to power the two power supplies for the CH Precision P10 true dual monaural phono stage.
Nordost Odin 2 XLR IC
I am now using Nordost Odin 2 balanced IC's between the CH Precision P10 true dual monaural phono stage and the CH Precision L10 true dual monaural preamp.
Computer Audio Design (CAD) GC3 Ground Controls
I am using 2 of the CAD GC3 Ground Controls. One GC3 is used for signal ground with each of my CH Precision M10 amplifiers and the second GC3 is used for Earth Ground with my Rockport Arrakis external active crossover.
Computer Audio Design (CAD) Ground Control GCR
I am using the CAD Ground Control Reference (GCR) in my system. This is used for signal grounds for my front end components and the earth ground for my Shunyata Everest 8000 power distributor.
CH Precision L10 True Dual Monaural LInestage
The new CH Precision L10 True Dual Monaural linestage has replaced my long time reference, the CH Precision L1 true dual monaural linestage. As good as the 4 box version of the CH L1 linestage is, The CH Precision L10 True Dual Monaural (4 box) linestage surpasses it in every audio parameter.
Nordost Odin Gold Power Cords
I am using two of the Nordost Odin Gold Power Cords to power the two CH Precision L10 external power supplies for my CH Precision L10 true dual monaural preamp.
CH Precision M10 amplifiers
I now am using the CH Precision M10 mono block amplifiers. I have 2 of these and I run them in their active bi-amplification mode. These have just replaced (11/30/2021) my wonderful CH Precision M1.1 mono block amplifiers.
Nordost Odin Gold Power Cords (4)
I am using 4 of the Nordost Odin Gold power cords on my CH Precision M10 amps. Each CH M10 amp outboard power supply requires 2 power cords each with 20 amp IEC connectors.
Nordost Odin 2 XLR IC
I use a 9 meter run of Nordost Odin 2 XLR IC's from the CH Precision L10 true dual monaural preamp to the Rockport Arrakis 2 external crossover.
This is the active external crossover for the Rockport Arrakis 2 speaker. It takes the feed from the preamplifier and then splits the signal for the bass drivers and all of the upper frequency drivers.
Nordost Odin Gold Power Cord
I am now using a Nordost Odin Gold power cord on my Rockport Arrakis external crossover. This replaced the already great Nordost Odin 2 power cord.
Nordost Odin 2 XLR IC
I am now using 2 pairs of Nordost Odin 2 XLR IC's to connect the Rockport external crossover to the CH Precision M10 amplifiers.
Nordost Odin Gold Speaker Cables
I am using 2 pairs of Nordost Odin Gold speaker cables to bi-amplify the Rockport Arrakis 2 speakers.
Rockport Arrakis 2
My speakers are the bi ampified version of the Rockport Arrakis 2 with the active external crossover. I am driving the speakers with a pair of CH Precision M10 amplifiers run in active bi amplification mode.
Furutech GTX/NCF outlets
I have 13 of the Furutech GTX/NCF outlets with the GTX outlet Frames and the 105D NCF Carbon Fiber outlet covers.
HRS SXR
I have 3 of the HRS SXR audio racks. Each rack is a 4 shelf version and I am using M3X2 isolation bases with G7 footers. These racks and bases hold the majority of my front end components. For the SXR base that holds my Beat SE turntable, I have added the SXR solid brace insert.
HRS SRX with M3X2 isolation base
I have 4 of the HRS SRX amp stands with the M3X2 isolation bases with G7 footers, These are for the power supplies and my CH Precision M10 amps.
Nordost Sort Kones
I am now using Nordost Sort Kones under many of my components. I am using a combination of both the BC and TC sort kones. I am using them under all of my TotalDAC digital components - both DACs, the Outboard Reclocker, the Streamer, the Live Power supply, the D1 player and the NAS. I also use them under my Beat SE turntable outboard power supply (not the turntable itself) and my Rockport Arrakis external crossover.
Isonic Ultrasonic RCM
I have added the Isonic ultrasonic RCM. This is a wonderful RCM. I can do up to 10 LP's at once. It doesn't dry the records - but that is simple to do on my Loricraft.
Custom LP Record Cabinets
There are now 3 of these beautiful LP record cabinets that I commissioned a friend to build for me. Its so much easier to find the LP that I am looking for and to put it back than it was with more traditional shelves that I was using before.
System edited: I've been busy the past few months making some changes to my system and really dialing in its performance. 1. I've now upgraded all of my IC's and speaker cables to the new Echole Omnia cabling, replacing the already wonderful Echole Signature IC's and speaker cables. I've also upgraded to the Echole Omnia power cords on my Allnic H5000 phono stage, Absolare Passion Signature Plus preamp and Absolare Purifier. 2. I had the opportunity to use the new Telos Audio Design Cable Run In Machine to "cook" all of the cables and power cords in my system. I have never cooked any of my cables myself so I was quite amazed at the improvement in sonics once this is done - increased transparency, improved extension at the frequency extremes and deeper and more powerful sounding bass. 3. I changed to a different input tube in the Absolare Passion preamp - to a 1955 Valvo Hamburg foil getter 12AU7 tube. 4. I changed the input tubes in the VTL Siegfried amps that power the mids/highs of the Rockport Arrakis 2 speakers to a pair of Philips Copenhagen 12AT7 tubes. 5. I have been experimenting with the rectifier tubes for the Allnic H5000 phono stage. I have now tried a GE 5 Star 6087, a Bendix 6106, Amperex Bugleboy GZ34 and a Philips Valvo GZ34. The best of these in my system to me was the Philips Valvo GZ34. But once I tried a Philips 5Y3GT (directly heated rectifier) it was easy to hear that this provided the best sound for me. 6. Finally, I have been doing some comparisons of a new isolation footer from Absolare called the Stabilian. I have compared a set of these under the Absolare Passion preamp to the Stillpoints Ultra 5 footers that I have been using. I have gone back and forth multiple times to validate what I hear and the Stabilian footers do sound better. When you go from the Stabilian footer to the Ultra 5 footer, you can hear an almost "metallic" sound in the music which completely disappears with the Stabilian footer. In addition, I cannot detect any negative effect from using the Stabilian. I now have some additional sets of Stabilian footers to do additional comparisons to Stillpoints Ultra 5's under some of my other components.
I am glad the Valvo's are working out for you. I pulled mine last night to try Mullard Blackburn F32 GZ34's. They sound very good too. I am not offering a comparison to the Valvo's as I want to get a few more days under my belt, then plug the Valvo's back in. I could be happy with either.
I also bought some Holland made late 50's Phillips GZ32's rebranded Telefunken. They are the traditional 300B looking glass bottle. I think I have now explored GZ32 and GZ34 to their fullest extent.
The Philips Valvo GZ34's arrived yesterday and I did get a chance to do some initial listening with them yesterday afternoon for about an hour after an hour of warmup.
My initial impression of these rectifier tubes in the Allnic H5000 phono stage is that these are the best ones that I have heard in my system and with my preferences in comparison to the Bendix 6106, the GE 5 Star 6087 and the Philips Amperex Bugleboy GZ34.
The construction of the Philips Valvo looks very, very similiar to the Philips Amperex - both have the dual angled double D getters on top and the plate construction looks similiar to me (but they are made in different Philips plants in Holland).
From what I heard yesterday, the main difference between the Philips Valvo and the Philips Amprex GZ34's are in the upper frequencies. The Amperex has a bit more sizzle and high frequency energy than the Valvo with the Valvo being more evenly balanced across the entire frequency spectrum and it presents the upper frequencies in a more natural way. I will do some more critical listening over the next few days with a wider range of musical genres, but assuming what I heard yesterday stands up, I think I am set with the rectifiers now for the H5000 and will use the Philips Valvo GZ34's.
Christian, thanks for the heads up on these tubes - I will be curious to hear your impressions of the Telefunken GZ32's. If they allow the H5000 to sound even better than with the Philips Valvo GZ34's that will be something to look into.
I have a sort of Audio Prepper Nervosa Syndrome going on with tubes lately.
Ahh....welcome to the club.
I have boxes and boxes of NOS tubes. Probably several hundred. I'm always afraid the "perfect" tube will go away just when I need it for XX brand of gear. :^).
I ordered a pair of the Phillips Valvo GZ34 from Tubeworld. We'll see how they compare with the Phillips Amperex Bugleboy that I already have. With both of these in hand, I should be set with rectifiers now for H5000. Thanks for the link.
That is good to hear Christian. And your results are matching what I am hearing with the 1957 Phillips Amperex BugleBoy GZ34 rectifiers made in the Sittard, Holland plant that I have been trying for the past 2 days. As you said, these are much better to me than the Bendix - better bass, much, much better high end and without the sterility of the sound that I was hearing with the Bendix. In comparison to the GE 5 Star 6087 rectifiers - much, much better bass resolution and punch (as the GE was soft sounding), better overall transparency as the the GE 6087 are a little on the warm side, and much better mids and highs as I felt that the GE has a some grain in the upper mids and highs.
Upscale Audio has this Amperex from the 60s for $65.00. I bought four of them for $55.00 each just four months ago, so perhaps his claim they will eventually be $100.00 each is true?
I have been using the Phillips Valvo NOS GZ34, F31 1958 series for a few days now. Better bass than the Bendix 6106 and much better treble. They have transformed the sound and I base this on using the transformer input on the 5000 DHT. These are the closest in sound to the metal based Valvo's which were replaced by them in 1957. Tube World seems to have a stock of them. We can't use the metal base version since our sockets are countersunk into the chassis and the wider metal base will not fit. https://www.tubeworld.com/index_high.htm
I will let you know what I hear with the Phillips Amperex Holland GZ34 rectifiers and how they compare to the Bendix 6106 and the GE 5 Star 6087 rectifiers. They were shipped to me tonight so I should have them here by Thursday.
I've ordered a pair of Phillips 1957 Amperex Bugleboy GZ34's made in the Sittard, Holland plant. Hopefully I will have these here late this week so I can give them a try and we can compare sonic impressions of these and the Phillips Valvo GZ34's that you have coming in.
Guys: FWIW, at least on the H-3000, I found a Mullard fat base first series and have stuck with that over several other NOS rectifiers. I know the guitar amp guys consider these to be holy grail rectifiers.
Thanks very much. I did see that in the manual as well.
When will you have a chance to hear the Phillips Valvo GZ34 rectifiers? I like different aspects of the Bendix 6106 and the Ge 5 Star 6087 rectifiers, but neither is totally satisfying to me so I would be very interested in learning what you think of the Valvo GZ34's.
After getting the H-5000 manual, it looks like we have another option for rectifier rolling. 5AR4....the GZ34 is the Euro version and according to KS may offer the best sound. They are relatively expensive for rectifier tubes. That said, I picked up a matched pair of NOS PHILLIPS VALVO GZ34's (Made in Holland). They are indirect heated with filament current of 1.9 amps. Scouting for some Mullards but they are even more pricey.
Great looking system indeed!! Would you ever let a potentil Rockport client listen to your set up?? I used to live in Central TX but have been away for some time....I hope to get back to Central TX, maybe in late March. You can e-mail me at txmark1962 at gmail.com if you do not mind!!!
They appear to sound the same. My main concern is a quiet ha3000 at listening level. With music I don't notice the noise floor so much. When I turn off the music and listen to the noise floor with my ear near the speaker, it is quite prevalent compared to the transformer input. The H5000 is incredibly quiet for a tube stage.