Description

this room and system is the result of 10 years in High End audio. my system has been stable for a couple of years (except for transport and amplifier upgrades within the same brand). the room has been in the planning stage for about 18 months and i actually moved in a little over a month ago.

my audio philosphy is to have the system get out of the way of the event. i like as pure and simple a signal path as possible and, at this point, prefer passive to active gain stages. i love all the formats and enjoy having lot's of music.....vinyl is my favorite but i listen to at least 60% digital. the new room really reveals the benefits of SACD over redbook.

the system and room truely allow the event to be recreated before me. i love the way the speakers disappear and i am transported to another place/time.

i have choosen my cables, sources, amps, speakers to have as little of their own sound as possible.

recently, i upgraded my digtial transport from the modified Philips SACD 1000 to the new emmlabs CDSD.....this was a significant step upward in performance.

i have written an article in Positive Feedback regarding my room building experience.....here is a link;

http://www.positive-feedback.com/Issue16/lavigneroom.htm
Read more...

Room Details

Dimensions: 29’ × 21’  X large
Ceiling: 11’


Components Toggle details

    • Evolution Acoustics MM7's
    twin towers, 600 pounds each, main passive tower, 82 inches tall, active bass tower, 84 inches tall.

    passive main tower, 97db, 7 ohms, so easy load. active bass tower has 4 analog adjustments for ideal room integration.
    • darTZeel NHB-468
    Mono block Amplifiers. amazing first watt, transparent and rich tonality. great match for my speakers.
    • darTZeel NHB-18NS with 2 internal phono stages.
    battery powered preamp with 2 separate phono stages. uses BNC 'zeel' cables between pre and amps.
    • Evolution Acoustics 7.5 meter 'Zeel'
    7.5 meter pair of BNC cables from preamp to amps.
    • Evolution Acoustics 'System' speaker cables--10 feet
    new version of these cables, a big step over the amazing TRSC model i have used for 10 years. fantastic performance.
    • WADAX SA Reference DAC
    Wadax Reference Dac----state of the art dac with 2 separate power supplies. the best dac i have heard by a good margin. below is a link to a thread about my Wadax experience.

    https://www.whatsbestforum.com/threads/wadax-reference-dac-and-server-arrive.34173/#post-771357
    • WADAX SA Reference Server with Akasa optical interface
    ultimate state of the art music server using Roon. includes the Akasa optical interface.
    • WADAX SA Reference Server power supply
    additional chassis power supply to improve the Wadax server performance.

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-6#post-948318
    • WADAX SA Akasa DC cables (3)
    replaces the standard DC cables. takes the performance of the Wadax Reference system to 'Level 4' for ultimate performance. Red in color.

    https://wadax.eu/akasa/

    https://www.whatsbestforum.com/threads/wadax-server-psu-unit-has-now-arrived.36722/page-9#post-971100
    • Arya RevOpod isolation footer (32 used under the 5 Wadax Chassis).
    height and tension adjustable. the Wadax dac, server, and server power supply chassis all use 8 footers, so it's critical to be able to adjust height and tension to have an even support for optimal performance. RevOpod's are unique in those attributes making them ideal for this use.

    https://www.arya-audio.com/revopod
    • CS Port LFT1 turntable w/arm
    air bearing platter and air bearing linear tracking arm; string drive with zero feedback dc motor, low pressure, low flow air system with zero noise air box.

    world class musical flow, nuance and delicacy, combined with authority and ease. serves the music completely.
    • Esoteric T1 Turntable
    magnetic drive/rim drive idler turntable with torque adjustment.

    with the deletion of my NVS turntable, i was able to move the Taiko Tana active isolation shelf to under the Esoteric T1. this has upgraded the performance of the T1 significantly. objectively small changes, but musically quite profound up tics in realism and immersion. more nuance, greater music focus, better bass articulation. 

    https://www.esoteric.jp/en/product/t1/top
    • Esoteric G1X Master Clock
    Master Clock Generator for speed improvement for the T1 turntable. significant improvement in music realism.

    https://www.esoteric.jp/en/product/g1x/top
    • Durand --Tosca tonearm.
    gimbal bearing design. Tosca is on the Esoteric T1 turntable
    • Primary Control 12" FCL tone arm
    Field Coil Loaded uni-pivot tone arm. with power supply. mounted on the Esoteric T1 turntable. amazing natural and very high resolution tone arm. link below.

    https://www.primarycontrol.nl/Field_Coil_Loaded_Unipivot_Tonearm.html
    • Glanz MH-1200S 12" tone arm
    12 inch tonearm, stainless steel. used for the Sumile mono cartridge.

    https://glanz.tech/e/collection/mh1200s1000s900s/
    • Experience Music/Intact Audio phono corrector + silver wound MC Trio SUT combo for three different tonearms.
    bespoke tubed phono preamplifier. silver wound, with custom dual power supplies.

    https://myemia.com/LR.html
    • LFD -3- Phono Cables DIN to RCA
    3 sets of very high performance phono cables. amazing performance. built by Dr. Richard Bews in the UK.

    one cable uses a DIN to RCA short Dongle + an RCA to RCA interconnect. the Dongle improves the performance of the DIN connection. details at the link below.

    https://www.whatsbestforum.com/threads/lfd-cables-phono-and-i-c-from-the-uk-cables-as-components.31243/
    • DaVa Reference cartridge
    field coil cartridge. with tube power supply.
    • two Etsuro Golds, ---a pair of Reference MC Phono Cartridges.
    duraluminim (A7075) body, 24 carat 'Kinpaku' Gold Leaf finish, diamond cantiliver. .3mv output, 4 ohms. these are both special versions of the Etsuro Gold.

    one is mounted on the CS Port linear tracker.

    one is mounted on the Primary Control FCL arm.

    finest cartridge i have heard by a significant margin. WOW!
    • Audio Technica MC-2022 60th Anniversary cartridge
    uses the unified stylus cantilever design. which results in extreme lack of distortion and linearity. remarkable neutrality and ability to dig out detail and keep it natural and musical.

    https://www.audio-technica.com/en-us/at-mc2022
    • Murasakino Sumile Mono phono cartridge
    MC cartridge for mono records, .04mv output. tracking force 3gms. finest monaural cartridge i have heard. competes on musical refinement with the top stereo cartridges. 

    https://murasakino.audio/en/products/sumile-mono.html

    Mounted on the Glanz MH-1200S tonearm. mounted on the Esoteric T1 turntable.
    • DS Audio Ion 001 Vinyl Ionizer
    generates positive and negative ions to remove static charge from vinyl records. 

    https://ds-audio-w.biz/products/181/
    • CS Port Static Eliminator IME1 (two of them)
    An unprecedented accessory focusing on cartridge friction. It suppresses the effects of static electricity and makes records clearer.

    one is on the CS Port tt, one on the Esoteric T1 tt.

    https://www.csport.audio/products/products-ime1-en.html
    • Stage III Concepts 1.5 meter XLR set of Gorgon interconnects.
    high performance interconnects. used from the Wadax Reference dac to the darTZeel preamp.

    http://aaudioimports.com/ShowProduct.asp?hProduct=283
    • Ampex twin ATR-102----one 1/4" and one 1/2" reel to reel master recorder
    hot rodded by ATR Service Inc----Andrew Kosobutsky. significant upgrades over stock. each interfacing with hot rodded Ampex MR-70 preamps. the new tape deck performance standard in my opinion.

    https://www.whatsbestforum.com/threads/ak-hot-rodded-ampex-atr-102s-w-mr-70-preamps-replaces-my-studers.36288/
    • Kosobutsky 1.5 meter set of RCA interconnects + 8 meter set of XLR interconnects.
    1.5 meter set of RCA interconnects are used between the EMIA phono corrector and the darTZeel preamp.

    8 meter set is used between the Ampex MR 70 tape preamps and the darTZeel preamp.
    • Nordost QRT QNET network switch
    Network switch, with Nordost Qsource power supply.

    https://www.nordost.com/qrt-audio-enhancers.php
    • Synology 30 Terabyte NAS (a pair = 60 TB) music file storage
    mirroring music storage for my music files.
    • Massif Audio Design Audio Racks, solid wood
    2--double wide 3 shelf racks for sources

    1 single wide rack 4 shelf rack for Ampex MR-70 tape preamp chassis.

    https://www.massifaudiodesign.com/racks
    • Nordost Sort Fut rack footers (3 sets of 4)
    mechanically tuned resonance control device. supporting the three Massif racks.

    https://www.nordost.com/sort-systems/sort-fut.php
    • Taiko Tana (5 of them) Herzan TS-150 (2) + TS-140 (3)
    active isolation under 5 separate components: (1) the NVS turntable, (2) the MSB dac, (3) the darTZeel preamp, (4 + 5) both darTZeel mono block amplifiers. custom modifications by Taiko Audio add a linear power supply plus panzerholtz top layer + Daiza platform to provide full frequency resonance attenuation to each platform.
    • Taiko Audio Daiza isolation platform--22 used in the system
    Panzerholtz Platform with spiral cutouts reducing mid and high frequency resonance while retaining life and energy and not changing tonality.

    22 Daiza platforms in the system of various sizes under every piece of the signal path.
    • Evolution Acoustics 'system' power cables
    a new version of the TRPC model i used on my darTZeel 468 mono blocks for the last 10 years. a big step up.
    • Sablon Audio King power cord
    used on the Wadax Reference Server power supply.

    https://www.sablonaudio.com/power
    • Absolute Fidelity power interfaces
    power cords specifically designed for either motors (tt and tape decks), amplifiers, and components. 11 in the system.
    • Tripoint Audio Troy Signature
    Grounding box for chassis grounding the darTZeel 458 mono block amplifiers + grounding the passive main towers of the Evolution Acoustics MM7 speaker system.
    • Tripoint Audio Elite
    Tripoint Elite grounding box. this does chassis grounding for my sources. it uses a a pair of Tripoint Thor SE Master Reference ground cables for my dart preamp and the MSB Select II dac. there are also 4 Signature Silver ground cables to the two arm boards of the NVS tt, the power supply of the NVS tt, and the SGM server.
    • Equi=tech 10WQ
    10kva balanced Isoltion transformer and distribution panel.
    • Furutech GTX-D NCF Rhodium duplex outlets
    10 in the system. used with 10 Furutech covers and frames. uses NCF (nano crystal formula) material to reduce noise by emitting negative ions.
    • Wave Kinetics A10 U8 decoupling footers
    8 sets-of-4 in the system for individual tuning of each piece of gear.
    • Auralex T-Fusor diffusers
    i use 20 of these. 6 each on the front side walls, and 4 each front ceiling and rear ceiling.
    • Klaudio Record Cleaning System
    automatic record cleaner
    • Acoustic Revive RL-30 mKIII CD-LP demagnatizer
    for demaging any disc.
    • Furutech DF-2 LP disc flattner
    will remove warps from Lps
    • Audiodharma Cable Cooker, Anniversary Ed.
    will cook any cables
    • Winds ALM-01 Stylus Force Gauge
    easy accurate, repeatable, measurments.
    • i-Tower by Koncept LED floor lamp
    (3) are used. best audio light ever. 2 'warm', 1 'cool'.
    • Quietrock THX 545 drywall
    specialized drywall with a 1/4" metal layer. used in my front sidewalls to establish proper room boundaries.
    • Barn.... ......room is....
    ....most of the ground floor. 29' x 21' x 11'.

Comments 3405

Owner
Audiofool; thanks for the kind words. i remember vaguely the conversation and your moniker.....but can't connect the name.....it sounds like you are having fun.....congrats on the room.....i'm sure it is very satisfying.

mikelavigne

Owner
Dev, thanks.

a few weeks back i had disconnected my speaker cables for some reason and then reconnected them.....innocent enough. but after i went back to listening i noticed that my image had shifted to the right about 15 degrees. as i normally have a spot on center image this definetly got my attention.

i went around checking all the possible causes;

--tried a few different discs including mono...still there.

--checked speaker terminals--ok

--checked balance on preamp--ok

--checked that the power switches were both on for the speaker subwoofer amps--ok

--my amp is stereo so no issues there.....but wait....each channel has a toggle for impedence adjustment depending on input configuration....BINGO!

i checked this and what do you know.....it was suppose to be set on 50 ohms for my BNC 'zeel' connection but when i messed with the speaker cables i had bumped one channel to 75 ohms....which changed the gain enough to offset the image to the right.

my guess is that there is an impedence issue with one of your cables.....i'm no techie so i can't say what the cause would be....but it sounds like the same deal....maybe something loose or a marginal connection....my guess is that your problem will come and go and have nothing to do with breakin. ask for another set of cables.

btw; i listened to a bit of Enya today too (a guilty pleasure for sure) and it sounded damn good.....but don't tell anybody.....i don't want it to get around.

mikelavigne

Hi Mike - This is the first time I have posted on an Audiogon thread, but after reading the recent unprovoked attack from loxodrome, I just had to write. I'm sure you don't remember me, but I called you on the phone several years ago to ask about Kharma Exqisites (I had heard an excellent demo at GTT). Even though you didn't know me from Adam you couldn't have been more gracious and open in sharing your time and experience (experience, not judgement). Since then I have followed your system not only with an interest in your equipment choices but with the knowledge that you were a generous guy who shares my passion for the hobby of music and music reproduction. I have followed in a similar path and now am fortunate enough to have a dedicated room and some unusual equipment. I had even thought of opening up a "Virtual System" so that others who shared my interest and curiosity in seeing how far one could push the envelope could comment. I think your listing has been a model for that type of interaction. But after your recent experience, I'm not so sure if I want to expose myself to the loxodromes of the world. It seems to me how one spends his hard-earned money and does in the privacy of his own home is really what personal freedom is all about. Those whose only focus is on how much things cost appear to be motivated either by envy (they don't call it a deadly sin for nothing) or perhaps the notion that spending money on audio equipment is either immoral or some kind of zero sum game where what you spend somehow impacts what they spend. I personally would rather they use their time writing to the government if they are that concerned with financial frugality. At any rate, please accept my expression of admiration and support and please keep writing as long as you feel like it.

audiofool


Mike regarding Jennifer Warns ("Way Down Deep") I also use this as a system tester, great piece along with many others.

Okay these MM3 speakers are really sounding good, if they are that good don't go to crazy informing everyone because the prices will go up quickly. Just joking!

Appears like that you listen to some great music which I also enjoy, I am listening to Enya right now which also has some great pieces after a stressful couple of days, more about that.

I installed some Virtual Dynamic Revelation 2.0 balanced cables in my system Thursday nite, when I turned the system back on to give a listen wow! I don't me wow! in a good way but what the heck is going on here, the centre image was not centred. It was coming out of the right speaker, I turned everything off to check my connections. I scratched my head saying it's only one length of balanced cables so it's got to be connected properly. I checked anyways making sure the connections were good. (have you ever used VD product? boy is it ridged, you get a work out just pre-bending so you can install it)

Well I'll skip a few days only played back ground music so the cables could settle in. Today being SATURDAY I put on some music around 8am. but no change. I pull out the VD cable and put in one of my other cables, yes back to the norm. I listen for an hour contemplating what to do, I decided to reinstall the VD, same problem but now just in from the right speaker a little. I posted some items on Audiogon so I needed to check my email and reply back to others.

It is now about 4:30pm and decided to sit down and see whats going on. I put on female voice that is suppose be centered, the voice is still off to the right speaker but all the sudden it starts to shift and wala it is in the centre. If I had not heard this myself happen I would not of ever believed it, now the voices are bright, sound is not pleasing.

It's now 7pm and I decided to sit down again to see if there are any changes, the brightness is gone. I have never experienced this before with any cable, tube equipment yes when there is a tub problem.

Have you ever experienced anything like this before?

I can't comment as of yet on the cable but I am being able to listen to Enya and she is just taking me away.

Remember my previous thread to you about stress? well you and I are both right now getting some stress relief.

Enjoy, I look forward to more.

dev

Owner
further MM3 thoughts;

Deep Bass--there is a track which has a killer bass whack....."Way Down Deep", Jennifer Warnes, the Hunter. i have heard it on many systems before; but it turns out i have never HEARD it really....until now on the MM3's. every prior listening was distorted. i thought is really did make a kind of 'buzz' at the strongest point. but no; it has tone and articulation....it's music...not just a sound.....it has texture, it has a spot in the soundstage, and is musically involving. i'll try to get over my habit of cringing in anticipation.

yes; Jennifer Warnes is a bit 'audiophiley' but i love her voice.

Voices--where do i start? they are simply on another level thru the MM3's. Voices are really full range intruments. by that i mean that any system that is not coherently full range misses part of the magic of vocals. not to say getting part of it correct is not better than screwing part of it up. the MM3 has a crystaline clarity; and yet at the same time this bed of ambient energy that is like real life. the MM3 also is extremely delicate and tonally subtle.....while microdynamically alive. combine all those and you have real life vocals. they are just more 'there' than i have ever heard them.

i pulled out a few of my Lps with vocals to get a feel for it. to be honest; i am not blessed with a vocabulary or ability to do justice to my perceptions regarding my impressions. i will only say that Ella, Louis, and Linda Rondstadt were here last night.

mikelavigne

Owner
Paul99, thanks.

congrats on the MM2's.....prepare to be amazed.

in the last couple of days the MM3's have truely found their voice. i have found the 'magic' point regarding the crossover. i had it set too low and i had a hole in my mid-bass. this was causing me to keep turning up the gain on the bass trying to find the correct balance. bass impact was lacking and ultimate coherence was missing.

then i moved the crossover from 80hz to 120hz, backed off the bass gain from +3db to 'flat'.....and easy as pie.....sonic bliss!

since Thursday night i have pulled out disc after disc (and Lp after LP)......what first strikes me is the perfect balance. there is a top to bottom coherence unique in my musical listening. there is a seemingly perfect sense of presence; which is what i call having an ease and extention in the mid and deep bass. at the beginning of each cut it's as if the recording venue suddenly appears before me.....i am in that room...now. intstruments happen in that space. whatever the recording can reveal seems to be all there.

i have a few familiar cuts i play to see how smooth the bass is from top to bottom. does it get muddy? is detail obscured? is the fullness and naturalness there and yet are things in balance? how is the pace and pulse of the music?

the MM3's now simply take my expectations on these cuts to a new level.

'Only the Lonely' from Chris Issak on 'Baja Sessions' is a favorite to test mid-bass/lower midrange transition. Chris's voice will overwhelm many full range systems as it easily excites room nodes or any non-linearities.

i have played this cut literally 1000 times on my and many different systems. this cut is quite SPL sensitive as it can easily get all muddy and thick.

the MM3's took this cut to a new level for me. the lack of distortion while pushing the SPL's a bit was mesmorizing. i was pulled into the music and had a hard time listening critically. no bloat.....no thickness...just the music...with more substance and visceral involvement than ever before.

i could list 50 such experiences from my most played cuts these last couple of days. this morning i listened to organ music for a couple of hours.....trying to listen for deep bass but losing my way with the music just pullin me in. i started 2 or three cuts a couple of times as i forgot what i was listening for. i was just enjoying where the music was taking me.

the MM3's just deliver whatever the recording provides without stress. they sound real....they sound alive.....they sound powerfull and delicate.

this weekend i need to pull the RTA out and check things out. but to be honest.....i just want to listen. who cares about numbers if it sounds wonderful?

mikelavigne

Owner
Mike; anything Herve does will be first-class. if he gives the integrated the same volume control of his preamp it will be killer. you won't likely have the battery power but it will still be a great sounding integrated amp. when i was listening to the pre-production version of the preamp there were times it was not in battery mode.....it still made an awesome combination with the dart amp.

i can't see how you could go wrong.

mikelavigne

Owner
Ardri; yes, i still use my 'Relax-the-Back' Zero Gravity chair. i have now used it for 6 years and have yet to find anything approaching it's comfort. i keep the chair at a fairly upright position; i am sometimes tempted to recline it to parallel for maximum effect but i'm afraid i'll lose my perfect position for ideal listening. it is just so comfortable for listening.

in general i agree that headrests and high backs are not ideal for optimal sonic performance. but it's not that simple. not all back rests and head rests are created equal. i use to use the Ekones Stressless chair for listening; but it has a broad backrest that is concave and 'cups' the sound. i moved it to my Home Theater to join 2 other Ekones Stressless chairs where the high back issues are less a concern.

any backrest that is wide and tall; particularly with any sort of a concave shape.....is a problem.

my Zero Gravity chair is high backed; but the backrest is quite narrow.....the width of my shoulders....it does rise above my shoulders; but the chair uses a pillow that extends my head a good distance from the backrest.....and the surfaces curve away from my head. comparing it's listening effect to other low back chairs in my room; there is a very tiny difference.....but certainly not better or worse.

mikelavigne

Hi Mike -

Glad to hear that you'll continue to post as you explore your system & room.

Someone once told me that "you cannot control anyone's actions, you can only hope to control your own reactions". Easy to say, and hard to do.

That is what I hear in your "much consideration" post. We all see that Lox was out of line, but you're looking past that to what you could have done differently. Very impressive.

And I really love Stereotaipei's "square inside, round outside". Fantasic. Who'd have thought: personal growth on Audiogon :-).

Take care, and please continue to share your insights on the MM3's. I can't wait for mine (the Two's) to arrive.....

paul

paul99

Mike, glad to see you back. Herve is planing on an intigrated amp. I know it is only in pre-pre planning stages but how do you it will perform. What does your gut tell you. Do you feel that it would be a too much of a compromise, or would it be a fine piece of gear for someone looking to get into some Dart sound.
Thanks

[email protected]

Mike.Do you still have the Backsaver Zero Gravity recliner as your primary listening chair? I was considering buying one but some have suggested a chair with a back that rises above your ears will interfere with your hearing the signal as it will refract at that point.I had thought in the fully reclined position the back is parallel with the floor so its not an issue. Any thoughts?

ardri

Owner
SC53, Sarah.....yes, i recall the SA-1 fondly; and i also had the CD-12 at the same time for redbook. both great pieces.....the Unidisc is very nice as a Universal player....i don't think i've heard a better one.

the MM3 does use a ribbon tweeter.....which surprisingly integrates perfectly with the ceramic mid-range for completely seamless upper registers.

no; the Rockport does not have swapable headshells. the carbon fibre arm design makes it very easy to switch cartridges. i can change cartridges in about 15 minutes with a medium level set-up. i then adjust VTA dynamically. since the vaccuum hold down is so easy on the cartridge and everything is so perfectly made; the set-up holds indefinitely. i get the exact same VTF to the 'hundreth' of a gram today as i set it at a year ago.

the Rockport comes with 4 different screw in weighs that allow you to use it with any compliance or weight cartridge.

enjoy!

mikelavigne

Owner
Stereotaipei; to answer your detailed post.

if you are in SF at the end of March you are welcome to fly to Seattle to visit my room to hear darTZeel, EMM and MM3; it's less than a 2 hour direct flight with flights about every hour.

regarding Valin's comments from RMAF. while repecting anyone's comments particularly Valin's......i did not share that feeling listening to the MM3 that they were 'sorely stressed by plucked strings' or that they were 'underdriven' by the dart amp. OTOH the room was 23' x 36' x 11'......and what i heard there was all over the board due to the room being so crappy. the previous year the VR9's in the same room were similarly inconsistent. i can tell you that plucked strings are 'on fire' when appropriate on the MM3 in my room. i played Copland's 'Fanfare' last weekend for a few guests in my room which is also large but considerably more balanced and have not heard it done better.

i am not yet prepared to compare the MM3 to the VR9 as i am still in discovery mode on the MM3. they are both magnificent speakers with slightly different design approaches and characters.

let me know if you want to work out a visit.

mikelavigne

Owner
after 'much' consideration...

i feel i made a few mistakes;

1. i should not have responded to Lox initially.

2. i should have kept my considerations to myself since the way this has played out will simply polarize things further. those that quietly or openly don't care for my approach will be antagonized further.

OTOH who cares? right? i sure shouldn't.

3. i guess in my job i am always fixing things or making them 'all better'. it's a mistake to think that way here. that attitude assumes some common values.....and this is, after all, the web.

in any case; i want to go on; please let's forget this direction.

obviously; there is much positive from the interaction here that has some value to many....and thanks.....you are correct....i just need to ignore those things that deserve to be ignored.

"Square inside....round outside" ;^)

i'll try to be worthy of that.

mikelavigne

Mike,

Dont stop posting. Just know that you cant please everyone and keeping away from things isnt going to solve anything.

Your system is great man.... and it's one of the constants I go through when I visit audiogon. I always visit your page.

I'm 24 and I first saw your system page when I was 22. 2 years later, I have amassed a system almost worthy of putting up on one of these pages... mostly because of you and your page.

So dont stop posting.

Joey

joey_v

Lox upon reading your post on your system,It sounds like
you are very educated and you really know what you want.
And thats amazing,but why are you trying to impose your
idea on Mike,I can tell by reading Mike post,He is happy with His choices.And the good thing about it,He has the
money to support it,I will do the same if I am in his position.Mike please continue buying equipment you want,
and let us know how they sound,who knows I will win the
lottery next year.

jayctoy

Let's see, Lox uses a single seat bike (and even he can't help mentioning the brand) as an attack on Mike's single seat, brand name ride. Am I missing something? :)

skull

Actually, Loxodrome's comments are designed to be taken with a large grain of salt as is demonstrated on his System page, under 'Reading'.

imdoc

Mike, I have to say that I have really enjoyed reading your threads, I have been reading them over the past month. I have gained allot of information which is a really helpful. I am looking at new main speakers right now and the MM3's speakers really have me intrigued. I love the hobby in a whole because after working hard and dealing with all the stress of life I get to listen to my system an it all melts away.

You can't worry about negative thoughts from specific individuals, that's live.

It is obvious by reading these threads that you have gained allot of respect by others and they look forward to your on going changes and thoughts and would be a great lost.

So forget about the negatives and remember all of the positives and people who you have influenced, hey if I would not have read your threads I would not have gained what I have.

I look forward to reading more of your thoughts, enjoy!

dev

Hello Mike,

I have never posted on your site before, but have really enjoyed following you through your experiences with your system and the changes you have made over the years. I hope you don't "pull the plug" on your postings. Some of us who enjoy reading your experiences with your system don't live in big markets to where we can hear or even see the type of equipment that you and other high end audiophiles use. Personally, I don't have the funds that allow me to purchase this type of equipment at this time, but I do dream to have a system like this someday and what I can read and get from people like you is a very valuable resource for those of us who aspire to reach where you have gotten and we can only thank you for sharing with us your experiences and insights into different pieces of equipment that you use.

I was lucky to be invited into a gentlemns home to hear the VR-7's with the DartZeel amp and meitner source equipment and was truly amazed. It just made me realize what can be truly attained with first class equipment. I would really appreciate if you would compare your new MM3's to your VR-9's when you feel you are ready.

Sincerely,
Kelly

kss22558

Lox I think you are totally wrong.I dont know,why you even
bother to attacked Mike,You are out of line.You think Mike
will spend that kind of money if He does not love and
enjoying the music?Common bro wake up.Enjoy your bicycle
and I will be happy for you...Just relax...and be happy
for others....you will stay younger...

jayctoy

Henrykh,
Personally I listened to the Dart only a few years ago, not on the Mini. Was great!
Wslam just bought last week one Dart for his mini (you can contact him on TAS forum, or on his personal site: http://photos.lam.ws/gallery/2424286). He listened to a lot of amp before falling in love with the Dart: ARC ref210, Spectral 250, Krell evolution, Ayre MXR... so the match seems quite nice

If I remember well, his room is something like 13'x30'and he says that the Dart has enough power to drive the mini (he is mainly listening to orchestral classical music).
I have to say I am surprised, given the fact that the real sensitivity of the mini is 84dB.
Personally I would rather consider to buy a Karan 450 (haven't listened to it yet...let's see) to replace my Gryphon Antileon: unfortunately it is in 220V and I am now moving to Japan where they use 100V power supply so cannot use the Antileon w/o redoing the power supply...

stereotaipei

StereoTaipei.....do u use the Darts?: I was interested in the Magico Minis for awhile but noticed they may be a bit inefficient with a sensistivy of 87 into 8 ohms was not sure if the Darts could drive them well....have u tried them together?

henryhk

Mike,
I fully understand your reaction.
It is unfortunately too bad that personal attacks from a few idiots can have more weight than 99% of people who respect you and read with pleasure your system evolution.

Can only tell you that I am one of the immense majority of Audiogon readers who respect you for your quest of perfection, the quality of your judgment and everything we learnt reading your posts.
However, what makes you really different in my eyes is the humility and humanity of your posts, not your room or your system. You are not the type of guy who needs to brag on his latest Ferrari or custom bike. You just want to share your passion and you treat the same way the guy with a $2000 or $200 000 system. Even under attack, you remain impressively polite and respectful. Respect!

As one Chinese proverb says, men should be "square inside, round outside", i.e. firm on what one stands for, one's belief and value, but respectful/flexible/avoiding attacks on one's interaction with others...

I don't know you in person, but hope to have one day the honor to meet you on one of the hifi shows.

stereotaipei

Lol, people think I'm crazy as well cause of my hobby. But should I quit whit it because of the few ones who actually start flaming?? There are lots of people wo do apreciate it, like myself.

bart_nl

Displaying posts 2726 - 2750 of 3405 in total